Author: William Booth
Publisher:
ISBN: 9781021243157
Category : History
Languages : en
Pages : 0
Book Description
Salvation Army Music
Author: William Booth
Publisher:
ISBN: 9781021243157
Category : History
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781021243157
Category : History
Languages : en
Pages : 0
Book Description
The Song Book of the Salvation Army
Author:
Publisher:
ISBN: 9780854125104
Category : Hymns, English
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780854125104
Category : Hymns, English
Languages : en
Pages : 0
Book Description
In Darkest England and the Way out
Author: General William Booth
Publisher: BoD – Books on Demand
ISBN: 3734081742
Category : Fiction
Languages : en
Pages : 274
Book Description
Reproduction of the original: In Darkest England and the Way out by General William Booth
Publisher: BoD – Books on Demand
ISBN: 3734081742
Category : Fiction
Languages : en
Pages : 274
Book Description
Reproduction of the original: In Darkest England and the Way out by General William Booth
The Joystrings
Author: Sylvia Dalziel
Publisher: Anchor Books
ISBN: 9780854129065
Category : Singers
Languages : en
Pages : 0
Book Description
Fifty years since the Joystrings' foundation, group member Sylvia Dalziel lifts the lid on the five frantic years of their existence - the highs and lows, the struggles and the successes, and above all the steady insistence that it was all the inspiration of the Holy Spirit.
Publisher: Anchor Books
ISBN: 9780854129065
Category : Singers
Languages : en
Pages : 0
Book Description
Fifty years since the Joystrings' foundation, group member Sylvia Dalziel lifts the lid on the five frantic years of their existence - the highs and lows, the struggles and the successes, and above all the steady insistence that it was all the inspiration of the Holy Spirit.
The Musical Salvationist
Author: Gordon Cox
Publisher: Boydell & Brewer Ltd
ISBN: 1843836963
Category : Biography & Autobiography
Languages : en
Pages : 250
Book Description
The Musical Salvationist frames the Salvation Army's contribution to British musical life through the life story of composer, arranger and musical editor Richard Slater (1854-1939), popularly known as the 'Father of SalvationArmy Music', drawing on his detailed hand-written diaries. The Musical Salvationist frames the musical history of the Salvation Army through the life story of Richard Slater, popularly known as the 'Father of Salvation Army Music'. This book focuses upon the significant contribution of the Salvation Army to British musical life from the late Victorian era until the outbreak of the Second World War in 1939. It demonstrates links between the Army's music-making and working class popular culture, education and religion. Richard Slater [1854-1939] worked in the Army's Musical Department from 1883 until his retirement in 1913. His detailed hand-written diaries reveal new information about his background before he became a Salvationist at the age of 28. He then worked as the principal Salvationist composer, arranger and musical editor of the period and had contact with William Booth, the Army's Founder, who rejoiced in 'robbing the devil of his choicetunes'; George Bernard Shaw who wrote a penetrating critique of a band festival in 1905; and Eric Ball who was to become one of the Army's finest composers. The book illuminates rarely explored aspects of a vibrant Britishmusical tradition, and its adaptation to international contexts. GORDON COX is a former Senior Lecturer in Music Education, University of Reading. Foreword by Dr Ray Steadman-Allen.
Publisher: Boydell & Brewer Ltd
ISBN: 1843836963
Category : Biography & Autobiography
Languages : en
Pages : 250
Book Description
The Musical Salvationist frames the Salvation Army's contribution to British musical life through the life story of composer, arranger and musical editor Richard Slater (1854-1939), popularly known as the 'Father of SalvationArmy Music', drawing on his detailed hand-written diaries. The Musical Salvationist frames the musical history of the Salvation Army through the life story of Richard Slater, popularly known as the 'Father of Salvation Army Music'. This book focuses upon the significant contribution of the Salvation Army to British musical life from the late Victorian era until the outbreak of the Second World War in 1939. It demonstrates links between the Army's music-making and working class popular culture, education and religion. Richard Slater [1854-1939] worked in the Army's Musical Department from 1883 until his retirement in 1913. His detailed hand-written diaries reveal new information about his background before he became a Salvationist at the age of 28. He then worked as the principal Salvationist composer, arranger and musical editor of the period and had contact with William Booth, the Army's Founder, who rejoiced in 'robbing the devil of his choicetunes'; George Bernard Shaw who wrote a penetrating critique of a band festival in 1905; and Eric Ball who was to become one of the Army's finest composers. The book illuminates rarely explored aspects of a vibrant Britishmusical tradition, and its adaptation to international contexts. GORDON COX is a former Senior Lecturer in Music Education, University of Reading. Foreword by Dr Ray Steadman-Allen.
