Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 160
Book Description
A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
Author:
Publisher: BRILL
ISBN: 9004435034
Category : History
Languages : en
Pages : 653
Book Description
A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.
Publisher: BRILL
ISBN: 9004435034
Category : History
Languages : en
Pages : 653
Book Description
A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.
The British Catalogue of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 160
Book Description
Bibliographic Guide to Music
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
The Oxford Handbook of the Jesuits
Author: Ines G. Županov
Publisher:
ISBN: 0190639636
Category : Religion
Languages : en
Pages : 1153
Book Description
Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.
Publisher:
ISBN: 0190639636
Category : Religion
Languages : en
Pages : 1153
Book Description
Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.
Mystic Modern
Author: Jennifer Donelson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The name of French composer and musician Charles Tournemire (1870-1939) is familiar to organists. From 1898 to 1939, Tournemire was the titular organist at the Parisian Basilica of Sainte-Clotilde, a post once held by César Franck, his organ professor at the Paris Conservatoire. However, beyond the world of organists, Tournemire has been largely neglected and forgotten. This volume of collected essays, the first book on Tournemire available in English, aims at making Tournemire known to a wider audience. A number of essays investigate Tournemire's best-known work, a monumental organ cycle entitled L'Orgue mystique (The Mystic Organ) composed between 1927 and 1932. Related topics include Gregorian chant, improvisation, and performance practice. Tournemire's legacy is also considered in the careers of later musicians, including (among others) Joseph Bonnet (1884-1944), Maurice Duruflé (1902-1986), Jean Langlais (1907-1991), Olivier Messiaen (1908-1992), and Naji Hakim (1955-). Finally, beyond the organ, Tournemire's literary world is examined: in terms of influences on his thought (especially Ernest Hello [1828-1885] and Léon Bloy [1846-1917]); and in his own librettos and commentaries written for numerous instrumental, symphonic, and operatic compositions. The portrait of Tournemire drawn in this collection is that of an unexpectedly complex and prolific thinker, teacher, and composer.
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
The name of French composer and musician Charles Tournemire (1870-1939) is familiar to organists. From 1898 to 1939, Tournemire was the titular organist at the Parisian Basilica of Sainte-Clotilde, a post once held by César Franck, his organ professor at the Paris Conservatoire. However, beyond the world of organists, Tournemire has been largely neglected and forgotten. This volume of collected essays, the first book on Tournemire available in English, aims at making Tournemire known to a wider audience. A number of essays investigate Tournemire's best-known work, a monumental organ cycle entitled L'Orgue mystique (The Mystic Organ) composed between 1927 and 1932. Related topics include Gregorian chant, improvisation, and performance practice. Tournemire's legacy is also considered in the careers of later musicians, including (among others) Joseph Bonnet (1884-1944), Maurice Duruflé (1902-1986), Jean Langlais (1907-1991), Olivier Messiaen (1908-1992), and Naji Hakim (1955-). Finally, beyond the organ, Tournemire's literary world is examined: in terms of influences on his thought (especially Ernest Hello [1828-1885] and Léon Bloy [1846-1917]); and in his own librettos and commentaries written for numerous instrumental, symphonic, and operatic compositions. The portrait of Tournemire drawn in this collection is that of an unexpectedly complex and prolific thinker, teacher, and composer.
Instrumental Music in an Age of Sociability
Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 110701381X
Category : Music
Languages : en
Pages : 613
Book Description
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).
Publisher: Cambridge University Press
ISBN: 110701381X
Category : Music
Languages : en
Pages : 613
Book Description
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).
Cultural Techniques
Author: Bernhard Siegert
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
The New Grove Dictionary of Music and Musicians: Wagon to Z?ywny
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 944
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 944
Book Description
Schwann Opus
Author:
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1156
Book Description
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1156
Book Description
The New Grove Dictionary of Music and Musicians: Wagon to Żywny
Author: Stanley Sadie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 942
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 942
Book Description