Author:
Publisher: BRILL
ISBN: 9004341617
Category : Literary Criticism
Languages : en
Pages : 555

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In the Name of Friendship: Deguy, Derrida and "Salut" centres on the relationship between poet Michel Deguy and philosopher Jacques Derrida. Translations of two essays, "Of Contemporaneity" by Deguy and "How to Name" by Derrida, allow Christopher Elson and Garry Sherbert to develop the implications of this singular intellectual friendship. In these thinkers’ efforts to reinvent secular forms of the sacred, such as the singularity of the name, and especially poetic naming, Deguy, by adopting a Derridean programme of the impossible, and Derrida, by developing Deguy's ethics of naming through the word "salut," situate themselves at the forefront of contemporary debates over politics and religion alongside figures like Alain Badiou and Jean-Luc Marion, John Caputo and Martin Hagglund.

Author: Gaetano Donizetti
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 8

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Author: Emmanuelle Mercier
Publisher: Presses universitaires de Louvain
ISBN: 287558958X
Category : Art
Languages : en
Pages : 108

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Formes du salut invite à la découverte de sept sculptures et d'un panneau peint en provenance de l’abbaye de Val Duchesse. Ces œuvres font partie de la collection de l’abbé Mignot, elles ont été léguées à la Donation royale et mises en dépôt au Musée L. À travers ce livre, le Musée souhaite mettre en valeur le travail de conservation/restauration mené à l’Institut royal du patrimoine artistique ( IRPA ) grâce au Fonds Baillet Latour. Au-delà de son utilité pratique qui garantit le salut, la pérennité et la transmission de ce patrimoine aux générations futures, cette intervention a permis de renseigner les usages et l’historique des sculptures, souvent remaniées au gré des circonstances de leur exposition. C’est donc aussi la participation de ces oeuvres à la vie religieuse et plus précisément leur rôle dans la quête du salut par les fidèles chrétiens qui est au coeur de l’ouvrage. Emmanuelle Mercier ( IRPA ), Erika Rabelo ( IRPA ) et Matthieu Somon ( UCLouvain ) proposent ici une sorte de pragmatique de l’art religieux et documentent l’inscription des œuvres dans la vie cultuelle de l’époque médiévale: les interactions y étaient beaucoup plus vivantes que leur présentation actuelle ne peut le laisser croire!

Author: Edward Elgar
Publisher:
ISBN:
Category : Cello and piano music
Languages : en
Pages : 6

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Author: Gaetano Donizetti
Publisher:
ISBN:
Category : Ballads
Languages : en
Pages : 8

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Author: René Rapin
Publisher:
ISBN:
Category :
Languages : en
Pages : 250

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Author: René Rapin
Publisher:
ISBN:
Category :
Languages : en
Pages : 236

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Author: Jacques Derrida
Publisher: Stanford University Press
ISBN: 9780804742443
Category : Philosophy
Languages : en
Pages : 406

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This book, written out of Derrida's long-standing friendship with Jean-Luc Nancy, examines the central place accorded to the sense of touch in the Western philosophical tradition.

Author: Ralph P. Locke
Publisher: University of Chicago Press
ISBN: 9780226489025
Category : History
Languages : en
Pages : 440

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Book Description
The Saint-Simonians, whose movement flourished in France between 1825 and 1835, are widely recognized for their contributions to history and social thought. Until now, however, no full account has been made of the central role of the arts in their program. In this skillful interdisciplinary study, Ralph P. Locke describes and documents the Saint-Simonians' view of music as an ideological tool and the influence of this view on musical figures of the day. The disciples of Claude Henri de Rouvroy, comte de Saint-Simon, believed that increased industrial production would play a crucial role in improving the condition of the working masses and in shifting power from the aristocratic "drones" to the enterprising men of talent then rising in the French middle class. As a powerful means of winning support for their views, music became an integral part of the Saint-Simonians' writings and ceremonial activities. Among the musicians Locke discusses are Berlioz, Liszt, and Mendelssohn, whose tangential association with the Saint-Simonians reveals new aspects of their social and aesthetic views. Other musicians became the Saint-Simonians' faithful followers, among them Jules Vinçard, Dominique Tajan-Rogé, and particularly Félicien David, the movement's principal composer. Many of these composers' works, reconstructed by Locke from authentic sources, are printed here, including the "Premier Chant des industriels," written at Saint-Simon's request by Rouget de Lisle, composer of the "Marseillaise."

Author:
Publisher:
ISBN:
Category : South Africa
Languages : en
Pages : 80

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