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Author: Ian Wojik-Andrews
Publisher: Routledge
ISBN: 1135576610
Category : History
Languages : en
Pages : 274
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Book Description
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Sooni Taraporevala
Publisher:
ISBN: 9780143420651
Category : Homeless youth
Languages : en
Pages : 224
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Book Description
Author: Ian Wojik-Andrews
Publisher: Routledge
ISBN: 1135576610
Category : History
Languages : en
Pages : 274
Get Book Here
Book Description
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: John Kenneth Muir
Publisher: Hal Leonard Corporation
ISBN: 9781557836496
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
(Applause Books). This the first book to examine the films of the acclaimed and popular Indian-born and Harvard educated filmmaker, Mira Nair. A unique voice in cinema today, she is one of the few female directors who made it to the top of a male-dominated profession. Her films feature an incomparably sensuous visual style yet at the same time often record the injustice of the disenfranchised and the cross-pollination of East and West. Her twin themes of realism and romance make for dazzling cinema. John Kenneth Muir analyzes all of Nair's work, including: Salaam Bombay! (1988), the groundbreaking story of a young boy abandoned by his family on the streets of Bombay; Mississippi Masala (1991), an interracial small town romance between an Indian woman (Sarita Choudhury) and an African American businessman (Denzel Washington); Monsoon Wedding (2001), featuring a Bollywood carnival atmosphere, one of the most successful foreign films ever released in the United States; Hysterical Blindness (2002), the HBO film featuring Uma Thurman and Juliette Lewis, looking for love in all the wrong places; The big-budget Hollywood adaptation of the Thackery novel Vanity Fair (2004), starring Reese Witherspoon, Gabriel Byrne, and Eileen Atkins.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Hamid Naficy
Publisher: Princeton University Press
ISBN: 0691186219
Category : Performing Arts
Languages : en
Pages : 391
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Book Description
In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.
Author: Vikrant Kishore
Publisher: Routledge
ISBN: 1317232852
Category : Social Science
Languages : en
Pages : 285
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Book Description
This book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century. One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike.
Author: Amardeep Singh
Publisher: Univ. Press of Mississippi
ISBN: 1496819128
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
The Films of Mira Nair: Diaspora Vérité presents the first, full-length scholarly study of her cinema. Mira Nair has broken new ground as both a feminist filmmaker and an Indian filmmaker. Several of her works, especially those related to the South Asian diaspora, have been influential around the globe. Amardeep Singh delves into the complexities of Nair’s films from 1981 to 2016, offering critical commentary on all of Nair’s major works, including her early documentary projects as well as shorts. The subtitle, “diaspora vérité,” alludes to Singh’s primary theme: Nair’s filmmaking project is driven aesthetically by her background in the documentary realist tradition (cinéma vérité) and thematically by her interest in the lives of migrants and diasporic populations. Mainly, Nair’s filmmaking intends to document imaginatively the experiences of diasporic communities. Nair’s focus on the diasporic appears in the long list of her films that have explored the subject, such as Mississippi Masala, So Far from India, Monsoon Wedding, The Perez Family, My Own Country, The Namesake, and The Reluctant Fundamentalist. However, a version of the diasporic sensibility also emerges even in films with an apparently different scope, such as Nair’s adaptation of Thackeray’s Vanity Fair. Nair began her career as a documentary filmmaker in the early 1980s. While Nair now has largely moved away from the documentary format in favor of making fictional feature films, Singh shows that a documentary realist style remains active in her subsequent fictional cinema.
Author: Biswal, Santosh Kumar
Publisher: IGI Global
ISBN: 1799835138
Category : Social Science
Languages : en
Pages : 401
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Book Description
Cinema in India is an entertainment medium that is interwoven into society and culture at large. It is clearly evident that continuous struggle and conflict at the personal as well as societal levels is depicted in cinema in India. It has become a reflection of society both in negative and positive ways. Hence, cinema has become an influential factor and one of the largest mass communication mediums in the nation. Social and Cultural Dynamics in Indian Cinema is an essential reference source that discusses cultural and societal issues including caste, gender, oppression, and social movements through cinema and particularly in specific language cinema and culture. Featuring research on topics such as Bollywood, film studies, and gender equality, this book is ideally designed for researchers, academicians, film studies students, and industry professionals seeking coverage on various aspects of regional cinema in India.
Author: Jean Mills
Publisher: Routledge
ISBN: 1134611978
Category : Education
Languages : en
Pages : 222
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Book Description
The nature of childhood, the consideration of whether a certain age denotes innocence or not, and the desire to teach good citizenship to our children are all issues commonly discussed by today's media. This book brings together a variety of perspectives on the study of childhood: how this has been treated historically and how such a concept is developing as we move into the next century. The book is divided into five main sections: * part one sets the scene and provides the reader with an overview of attitudes towards childhood. * part two surveys the contribution of literature from the nineteenth and twentieth centuries * part three examines educational issues such as childrens' play, language acquisition and spiritual development * part four looks at the representation of children in film, television and other mass media * part five offers further help for study and research This book draws on a number of academic disciplines including education, literature, theology, language studies and history. It will be of particular use to those on Childhood studies courses and all those studying for a teacher qualification. Teachers of children aged between 4-12 years old will find its contribution to their continuing professional development extremely helpful.
Author: Rahul Chaturvedi
Publisher: Vernon Press
ISBN: 1648890822
Category : Social Science
Languages : en
Pages : 194
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Book Description
In the aftermath of liberalization of Indian economy in 1991, the study of star-fan studies has experienced exponential expansion. Hero and Hero-Worship: Fandom in Modern India explores the areas of political, religious, film and cricket star fandoms; analyzing the rise of star formations and their consequent fandoms, star-fan bonds, as well as the physical and virtual space that both stars and fans inhabit. As perhaps one of the first book-length studies on Indian fandom, this volume not only draws on the works of Jenkins and other fandom scholars, but also explores the economic and cultural specificities of Indian fandom. This book will be of particular interest to scholars working in the field, as well as general readers interested in understanding star-fan interactions and intersections.
