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Author: William Drake
Publisher: Univ. of Tennessee Press
ISBN: 9780870495953
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Biography of twentieth-century poet Sara Teasdale, drawing from personal papers that had been withheld from publication for nearly fifty years after her death to reconstruct her tragic history, and including samples of her poetry and prose.
Author: William Drake
Publisher: Univ. of Tennessee Press
ISBN: 9780870495953
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Biography of twentieth-century poet Sara Teasdale, drawing from personal papers that had been withheld from publication for nearly fifty years after her death to reconstruct her tragic history, and including samples of her poetry and prose.
Author: William Drake
Publisher: HarperCollins Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
Author: Sara Teasdale
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 122
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Book Description
Author: Sara Teasdale
Publisher: New York : Macmillan ; London : Collier Macmillan
ISBN:
Category : Poetry
Languages : en
Pages : 200
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Book Description
Author: Sappho
Publisher: Courier Dover Publications
ISBN: 0486824268
Category : Poetry
Languages : en
Pages : 146
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Book Description
Soul-stirring collection of timeless poetry that appeals to the heart features five legendary poets from ancient to modern eras: Sappho, Emily Dickinson, Amy Lowell, Sara Teasdale, and Edna St. Vincent Millay. Includes illustrations by Claire Whitmore.
Author: Sara Teasdale
Publisher:
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: Sara Teasdale
Publisher: Graphic Arts Books
ISBN: 1513297457
Category : Poetry
Languages : en
Pages : 119
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Book Description
Rivers to the Sea (1915) is a poetry collection by Sara Teasdale. The poet’s third collection, published several years before she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Rivers to the Sea revels in the mystery of existence itself. “The park is filled with night and fog, / The veils are drawn about the world, / The drowsy lights along the paths / Are dim and pearled.” “Spring Night,” the collection’s opening poem, begins in quiet reverie, its speaker appreciating the beauty and mystery of a silent world while suffering from heartache and uncertainty: “Oh, is it not enough to be / Here with this beauty over me? / My throat should ache with praise, and I / Should kneel in joy beneath the sky. / Oh, beauty are you not enough?” A lyric poet to her core, Teasdale explores the highs and lows of love in her own life and in the lives of strangers. Personal and communal, public and private, her work is a testament to a life spent in observance. For Teasdale, a poet who merges an abiding affection for flora and fauna with a critical distance from human affairs, the belief in the life of the world, with or without us, is enough. With a beautifully designed cover and professionally typeset manuscript, this edition of Sara Teasdale’s Rivers to the Sea is a classic work of American poetry reimagined for modern readers.
Author: Sara Teasdale
Publisher: DigiCat
ISBN:
Category : Poetry
Languages : en
Pages : 69
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Book Description
DigiCat Publishing presents to you this special edition of "Flame and Shadow" by Sara Teasdale. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Sara Teasdale
Publisher: Graphic Arts Books
ISBN: 1513297430
Category : Poetry
Languages : en
Pages : 104
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Book Description
Helen of Troy and Other Poems (1911) is a poetry collection by Sara Teasdale. The poet’s second collection, published several years before she was awarded the 1918 Pulitzer Prize, is a masterful collection of lyric poems meditating on life, romance, and the natural world. Somber and celebratory, symbolic and grounded in experience, Helen of Troy and Other Poems revels in the mystery of existence itself. “Wild flight on flight against the fading dawn / The flames' red wings soar upward duskily. / This is the funeral pyre and Troy is dead / That sparkled so the day I saw it first, / And darkened slowly after. I am she / Who loves all beauty—yet I wither it.” As Troy burns, Teasdale imagines an impassioned monologue given from the ramparts by the infamous Helen, whose faithlessness in marriage was the catalyst for war in Homer’s Iliad. Although she is often seen as a minor character, more an object of male desire than an autonomous subject in her own right, Teasdale refuses to follow the template passed down by generations of poets—mostly men. Her Helen is meditative and intelligent, capable of immense sorrow and full-throated rage alike: “Men’s lives shall waste with longing after me, / For I shall be the sum of their desire, / The whole of beauty, never seen again.” While acknowledging her role in Troy’s destruction, Helen is a tragic figure in Teasdale’s poem, a woman who never asked for beauty, let alone for the troubles that beauty brought down on the world. Containing monologue poems from such figures as Sappho, Beatrice, and Guenevere, alongside a series of love poems and finely-crafted sonnets, Helen of Troy and Other Poems is a brilliant collection by a gifted American poet. With a beautifully designed cover and professionally typeset manuscript, this edition of Sara Teasdale’s Helen of Troy and Other Poems is a classic work of American poetry reimagined for modern readers.
Author: Sylvia Plath
Publisher: HarperCollins
ISBN: 0062669451
Category : Poetry
Languages : en
Pages : 388
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Book Description
Pulitzer Prize winner Sylvia Plath’s complete poetic works, edited and introduced by Ted Hughes. By the time of her death on 11, February 1963, Sylvia Plath had written a large bulk of poetry. To my knowledge, she never scrapped any of her poetic efforts. With one or two exceptions, she brought every piece she worked on to some final form acceptable to her, rejecting at most the odd verse, or a false head or a false tail. Her attitude to her verse was artisan-like: if she couldn’t get a table out of the material, she was quite happy to get a chair, or even a toy. The end product for her was not so much a successful poem, as something that had temporarily exhausted her ingenuity. So this book contains not merely what verse she saved, but—after 1956—all she wrote. — Ted Hughes, from the Introduction
