Author: Michael Meere
Publisher: Rowman & Littlefield
ISBN: 1611495490
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.
French Renaissance and Baroque Drama
Author: Michael Meere
Publisher: Rowman & Littlefield
ISBN: 1611495490
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.
Publisher: Rowman & Littlefield
ISBN: 1611495490
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.
Play in Renaissance Italy
Author: Peter Burke
Publisher: John Wiley & Sons
ISBN: 1509543449
Category : History
Languages : en
Pages : 120
Book Description
From comic verse to practical jokes, pornography to satire, acting to acrobatics, the Renaissance witnessed the flowering of play in all its forms. In the first wide-ranging and accessible introduction to play in Renaissance Italy, Peter Burke, celebrated historian of the Italian Renaissance, synthesizes over forty years’ research, explores the various forms of play in this period, and offers an overview that reveals the many connections between its different domains. While play could be rough, the Church played an increasing role in determining acceptable and unacceptable forms of play, and, after campaigns against violence and obscenity, much of the licentiousness characteristic of the early Renaissance was tamed. This entertaining study of play reveals much about the culture of Renaissance Italy, and illuminates an essential element in human life.
Publisher: John Wiley & Sons
ISBN: 1509543449
Category : History
Languages : en
Pages : 120
Book Description
From comic verse to practical jokes, pornography to satire, acting to acrobatics, the Renaissance witnessed the flowering of play in all its forms. In the first wide-ranging and accessible introduction to play in Renaissance Italy, Peter Burke, celebrated historian of the Italian Renaissance, synthesizes over forty years’ research, explores the various forms of play in this period, and offers an overview that reveals the many connections between its different domains. While play could be rough, the Church played an increasing role in determining acceptable and unacceptable forms of play, and, after campaigns against violence and obscenity, much of the licentiousness characteristic of the early Renaissance was tamed. This entertaining study of play reveals much about the culture of Renaissance Italy, and illuminates an essential element in human life.
Satira e beffa nelle commedie europee del Rinascimento
Author: Maria Chiabò
Publisher: Edizioni Torre d'Orfeo
ISBN:
Category : Literary Criticism
Languages : en
Pages : 600
Book Description
Publisher: Edizioni Torre d'Orfeo
ISBN:
Category : Literary Criticism
Languages : en
Pages : 600
Book Description
Identità e diversità nella lingua e nella letteratura italiana: L'italiano oggi e domani
Author: Associazione internazionale per gli studi di lingua e letteratura italiana. Congresso
Publisher: Cesati
ISBN:
Category : Literary Criticism
Languages : it
Pages : 812
Book Description
Publisher: Cesati
ISBN:
Category : Literary Criticism
Languages : it
Pages : 812
Book Description
Innumerevoli contrasti d'innesti
Author:
Publisher:
ISBN:
Category : Italian literature
Languages : it
Pages : 360
Book Description
Publisher:
ISBN:
Category : Italian literature
Languages : it
Pages : 360
Book Description
Diego Sánchez de Badajoz
Author: Constantine Christopher Stathatos
Publisher: Edition Reichenberger
ISBN: 9783937734262
Category :
Languages : un
Pages : 72
Book Description
Publisher: Edition Reichenberger
ISBN: 9783937734262
Category :
Languages : un
Pages : 72
Book Description
Satira e beffa nelle commedie europee del Rinascimento
Author: Maria Chiabò
Publisher:
ISBN:
Category :
Languages : es
Pages : 589
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 589
Book Description
Penser l'étrangeté
Author: Francesca Alberti
Publisher: PU Rennes
ISBN:
Category : Art, Renaissance
Languages : fr
Pages : 318
Book Description
"Étrange, extravagant, excentrique, bizarre, capricieux... Les adjectifs ne manquent pas pour décrire les oeuvres et les artistes les plus singuliers de la Renaissance. Mais que recouvrent précisément ces qualificatifs ? Quel sens leur prêter ? Renvoient-ils à un jugement passé ou moderne ? Les historiens de l'art s'accordent-ils d'ailleurs sur leur portée et leurs implications théoriques ? Face à l'instabilité de ces notions aux XVe et XVIe siècles et, plus généralement, au relativisme de tout jugement critique un jugement énoncé à la Renaissance ou au XXIe siècle ne recouvrira pas nécessairement la même réalité, puisque l'anormal, l'étrange et le bizarre se définissent en fonction de normes changeantes, il nous a semblé nécessaire de placer ces questions au centre du présent ouvrage. Une double perspective historique et historiographique a ainsi guidé cette archéologie de l'étrangeté" dans l'art de la Renaissance : d'une part, interroger l'émergence d'une véritable poétique de l'étrangeté, liée à une valorisation du merveilleux, de la surprise, et à l'affirmation par les artistes de leur singularité esthétique ; d'autre part, considérer l'évolution des discours critiques qui, de la Renaissance au )0(l ̀siècle, ont fait un usage stratégique bien distinct de cette notion et dessiné par conséquent deux images différentes de la Renaissance, la première, homogène et réglée, la seconde hétérogène et singulière."--P. [4] of cover.
