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Author: Daniëlle O. Kisluk-Grosheide
Publisher: Bard Center
ISBN: 9780300190243
Category : Decorative arts
Languages : en
Pages : 0
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Book Description
"This book explores the life, professional activities, artistic production and collecting practices of Georges Hoentschel through the objects he collected and created. Essays by the editors, joined by Amy F. Ogata, associate professor at Bard Graduate Center and Christine E. Brennan, senior research associate in Medieval Art as the Metropolitan Museum, address his biography, business contacts, and clients, as well as the arrival of the collection in New York, its lavish four-volume illustrated catalogue, and the medieval collections. Also discussed is Hoentschel's involvement with contemporary art, including his intriguing stoneware creations and designs for a pavilion and interiors at the 1900 Exposition Universelle in Paris. Fully illustrated catalogue entries explore the astonishing range of objects he collected. Throughout the book, new documentary material from archives and newspapers illuminates this little-explored chapter in the history of collecting decorative arts between France and America at the dawn of the twentieth century."--book jacket.
Author: Daniëlle O. Kisluk-Grosheide
Publisher: Bard Center
ISBN: 9780300190243
Category : Decorative arts
Languages : en
Pages : 0
Get Book
Book Description
"This book explores the life, professional activities, artistic production and collecting practices of Georges Hoentschel through the objects he collected and created. Essays by the editors, joined by Amy F. Ogata, associate professor at Bard Graduate Center and Christine E. Brennan, senior research associate in Medieval Art as the Metropolitan Museum, address his biography, business contacts, and clients, as well as the arrival of the collection in New York, its lavish four-volume illustrated catalogue, and the medieval collections. Also discussed is Hoentschel's involvement with contemporary art, including his intriguing stoneware creations and designs for a pavilion and interiors at the 1900 Exposition Universelle in Paris. Fully illustrated catalogue entries explore the astonishing range of objects he collected. Throughout the book, new documentary material from archives and newspapers illuminates this little-explored chapter in the history of collecting decorative arts between France and America at the dawn of the twentieth century."--book jacket.
Author: Sheila E. Jelen
Publisher: Wayne State University Press
ISBN: 081434898X
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
A compelling examination of the recuperation of eastern European culture in Israeli Hebrew-language literature.
Author: Martin T. Fromm
Publisher: Cambridge University Press
ISBN: 1108475922
Category : Biography & Autobiography
Languages : en
Pages : 309
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Book Description
In the 1980s, a Chinese state-sponsored oral history project led to the publication of local, regional, and national histories. These histories are the basis of this innovative study of ideology formation and political mobilization, post-Cultural Revolution reconciliation, and the recovery of borderland identities in early post-Mao China.
Author: Katrina Phillips
Publisher: UNC Press Books
ISBN: 1469662329
Category : Social Science
Languages : en
Pages : 263
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Book Description
As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
Author: Junko Habu
Publisher: Springer
ISBN: 1493965212
Category : Social Science
Languages : en
Pages : 771
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Book Description
The Handbook of East and Southeast Asian Archaeology focuses on the material culture and lifeways of the peoples of prehistoric and early historic East and Southeast Asia; their origins, behavior and identities as well as their biological, linguistic and cultural differences and commonalities. Emphasis is placed upon the interpretation of material culture to illuminate and explain social processes and relationships as well as behavior, technology, patterns and mechanisms of long-term change and chronology, in addition to the intellectual history of archaeology as a discipline in this diverse region. The Handbook augments archaeologically-focused chapters contributed by regional scholars by providing histories of research and intellectual traditions, and by maintaining a broadly comparative perspective. Archaeologically-derived data are emphasized with text-based documentary information, provided to complement interpretations of material culture. The Handbook is not restricted to art historical or purely descriptive perspectives; its geographical coverage includes the modern nation-states of China, Mongolia, Far Eastern Russia, North and South Korea, Japan, Taiwan, Vietnam, Cambodia, Laos, Thailand, Burma, Malaysia, Indonesia, the Philippines and East Timor.
