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Author: David James
Publisher: Boxtree, Limited
ISBN: 9780752213484
Category : Motion pictures
Languages : en
Pages : 96
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Book Description
Author: David James
Publisher: Boxtree, Limited
ISBN: 9780752213484
Category : Motion pictures
Languages : en
Pages : 96
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Book Description
Author: Max Allan Collins
Publisher: Longman
ISBN: 9781405882712
Category : Foreign Language Study
Languages : en
Pages : 108
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Book Description
Three days after one of the fiercest battles of World War II, Captain Miller and his surviving men think that they can relax. But they are wrong! They are sent behind enemy lines to find one man -- Private Ryan -- and bring him safely home. But how many will survive the mission?" --cover.
Author: Jesse Kornbluth
Publisher:
ISBN: 9781557043849
Category : History
Languages : en
Pages : 132
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Book Description
America Online invited viewers of Saving Private Ryan to post their responses to the film on a web site, and this is a selection of 100 of the 25,000 messages which resulted.
Author: Philipp Löffler
Publisher: Boydell & Brewer
ISBN: 1571139524
Category : History
Languages : en
Pages : 192
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Book Description
Excavates the contemporary revival of 19th-century cultural pluralism, revealing how American novelists since the 1990s have appropriated the historical novel in the pursuit of selfhood rather than truth, fundamentally repositioning the genre in American culture.
Author: Max Allan Collins
Publisher: Center Point
ISBN: 9781585471263
Category : Fiction
Languages : en
Pages : 254
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Book Description
In World War II, a captain and a squad of young soldiers are given the task of saving one of four brothers three of whom have already been killed.
Author: Howard Zinn
Publisher: eBookIt.com
ISBN: 1456611100
Category : History
Languages : en
Pages : 215
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Book Description
A selection of Howard Zinn's most popular and accessible essays on history and politics. In this lively collection of essays, now with a new afterword, Zinn discusses a wide range of historical and political topics, from the role of the Supreme Court in U.S. history to the nature of higher education today.
Author: Tom Brokaw
Publisher: Random House
ISBN: 0375504621
Category : History
Languages : en
Pages : 464
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Book Description
The instant classic that changed the way we saw World War II and an entire generation of Americans, from the beloved journalist whose own iconic career has lasted more than fifty years. In this magnificent testament to a nation and her people, Tom Brokaw brings to life the extraordinary stories of a generation that gave new meaning to courage, sacrifice, and honor. From military heroes to community leaders to ordinary citizens, he profiles men and women who served their country with valor, then came home and transformed it: Senator Daniel Inouye, decorated at the front, fighting prejudice at home; Martha Settle Putney, one of the first black women to serve in the newly formed WACs; Charles Van Gorder, a doctor who set up a MASH-like medical facility in the middle of battle, then opened a small clinic in his hometown; Navy pilot and future president George H. W. Bush, assigned to read the mail of the enlisted men under him, who says that in doing so he “learned about life”; and many other laudable Americans. To this generation that gave so much and asked so little, Brokaw offers eloquent tribute in true stories of everyday heroes in extraordinary times. Praise for The Greatest Generation “Moving . . . a tribute to the members of the World War II generation to whom we Americans and the world owe so much.”—The New York Times Book Review “Full of wonderful, wrenching tales of a generation of heroes. Tom Brokaw reminds us what we are capable of as a people. An inspiring read for those who wish their spirits lifted.”—Colin L. Powell “Offers welcome inspiration . . . It is impossible to read even a few of these accounts and not be touched by the book’s overarching message: We who followed this generation have lived in the midst of greatness.”—The Washington Times “Entirely compelling.”—The Wall Street Journal
Author: John Whiteclay Chambers II
Publisher: Oxford University Press
ISBN: 0199880115
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."
Author: Steven Spielberg
Publisher: Newmarket Press
ISBN: 9781557043719
Category : Performing Arts
Languages : en
Pages : 98
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Book Description
Over 50,000 sold—the only illustrated companion book to the extraodinary film. Includes excerpts from Stephen Ambrose's books, screenplay extracts, and commentary by Steven Spielberg, Tom Hanks, Matt Damon, Janusz Kaminski and others. 100 illustrations, 130 color plates.
Author: Dean A. Kowalski
Publisher: University Press of Kentucky
ISBN: 0813138701
Category : Philosophy
Languages : en
Pages : 254
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Book Description
“This lively collection of essays on the ideas underpinning his films enriches and enlarges our understanding of Spielberg’s complex body of work.” —Joseph McBride, author of Steven Spielberg: A Biography Few directors have had as powerful an influence on the film industry and the movie-going public as Steven Spielberg. Whatever the subject—dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism—one clear and consistent touchstone is present in all of Spielberg’s films: an interest in the human condition. In movies ranging from Jaws to Schindler’s List to Amistad to Jurassic Park, he has brought to life some of the most popular heroes—and most despised villains—of all time. In Steven Spielberg and Philosophy, Dean A. Kowalski and some of the nation’s most respected philosophers investigate Spielberg’s art to illuminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg’s work. Avid moviegoers and deep thinkers will discover plenty to enjoy in this collection.
