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Author: Conor Carville
Publisher: Cambridge University Press
ISBN: 1108422772
Category : Art
Languages : en
Pages : 277
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Book Description
This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.
Author: Conor Carville
Publisher: Cambridge University Press
ISBN: 1108422772
Category : Art
Languages : en
Pages : 277
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Book Description
This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.
Author: Lois Oppenheim
Publisher: Routledge
ISBN: 1000378519
Category : Art
Languages : en
Pages : 326
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Book Description
This book, first published in 1999, addresses Beckett’s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett’s work; the ‘collaborations’ undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.
Author: Lucy Jeffery
Publisher: BoD – Books on Demand
ISBN: 3838215842
Category : Language Arts & Disciplines
Languages : en
Pages : 342
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Book Description
This is the first monograph to analyse Beckett’s use of the visual arts, music, and broadcasting media through a transdisciplinary approach. It considers how Beckett’s complex and varied use of art, music, and media in a selection of his novels, radio plays, teleplays, and later short prose informs his creative process. Investigating specific instances where Beckett’s writing adopts musical or visual structures, Lucy Jeffery identifies instances of Beckett’s transdisciplinarity and considers how this approach to writing facilitates ways of expressing familiar Beckettian themes of abstraction, ambiguity, longing, and endlessness. With case studies spanning forty years, she evaluates Beckett’s stylistic shifts in relation to the cultural context, particularly the technological advancements and artistic movements, during which they were written. With new examples from Beckett’s notebooks, critical essays, and letters, Transdisciplinary Beckett evidences how the drastic changes that took place in the visual arts and in musical composition influenced Beckett and, in turn, were influenced by him. Transdisciplinary Beckett situates Beckett as a key figure not just in the literary marketplace but also in the fields of music, art, and broadcasting.
Author: Lois Oppenheim
Publisher: University of Michigan Press
ISBN: 9780472111176
Category : Art
Languages : en
Pages : 260
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Book Description
Exploring Beckett's relationship with the visual arts and its influence on his creative expression
Author: Conor Carville
Publisher: Cambridge University Press
ISBN: 1108527558
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes.
Author: David Houston Jones
Publisher: Ibidem Press
ISBN: 9783838208497
Category : Art
Languages : en
Pages : 367
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Book Description
This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art-he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond. The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like Minimalism and Conceptual Art. Containing interviews with and pieces by working artists, alongside contributions of scholars of literature and the visual arts, this collection offers an essential reassessment of Beckett's work. Perceiving Beckett's ongoing importance from the perspective of contemporary art practices, dominated by installation and conceptual strategies, it offers a completely new frame through which to read perennial Beckettian themes of impotence, failure, and penury. From Beckett's remains, as it were, contemporary artists find endless inspiration.
Author: Llewellyn Brown
Publisher: BoD – Books on Demand
ISBN: 3838212398
Category : Performing Arts
Languages : en
Pages : 628
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Book Description
Forming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices—eyes, mirrors, windows—point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres—manifestations without origin—reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Beckett’s use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing. This study systematically examines these essential aspects of the visual in Beckett’s creation. The theoretical elaborations of Jacques Lacan—in relation with corresponding developments in the history and philosophy of the visual arts—offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.
Author: Fionnuala Croke
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 112
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Book Description
The National Gallery of Ireland was one of Samuel Beckett's favorite Dublin haunts. He whiled away many hours there and was particularly drawn to works by Perugino, Poussin, Rembrandt, and Rubeens. Encouraged by his friend Thomas MacGreevy, who later became director of the Gallery, Beckett developed a life-long passion for art. Essays trace Beckett's interest in art from its origins in the National Gallery, through his admiration for the work of Jack B. Yeats, to his art criticism and associations with contemporary artists including Bram van Velde, Alberto Giacometti, and Avigdor Arikha. The book concludes with the proceedings of the round table discussion "Samuel Beckett and the Visual Arts." Contributors include Nicholas Allen, John Banville, Riann Coulter, Dellas Henke, Charles Klabunde, James Knowlson, R(c)mi Labrusse, David Lloyd, Breon Mitchell, Lois Oppenheim, Peggy Phelan, and Susan Schreibman.
Author: Pascale Casanova
Publisher: Verso Books
ISBN: 1786635712
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
In this fascinating new exploration of Samuel Beckett’s work, Pascale Casanova argues that Beckett’s reputation rests on a pervasive misreading of his oeuvre, which neglects entirely the literary revolution he instigated. Reintroducing the historical into the heart of this body of work, Casanova provides an arresting portrait of Beckett as radically subversive—doing for writing what Kandinsky did for art—and in the process presents the key to some of the most profound enigmas of Beckett’s writing.
Author: Anthony Uhlmann
Publisher: Cambridge University Press
ISBN: 1139460803
Category : Literary Criticism
Languages : en
Pages : 3
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Book Description
Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor' or 'representation', and, in the process, to analyse Beckett's use of images borrowed from philosophy and aesthetics. This study, first published in 2006, carefully examines Beckett's thoughts on the image in his literary works and his extensive notes to the philosopher Arnold Geulincx. Uhlmann considers how images might allow one kind of interaction between philosophy and literature, and how Beckett makes use of images which are borrowed from, or drawn into dialogue with, philosophical images from Geulincx, Berkeley, Bergson, and the ancient Stoics. Uhlmann's reading of Beckett's aesthetic and philosophical interests provides a revolutionary reading of the importance of the image in his work.
