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Author: Stephen Prince
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
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Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Stephen Prince
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
Get Book Here
Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Stephen Prince
Publisher: University of Texas Press
ISBN: 0292774311
Category : Performing Arts
Languages : en
Pages : 442
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Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Rachel O. Moore
Publisher: Duke University Press
ISBN: 9780822323884
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
An ambitious and original work which uses early film theory, anthropological insights, and avant--garde film to explore the relation of cinema to ritual healing.
Author: Harvey Fenton
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 122
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Book Description
Stunning large-format full colour book about the creator of notorious, widely banned horror masterpiece Cannibal Holocaust. Full filmography, interview, reviews. Packed with ultra-rare gore-drenched colour photos, posters and video covers. First book ever to deal comprehensively with Deodato.
Author: Robert G. Weiner
Publisher: Scarecrow Press
ISBN: 0810876574
Category : Performing Arts
Languages : en
Pages : 422
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Book Description
This is a provocative collection of essays that provide cutting edge, original research in film studies, discussing a number of 'transgressive' films that have never before had such in-depth analysis and treatment. From '70s Italian horror films and extreme European cinema to Nazi propaganda films and fundamentalist Christian 'scare' movies, these essays explore many different genres and themes.
Author: Harold Schechter
Publisher: Macmillan
ISBN: 9780312282769
Category : History
Languages : en
Pages : 214
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Book Description
In this cogent and well-researched book, Harold Schechter argues that, unlike the popular conception of the media inciting violence through displaying it, without these outlets of violence in the media a basic human need would not be met and would have to be acted out in much more destructive ways. Schechter demonstrates how violent images saturated the earliest newspaper, how art and disturbing images are not incompatible and how the demoaisation of comic books in the 1950s det up a pattern of equating testosterone fuelled entertainment with aggression.
Author: Mark Savage
Publisher:
ISBN: 9781949127065
Category : Fiction
Languages : en
Pages : 304
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Book Description
In FICTIONAL FILM CLUB, our narrator attempts to review a series of movies that don't exist. From here, he slips into an ever more obsessive and self-obsessive unreality of made-up movie stars, false features, and perverse productions.
Author: Anne Nesbet
Publisher: Bloomsbury Publishing
ISBN: 0857716689
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
Eisenstein delighted in unlikely juxtapositions, being apt to cite from Stalin and Disney in one breath. The heterogeneity underlying his work is breathtaking and his lack of decorum and refusal to be categorised tend to make critics uneasy but not Anne Nesbet. Based on extensive research in the Eisenstein archives, her book is an original, beautifully written exploration of Eisenstein's omnivorous consumption of high and low culture and his wide-ranging experiments in 'thinking in pictures'. Savage Junctures provides fresh insights into Eisenstein's films and writings. It examines the multiple contexts within which his films evolved and Eisenstein's appropriation of all of world culture as his source. Like Eisenstein himself, Anne Nesbet is particularly interested in the possibilities of visual image making and each chapter addresses the problem of his image-based thinking from a different perspective. Each chapter also offers a fundamentally new interpretation of the films and writings that make up his oeuvre. This is a major new contribution to studies in Soviet cinema and culture and to the field of film studies.
Author: Yvette Bíró
Publisher: Midland Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
Author: Mark Goodall
Publisher: Headpress
ISBN: 1909394513
Category : Performing Arts
Languages : en
Pages : 490
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Book Description
“The Mondo Cane films were an important key to what was going on in the media landscape of the 1960s, especially post the JFK assassination. Nothing was true, and nothing was untrue...” J G Ballard Being the first ever English-language title devoted exclusively to the controversial and influential mondo documentary film cycle, this revised edition of Sweet and Savage remains the only serious study of mondo as a global film phenomenon, and includes a detailed examination of the key films of this cult genre. Sweet and Savage identifies the principle stylistic aspects of the mondo genre through a fascinating ‘non-linear’ approach that echoes the collage shock effects of the original films. In so doing it features exclusive interviews and many unique material contributions. It is lavishly illustrated with rare photographs, stills, posters, and record sleeves. Foreword by Jeremy Dyson.