Publisher: PU Rennes
ISBN:
Category : Art, Renaissance
Languages : fr
Pages : 318
Book Description
"Étrange, extravagant, excentrique, bizarre, capricieux... Les adjectifs ne manquent pas pour décrire les oeuvres et les artistes les plus singuliers de la Renaissance. Mais que recouvrent précisément ces qualificatifs ? Quel sens leur prêter ? Renvoient-ils à un jugement passé ou moderne ? Les historiens de l'art s'accordent-ils d'ailleurs sur leur portée et leurs implications théoriques ? Face à l'instabilité de ces notions aux XVe et XVIe siècles et, plus généralement, au relativisme de tout jugement critique un jugement énoncé à la Renaissance ou au XXIe siècle ne recouvrira pas nécessairement la même réalité, puisque l'anormal, l'étrange et le bizarre se définissent en fonction de normes changeantes, il nous a semblé nécessaire de placer ces questions au centre du présent ouvrage. Une double perspective historique et historiographique a ainsi guidé cette archéologie de l'étrangeté" dans l'art de la Renaissance : d'une part, interroger l'émergence d'une véritable poétique de l'étrangeté, liée à une valorisation du merveilleux, de la surprise, et à l'affirmation par les artistes de leur singularité esthétique ; d'autre part, considérer l'évolution des discours critiques qui, de la Renaissance au )0(l ̀siècle, ont fait un usage stratégique bien distinct de cette notion et dessiné par conséquent deux images différentes de la Renaissance, la première, homogène et réglée, la seconde hétérogène et singulière."--P. [4] of cover.
Divination on stage
Author: Folke Gernert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110695758
Category : Foreign Language Study
Languages : en
Pages : 260
Book Description
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110695758
Category : Foreign Language Study
Languages : en
Pages : 260
Book Description
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
History of the Adriatic
Author: Egidio Ivetic
Publisher: John Wiley & Sons
ISBN: 1509552537
Category : History
Languages : en
Pages : 311
Book Description
The Adriatic is ‘the small Mediterranean’ – a sea within a sea, part of the Mediterranean and at the same time detached from it, a largely enclosed sea with stunning coastlines and a long history of commercial, political and cultural exchange. Silent witness to the flow of civilizations, the Adriatic is the meeting point of East and West where many empires had their frontiers and some overlapped. With Italy on one side and the Balkans on the other, the Adriatic is the area where the Latin West became intertwined with the Greek and Ottoman East. This book tells the history of the Adriatic from the first cultures of the Neolithic Age through to the present day. All of the great civilizations and cultures that bordered and crossed the Adriatic are discussed: Ancient Greece and Rome, Byzantium and the Holy Roman Empire, Venice and the Ottomans, Catholicism, Orthodox Christianity and Islam. Byzantium was replaced by Venice, queen of the Adriatic, which reached its zenith at the beginning of the sixteenth century and maintained commercial and military hegemony in its Gulf, sharing the sea with the Turks, the Habsburgs, the Pope and the Spanish vice-kingdom of Naples. It was Napoleon who ended Venice’s reign in 1797. In the nineteenth century, the Austrian Empire prevailed, and Central Europe reached the Mediterranean through the Adriatic. United Italy placed its most symbolic frontier in the eastern Adriatic, clashing with Austria-Hungary in the First World War. The twentieth century was marked by the prolonged conflicts and eventually peace between Yugoslavia, Albania and Italy. Today the Adriatic is a region increasingly integrated into the European Union, experiencing a new era of cooperation following the dramatic collapse of Yugoslavia. Across centuries, this book illustrates the rich cultural and artistic heritage of diverse civilizations as they left their mark on the cities, shores and states of the Adriatic.
Publisher: John Wiley & Sons
ISBN: 1509552537
Category : History
Languages : en
Pages : 311
Book Description
The Adriatic is ‘the small Mediterranean’ – a sea within a sea, part of the Mediterranean and at the same time detached from it, a largely enclosed sea with stunning coastlines and a long history of commercial, political and cultural exchange. Silent witness to the flow of civilizations, the Adriatic is the meeting point of East and West where many empires had their frontiers and some overlapped. With Italy on one side and the Balkans on the other, the Adriatic is the area where the Latin West became intertwined with the Greek and Ottoman East. This book tells the history of the Adriatic from the first cultures of the Neolithic Age through to the present day. All of the great civilizations and cultures that bordered and crossed the Adriatic are discussed: Ancient Greece and Rome, Byzantium and the Holy Roman Empire, Venice and the Ottomans, Catholicism, Orthodox Christianity and Islam. Byzantium was replaced by Venice, queen of the Adriatic, which reached its zenith at the beginning of the sixteenth century and maintained commercial and military hegemony in its Gulf, sharing the sea with the Turks, the Habsburgs, the Pope and the Spanish vice-kingdom of Naples. It was Napoleon who ended Venice’s reign in 1797. In the nineteenth century, the Austrian Empire prevailed, and Central Europe reached the Mediterranean through the Adriatic. United Italy placed its most symbolic frontier in the eastern Adriatic, clashing with Austria-Hungary in the First World War. The twentieth century was marked by the prolonged conflicts and eventually peace between Yugoslavia, Albania and Italy. Today the Adriatic is a region increasingly integrated into the European Union, experiencing a new era of cooperation following the dramatic collapse of Yugoslavia. Across centuries, this book illustrates the rich cultural and artistic heritage of diverse civilizations as they left their mark on the cities, shores and states of the Adriatic.