Pulling the Devil's Kingdom Down
Author: Pamela J. Walker
Publisher: Univ of California Press
ISBN: 9780520925854
Category : History
Languages : en
Pages : 414
Book Description
Those people in uniforms who ring bells and raise money for the poor during the holiday season belong to a religious movement that in 1865 combined early feminism, street preaching, holiness theology, and intentionally outrageous singing into what soon became the Salvation Army. In Pulling the Devil's Kingdom Down, Pamela Walker emphasizes how thoroughly the Army entered into nineteenth-century urban life. She follows the movement from its Methodist roots and East London origins through its struggles with the established denominations of England, problems with the law and the media, and public manifestations that included street brawls with working-class toughs. The Salvation Army was a neighborhood religion, with a "battle plan" especially suited to urban working-class geography and cultural life. The ability to use popular leisure activities as inspiration was a major factor in the Army's success, since pubs, music halls, sports, and betting were regarded as its principal rivals. Salvationist women claimed the "right to preach" and enjoyed spiritual authority and public visibility more extensively than in virtually any other religious or secular organization. Opposition to the new movement was equally energetic and took many forms, but even as contemporary music hall performers ridiculed the "Hallelujah Lasses," the Salvation Army was spreading across Great Britain and the Continent, and on to North America. The Army offered a distinctive response to the dilemmas facing Victorian Christians, in particular the relationship between what Salvationists believed and the work they did. Walker fills in the social, cultural, and religious contexts that make that relationship come to life.
Publisher: Univ of California Press
ISBN: 9780520925854
Category : History
Languages : en
Pages : 414
Book Description
Those people in uniforms who ring bells and raise money for the poor during the holiday season belong to a religious movement that in 1865 combined early feminism, street preaching, holiness theology, and intentionally outrageous singing into what soon became the Salvation Army. In Pulling the Devil's Kingdom Down, Pamela Walker emphasizes how thoroughly the Army entered into nineteenth-century urban life. She follows the movement from its Methodist roots and East London origins through its struggles with the established denominations of England, problems with the law and the media, and public manifestations that included street brawls with working-class toughs. The Salvation Army was a neighborhood religion, with a "battle plan" especially suited to urban working-class geography and cultural life. The ability to use popular leisure activities as inspiration was a major factor in the Army's success, since pubs, music halls, sports, and betting were regarded as its principal rivals. Salvationist women claimed the "right to preach" and enjoyed spiritual authority and public visibility more extensively than in virtually any other religious or secular organization. Opposition to the new movement was equally energetic and took many forms, but even as contemporary music hall performers ridiculed the "Hallelujah Lasses," the Salvation Army was spreading across Great Britain and the Continent, and on to North America. The Army offered a distinctive response to the dilemmas facing Victorian Christians, in particular the relationship between what Salvationists believed and the work they did. Walker fills in the social, cultural, and religious contexts that make that relationship come to life.
Sacraments and the Salvation Army
Author: R. David Rightmire
Publisher: Studies in Evangelicalism
ISBN:
Category : History
Languages : en
Pages : 352
Book Description
The emergence of the Salvation Army within the context of Victorian England was theologically a part of the late nineteenth century holiness revival. This book examines the historical and theological influences on William Booth's decision to abandon sacramental practice (1883), and investigates the relationship between the Salvation Army's pneumatology and its non-sacramental theology. By placing the theology of the early Salvation Army in the context of Victorian society, the Wesleyan revival, and the nineteenth century holiness movement, the author interprets Booth's non-sacramental position as the subordination of ecclesiological and sacramental concerns to pneumatological priorities.
Publisher: Studies in Evangelicalism
ISBN:
Category : History
Languages : en
Pages : 352
Book Description
The emergence of the Salvation Army within the context of Victorian England was theologically a part of the late nineteenth century holiness revival. This book examines the historical and theological influences on William Booth's decision to abandon sacramental practice (1883), and investigates the relationship between the Salvation Army's pneumatology and its non-sacramental theology. By placing the theology of the early Salvation Army in the context of Victorian society, the Wesleyan revival, and the nineteenth century holiness movement, the author interprets Booth's non-sacramental position as the subordination of ecclesiological and sacramental concerns to pneumatological priorities.
The War Romance of the Salvation Army
Author: Evangeline Booth
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 400
Book Description
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 400
Book Description
Army Song Book
Author: United States. Commission on Training Camp Activities (War Dept.)
Publisher:
ISBN:
Category : National songs
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : National songs
Languages : en
Pages : 120
Book Description
Colour and Texture in the Brass Band Score
Author: Ray Steadman-Allen
Publisher:
ISBN: 9780854123650
Category : Bands (Music)
Languages : en
Pages : 83
Book Description
Publisher:
ISBN: 9780854123650
Category : Bands (Music)
Languages : en
Pages : 83
Book Description