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Author: William Ophuls
Publisher: Createspace Independent Publishing Platform
ISBN: 9781480073166
Category : Political science
Languages : en
Pages : 0
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Book Description
William Ophuls proposes a different way of thinking about governance. Inspired by architecture, he articulates a pattern language of politics-a set of thirty-five design criteria for constructing sane and humane polity. Since ancient times, human beings have asked a fundamental question: What is a good society, and how should it be governed? Plato's response was philosophical. In *The Republic*, he searched for an abstract notion of justice to guide political thought and action. Aristotle's response was empirical. In *The Politics*, he tried to discover which constitutions were more conducive to justice in practice. Following Aristotle, the modern era embraced constitutionalism as the royal road to political nirvana. Thus the American founders, who were also inspired by the mechanical worldview, framed a constitutional machine intended to foster individual liberty and the pursuit of happiness. But the mechanical worldview is no longer intellectually tenable, and constitutional governance is no longer practically viable. Far from fostering a society in which men and women flourish according to their own lights, modern polities grow steadily more dysfunctional and oppressive. Ophuls argues that a pattern language best accords with the dawning ecological worldview and the emerging scientific understanding of systems and chaos. He contends that the proper way to shape the political future is not with rigid legal machinery, as is our wont, but instead with flexible design criteria resembling the architectural patterns used for constructing human settlements and dwellings.
Author: William Ophuls
Publisher: Createspace Independent Publishing Platform
ISBN: 9781480073166
Category : Political science
Languages : en
Pages : 0
Get Book Here
Book Description
William Ophuls proposes a different way of thinking about governance. Inspired by architecture, he articulates a pattern language of politics-a set of thirty-five design criteria for constructing sane and humane polity. Since ancient times, human beings have asked a fundamental question: What is a good society, and how should it be governed? Plato's response was philosophical. In *The Republic*, he searched for an abstract notion of justice to guide political thought and action. Aristotle's response was empirical. In *The Politics*, he tried to discover which constitutions were more conducive to justice in practice. Following Aristotle, the modern era embraced constitutionalism as the royal road to political nirvana. Thus the American founders, who were also inspired by the mechanical worldview, framed a constitutional machine intended to foster individual liberty and the pursuit of happiness. But the mechanical worldview is no longer intellectually tenable, and constitutional governance is no longer practically viable. Far from fostering a society in which men and women flourish according to their own lights, modern polities grow steadily more dysfunctional and oppressive. Ophuls argues that a pattern language best accords with the dawning ecological worldview and the emerging scientific understanding of systems and chaos. He contends that the proper way to shape the political future is not with rigid legal machinery, as is our wont, but instead with flexible design criteria resembling the architectural patterns used for constructing human settlements and dwellings.
Author: Benjamin N. Cardozo
Publisher: Yale University Press
ISBN: 0300173350
Category : Law
Languages : en
Pages : 180
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Book Description
"Truly scientific in spirit and method, presenting its subject with the balance, restraint and clarity which have marked the author's distinguished service as a judge."—Harlan F. Stone, Chief Justice of the United States Supreme Court, 1942–1946In this classic treatise a Supreme Court Justice describes in simple and understandable language the conscious and unconscious processes by which a judge decides a case. He discusses the sources of information to which he appeals for guidance and analyzes the contribution that considerations of precedent, logical consistency, custom, social welfare, and standards of justice and morals have in shaping his decisions.
Author: United States. Congress Senate
Publisher:
ISBN:
Category :
Languages : en
Pages : 2272
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Category : Art
Languages : en
Pages : 908
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Category :
Languages : en
Pages : 884
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Category : Campaign literature, 1862
Languages : en
Pages : 28
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Book Description
Author: Percy Bysshe Shelley
Publisher: BoD – Books on Demand
ISBN: 3387042930
Category : Fiction
Languages : en
Pages : 121
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 360
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Book Description
Author: Deborah Elise White
Publisher: Stanford University Press
ISBN: 9780804734943
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Romantic Returns explores the theorization and operation of ?imagination in pre-romantic and romantic writing. Drawing on the poetry and prose of William Collins, William Hazlitt, and Percy Bysshe Shelley, it shows the continuing importance of their understanding of imagination for contemporary debates about the historicity of literature. Historicist readings of romanticism have done much to establish how and why romantic aesthetics is ideological?an illusory if effective evasion of its material conditions. Romantic Returns challenges this position by arguing that romantic aesthetics is, rather, critical?a reflective if problematic articulation of those conditions. The argument foregrounds the ways in which the aesthetics of romanticism inform its political and economic speculations. The book opens with an examination of mid-eighteenth-century debates about the role of superstition in the constitution of a national literary tradition. It considers, in particular, how Collins's odes figure Scotland as the site of a ?superstitious poetry that must be assimilated into British history even as Collins questions the very framework of assimilation. This ambiguous defense of superstition in the national polity is rewritten by romanticism as a defense of imagination. For the romantics, the concept of imagination involves an explicit theorization of how the mind's projections play a constitutive role in what appear to be social norms and economic facts. Hazlitt clarifies this position in his Essay on the Principles of Human Action. The Essay develops a rhetorical theory of imagination in order to deconstruct the entire metaphysical basis of self-interest on which eighteenth- and nineteenth-century political economy is based. Hazlitt's political pamphlets bring this argument to bear on his analysis of the economic interests fueling the Napleonic wars. Despite Hazlitt's enormous and widely acknowledged influence, his writings have been little studied on their own account. Romantic Returns underlies their centrality to the romantic articulation of aesthetics and politics. The final sections of the book engage Shelley's complex interrogation of the contradictions involved in just such articulations. In both his poetry and prose, Shelley turns to law and history as fields in which these contradictions can be negotiated or even resolved. But Shelley, who once called poets ?unacknowledged legislators, suggests that violence may be unavoidable in any imaginative legislation that attempts to realize itself in properly ?historical action. The passage from poetry to politics cannot evade the problem of force. Tracing the crossings between ?superstition, ?imagination, and ?history in all three of these writers, Romantic Returns shows how difficult it is to maintain such crossings. In doing so, it shows, too, the continuing challenge of romanticism to contemporary historicism.
Author: Paul Di Filippo
Publisher: Wildside Press LLC
ISBN:
Category : Fiction
Languages : en
Pages : 464
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Book Description
“Di Filippo is a joyful writer…insightful…skillful.” —Washington Post This collection presents PAUL DI FILIPPO at his best and most creative—an astonishing, multiverse-spanning selection of 19 of his very best tales, from humorous to serious, from otherworldly to in-your-backyard (and in-your-face)! Here are: Providence Argus Blinked Life in the Anthropocene Bombs Away! Cockroach Love Waves and Smart Magma To See Infinity Bare The End of the Great Continuity Fjaerland The HPL Commonplace Book Professor Fluvius’s Palace of Many Waters Yes We Have No Bananas A Partial and Conjectural History of Dr. Mueller’s Panoptical Cartoon Engine The New Cyberiad iCity Return to the 20th Century Murder in Geektopia The Omniplus Ultra! Wikiworld Introduction by Rudy Rucker
