Author: Paul Rabbitts
Publisher: Amberley Publishing Limited
ISBN: 1445699338
Category : Architecture
Languages : en
Pages : 149
Book Description
Discover Salisbury’s architectural gems and heritage from across the centuries in this fascinating guide to fifty of its buildings and landmarks.
The Spire
Author: William Golding
Publisher: Faber & Faber
ISBN: 0571312268
Category : Fiction
Languages : en
Pages : 231
Book Description
Succumb to one churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, William Golding (recorded by Benedict Cumberbatch as an audiobook). There were three sorts of people. Those who ran, those who stayed, and those who were built in. Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and his dark angel darker, the spire rises octagon upon octagon, pinnacle by pinnacle, watched over by the gargoyles - until the stone pillars shriek, the earth beneath creeps, and the spire's shadow falls like an axe on the medieval world below ... 'Astounding ... So recklessly beautiful, so sad and so strange ... Holds such a place in my soul that it's more or less a sacred text.' Sarah Perry 'A kind of miracle ... Genius.' Guardian ' Quite simply, a marvel.' NYRB ' Superb ... A classic.' Rebecca West 'A master fabulist .. An iconoclast.' John Fowles 'A visionary ... His masterwork [of] faith, folly and desperate desire ... Golding at his best.' Benjamin Myers
Publisher: Faber & Faber
ISBN: 0571312268
Category : Fiction
Languages : en
Pages : 231
Book Description
Succumb to one churchman's apocalyptic vision in this prophetic tale by the radical Nobel Laureate and author of Lord of the Flies, William Golding (recorded by Benedict Cumberbatch as an audiobook). There were three sorts of people. Those who ran, those who stayed, and those who were built in. Dean Jocelin has a vision: that God has chosen him to erect a great spire. His master builder fearfully advises against it, for the old cathedral was miraculously built without foundations. But Jocelin is obsessed with fashioning his prayer in stone. As his halo of hair grows wilder and his dark angel darker, the spire rises octagon upon octagon, pinnacle by pinnacle, watched over by the gargoyles - until the stone pillars shriek, the earth beneath creeps, and the spire's shadow falls like an axe on the medieval world below ... 'Astounding ... So recklessly beautiful, so sad and so strange ... Holds such a place in my soul that it's more or less a sacred text.' Sarah Perry 'A kind of miracle ... Genius.' Guardian ' Quite simply, a marvel.' NYRB ' Superb ... A classic.' Rebecca West 'A master fabulist .. An iconoclast.' John Fowles 'A visionary ... His masterwork [of] faith, folly and desperate desire ... Golding at his best.' Benjamin Myers
Chicago 1890
Author: Joanna Merwood-Salisbury
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216
Book Description
Chicago's first skyscrapers are famous for projecting the city's modernity around the world. But what did they mean at home, to the Chicagoans who designed and built them, worked inside their walls, and gazed up at their façades? Answering this multifaceted question, Chicago 1890 reveals that early skyscrapers offered hotly debated solutions to the city's toughest problems and, in the process, fostered an urban culture that spread across the country. An ambitious reinterpretation of the works of Louis Sullivan, Daniel Burnham, and John Wellborn Root, this volume uses their towering achievements as a lens through which to view late nineteenth-century urban history. Joanna Merwood-Salisbury sheds new light on many of Chicago's defining events--including violent building trade strikes, the Haymarket bombing, the World's Columbian Exposition, and Burnham's Plan of Chicago--by situating the Masonic Temple, the Monadnock Building, and the Reliance Building at the center of the city's cultural and political crosscurrents. While architects and property owners saw these pioneering structures as manifestations of a robust American identity, immigrant laborers and social reformers viewed them as symbols of capitalism's inequity. Illuminated by rich material from the period's popular press and professional journals, Merwood-Salisbury's chronicle of this contentious history reveals that the skyscraper's vaunted status was never as inevitable as today's skylines suggest.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 216
Book Description
Chicago's first skyscrapers are famous for projecting the city's modernity around the world. But what did they mean at home, to the Chicagoans who designed and built them, worked inside their walls, and gazed up at their façades? Answering this multifaceted question, Chicago 1890 reveals that early skyscrapers offered hotly debated solutions to the city's toughest problems and, in the process, fostered an urban culture that spread across the country. An ambitious reinterpretation of the works of Louis Sullivan, Daniel Burnham, and John Wellborn Root, this volume uses their towering achievements as a lens through which to view late nineteenth-century urban history. Joanna Merwood-Salisbury sheds new light on many of Chicago's defining events--including violent building trade strikes, the Haymarket bombing, the World's Columbian Exposition, and Burnham's Plan of Chicago--by situating the Masonic Temple, the Monadnock Building, and the Reliance Building at the center of the city's cultural and political crosscurrents. While architects and property owners saw these pioneering structures as manifestations of a robust American identity, immigrant laborers and social reformers viewed them as symbols of capitalism's inequity. Illuminated by rich material from the period's popular press and professional journals, Merwood-Salisbury's chronicle of this contentious history reveals that the skyscraper's vaunted status was never as inevitable as today's skylines suggest.