Author: Jes Wienberg
Publisher: Manchester University Press
ISBN: 9198469940
Category : Art
Languages : en
Pages : 336
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Heritopia investigates the meanings of the past in the present, focusing on Abu Simbel in Egypt and other World Heritage sites. It explores and resolves a number of paradoxes: the past is impossible to preserve for eternity; all preservation implies change; preservation of one site normally means destruction of others; threats are important in the creation of heritage, but at the same time heritage may become a threat and threats can become heritage themselves; heritage stands in contrast to modernity and is at the same time part of it; both the increase and the decrease of modernity create heritage; and finally, heritage may be global and local at the same time. Heritopia will appeal to students and professionals in heritage studies and related subjects such as archaeology, history, ethnology and museology.
Author: Kathleen Curran
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
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Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Author: Daniel Madsen
Publisher: Naval Institute Press
ISBN: 1612513549
Category : History
Languages : en
Pages : 268
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Book Description
Aimed at the general reader with an interest in World War II and the U.S. Navy, this book looks at the massive salvage effort that followed the attack on Pearl Harbor, beginning with the damage control efforts aboard the sinking and damaged ships in the harbor on 7 December 1941 and ending in March 1944 when salvage efforts on the USS Utah were finally abandoned. Dan Madsen describes the Navy's dramatic race to clear the harbor and repair as many ships as possible so they could return to the fleet ready for war. Numerous photographs, many never before published in books for the general public, give readers a real appreciation for the momentous task involved, from the raising of the USS Oglala in 1942 and the USS Oklahoma in 1943 to the eventual dismantling of the above-water portions of the USS Arizona.
Author: David N. Lucsko
Publisher: JHU Press
ISBN: 1421419432
Category : Technology & Engineering
Languages : en
Pages : 279
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Book Description
The material appeal of the automobile junkyard goes beyond the search for second-hand parts. What happens to automobiles after they are retired but before they are processed as scrap? In this fascinating history, David N. Lucsko takes readers on a tour of salvage yards and wrecked or otherwise out-of-service cars in the United States from the point of view of gearheads—the hot rodders, restoration hobbyists, street rodders, and classic car devotees who reuse, repurpose, and restore junked cars. Junkyards, Gearheads, and Rust is a nuanced exploration of the business of dismantling wrecks and selling second-hand parts. It examines the reinterpretation of these cars and parts by artists as well as their restoration by enthusiasts. It also surveys the origin and evolution of gearhead-oriented yards that specialize in specific types of automobiles; dissects the material and emotional appeal of the salvage yard and its contents among enthusiasts; and examines how zoning and nuisance ordinances have affected both salvage businesses and hobbyists. Lucsko concludes with an analysis of efforts during the last twenty-five years to hasten vehicular obsolescence at the expense of salvage yards, mechanics, and enthusiasts. By examining how cars are salvaged, repurposed, and restored, this book demonstrates that the history of the automobile is much more than a running catalog of showroom novelties.
Author: Matt Edgeworth
Publisher: Rowman Altamira
ISBN: 0759114315
Category : Social Science
Languages : en
Pages : 213
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Book Description
Ethnographic perspectives are often used by archaeologists to study cultures both past and present - but what happens when the ethnographic gaze is turned back onto archaeological practices themselves? That is the question posed by this book, challenging conventional ideas about the relationship between the subject and the object, the observer and the observed, and the explainers and the explained. This book explores the production of archaeological knowledge from a range of ethnographic perspectives. Fieldwork spans large parts of the world, with sites in Turkey, the Netherlands, Mexico, Brazil, Italy, Germany, the USA and the United Kingdom being covered. They focus on excavation, inscription, heritage management, student training, the employment of hired workers and many other aspects of archaeological practice. These experimental ethnographic studies are situated right on the interface of archaeology and anthropology_on the road to a more holistic study of the present and the past.