Building
Author:
Publisher:
ISBN:
Category : Building
Languages : en
Pages : 694
Book Description
Publisher:
ISBN:
Category : Building
Languages : en
Pages : 694
Book Description
Construction and Materials Manual
Author:
Publisher:
ISBN:
Category : Bridges
Languages : en
Pages : 688
Book Description
Publisher:
ISBN:
Category : Bridges
Languages : en
Pages : 688
Book Description
Ports & Cities of the World
Author: W. H. Morton Cameron
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 1200
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 1200
Book Description
The Architectural Review
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 336
Book Description
The Southwestern Reporter
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 2528
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 2528
Book Description
The Builder
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 960
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 960
Book Description
Skyscraper Gothic
Author: Kevin D. Murphy estate
Publisher: University of Virginia Press
ISBN: 0813939739
Category : Architecture
Languages : en
Pages : 289
Book Description
Of all building types, the skyscraper strikes observers as the most modern, in terms not only of height but also of boldness, scale, ingenuity, and daring. As a phenomenon born in late nineteenth-century America, it quickly became emblematic of New York, Chicago, and other major cities. Previous studies of these structures have tended to foreground examples of more evincing modernist approaches, while those with styles reminiscent of the great Gothic cathedrals of Europe were initially disparaged as being antimodernist or were simply unacknowledged. Skyscraper Gothic brings together a group of renowned scholars to address the medievalist skyscraper—from flying buttresses to dizzying spires; from the Chicago Tribune Tower to the Woolworth Building in Manhattan. Drawing on archival evidence and period texts to uncover the ways in which patrons and architects came to understand the Gothic as a historic style, the authors explore what the appearance of Gothic forms on radically new buildings meant urbanistically, architecturally, and socially, not only for those who were involved in the actual conceptualization and execution of the projects but also for the critics and the general public who saw the buildings take shape. Contributors: Lisa Reilly on the Gothic skyscraper ● Kevin Murphy on the Trinity and U.S. Realty Buildings ● Gail Fenske on the Woolworth Building ● Joanna Merwood-Salisbury on the Chicago School ● Katherine M. Solomonson on the Tribune Tower ● Carrie Albee on Atlanta City Hall ● Anke Koeth on the Cathedral of Learning ● Christine G. O'Malley on the American Radiator Building
Publisher: University of Virginia Press
ISBN: 0813939739
Category : Architecture
Languages : en
Pages : 289
Book Description
Of all building types, the skyscraper strikes observers as the most modern, in terms not only of height but also of boldness, scale, ingenuity, and daring. As a phenomenon born in late nineteenth-century America, it quickly became emblematic of New York, Chicago, and other major cities. Previous studies of these structures have tended to foreground examples of more evincing modernist approaches, while those with styles reminiscent of the great Gothic cathedrals of Europe were initially disparaged as being antimodernist or were simply unacknowledged. Skyscraper Gothic brings together a group of renowned scholars to address the medievalist skyscraper—from flying buttresses to dizzying spires; from the Chicago Tribune Tower to the Woolworth Building in Manhattan. Drawing on archival evidence and period texts to uncover the ways in which patrons and architects came to understand the Gothic as a historic style, the authors explore what the appearance of Gothic forms on radically new buildings meant urbanistically, architecturally, and socially, not only for those who were involved in the actual conceptualization and execution of the projects but also for the critics and the general public who saw the buildings take shape. Contributors: Lisa Reilly on the Gothic skyscraper ● Kevin Murphy on the Trinity and U.S. Realty Buildings ● Gail Fenske on the Woolworth Building ● Joanna Merwood-Salisbury on the Chicago School ● Katherine M. Solomonson on the Tribune Tower ● Carrie Albee on Atlanta City Hall ● Anke Koeth on the Cathedral of Learning ● Christine G. O'Malley on the American Radiator Building
Salisbury Cathedral
Author: Tim Tatton-Brown
Publisher: Scala Arts Publishers Incorporated
ISBN: 9781857599275
Category : Architecture, Gothic
Languages : en
Pages : 0
Book Description
Salisbury Cathedral, a famously beautiful work of ecclesiastical architecture, was erected within about 40 years in a single style (Early English Gothic), the only substantial additions being the tower and spire, which were completed by about 1330. Tim Tatton-Brown reveals the story of how a great medieval cathedral was built, from the laying of the very first foundations in 1219 to the completion of the great spire, the tallest in Britain at 122 metres high. Drawing on history and geology as well as his expertise in architecture, he shows the wider context of the building, situating its development against the background of English politics of successive ages. He covers with similar authority the relatively few later changes to the structure, right up to the recent installation of a fine new font. His text is accompanied by outstanding new photographs by John Crook, along with drawings, engravings and other illustrations. Contents: Beginnings Preparing for a new cathedral The first phase Bishop Richard's 'New Basilica' The eastern arm, choir and presbytery The completion of the cathedral The chapter house and cloister Building the tower and spire The late Middle Ages, Tudor and early Stuart periods Restoration
Publisher: Scala Arts Publishers Incorporated
ISBN: 9781857599275
Category : Architecture, Gothic
Languages : en
Pages : 0
Book Description
Salisbury Cathedral, a famously beautiful work of ecclesiastical architecture, was erected within about 40 years in a single style (Early English Gothic), the only substantial additions being the tower and spire, which were completed by about 1330. Tim Tatton-Brown reveals the story of how a great medieval cathedral was built, from the laying of the very first foundations in 1219 to the completion of the great spire, the tallest in Britain at 122 metres high. Drawing on history and geology as well as his expertise in architecture, he shows the wider context of the building, situating its development against the background of English politics of successive ages. He covers with similar authority the relatively few later changes to the structure, right up to the recent installation of a fine new font. His text is accompanied by outstanding new photographs by John Crook, along with drawings, engravings and other illustrations. Contents: Beginnings Preparing for a new cathedral The first phase Bishop Richard's 'New Basilica' The eastern arm, choir and presbytery The completion of the cathedral The chapter house and cloister Building the tower and spire The late Middle Ages, Tudor and early Stuart periods Restoration