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Author: Hugh Macdonald
Publisher: Cambridge University Press
ISBN: 1108426387
Category : Music
Languages : en
Pages : 449
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Book Description
The first major study of Saint-Saëns's stage music, timed to coincide with revivals of his operas on stage.
Author: Hugh Macdonald
Publisher: Cambridge University Press
ISBN: 1108426387
Category : Music
Languages : en
Pages : 449
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Book Description
The first major study of Saint-Saëns's stage music, timed to coincide with revivals of his operas on stage.
Author: Brian Rees
Publisher: Faber & Faber
ISBN: 0571287050
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
Camille Saint-Saëns began as a child prodigy and was acclaimed in his lifetime as the incarnation of French genius. His was one of the longest careers in musical history, stretching from the traditions of Beethoven to the innovations of the twentieth century, including one of the earliest film scores. As a virtuoso pianist he achieved international fame, while Liszt proclaimed him the world's greatest organist. A prolific composer, there is much more to him than his best-known work, the witty Carnival of the Animals, of which he forbade performances in his lifetime. Among his most notable achievements are the opera Samson et Delila and the Organ Symphony, while the Danse Macabre, second piano concerto and first cello concerto remain much loved.As a young man, he supported the 'new music' of Liszt, Wagner and Berlioz and introduced the symphonic poem into French music. He championed an up-and-coming generation of French composers, most notably Fauré, and played a unique part in transforming French taste from grand opera and operetta to the classical forms of symphony and chamber music, at the same time reviving interest in the music of Bach and Rameau.His personal life was combative, tragic and surrounded by rumour: as a boy during the Revolution of 1848, serving as a National Guard in the war of 1870, and eventually becoming something of an icon of the Third Republic, used in diplomacy as a symbol of French culture.This fascinating book (Chatto & Windus 1999) places his long and controversial career in a turbulent period when music, no less than politics, was undergoing sensational and often stormy change.
Author: Camille Saint-Saëns
Publisher:
ISBN:
Category : Librettos
Languages : fr
Pages : 36
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Book Description
Author: Camille Saint-Saëns
Publisher: Alfred Music
ISBN: 9781457478888
Category : Music
Languages : en
Pages : 20
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Book Description
A Cello solo with Piano Accompaniment composed by Camille Saint-Saëns.
Author: Brian Rees
Publisher: Sinclair-Stevenson
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 522
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Book Description
The story of "the greatest among the many great organists of nineteenth-century France ... the composer of the witty zoology The carnival of the animals, Danse macabre, and the opera Samson et Dalila."--Jacket.
Author: Nancy Faber
Publisher: Hal Leonard Corporation
ISBN: 1616772468
Category : Music
Languages : en
Pages : 24
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Book Description
(Faber Piano Adventures ). Excellent introduction to the best-known symphonic and operatic literature of the great composers. The selections have been chosen for their appealing melodies and rhythmic vitality. Includes: Turkish March (from The Ruins of Athens ) by Beethoven * Romance (from A Little Night Music ) by Mozart * The Trout (Die Forelle) by Schubert * Lullaby by Brahms * La Cinquantaine by Gabriel-Marie * Country Dance (Finale from Symphony No. 3, 'Eroica') by Beethoven * Finale (from Symphony No. 1) by Brahms * Finale (from Carnival of the Animals ) by Saint-Saens * The Elephant (from Carnival of the Animals ) by Saint-Saens * Sleeping Beauty Waltz by Tchaikovsky * Finale (from Symphony No. 5, From the New World ) by Dvorak * March Slav by Tchaikovsky.
Author: Leon J. Bly
Publisher: LIT Verlag Münster
ISBN: 364391654X
Category :
Languages : en
Pages : 1188
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Book Description
The book provides a historical survey of the wind band’s music and denotes how historical and cultural developments have influenced it over the course of time. Although the modern wind band developed first in the 19th century, it has its roots in the wind music of ancient times, and music survives that has been composed since the Middle Ages. Therefore, this book covers the music from that time to the present, including the dance music of the Renaissance, the Harmoniemusik of the Classical Period, and the nationalistic music of the Romantic Period, as well as the major wind band repertoire developed after 1900.
Author: Camille Saint-Saëns
Publisher: Courier Corporation
ISBN: 0486404129
Category : Music
Languages : en
Pages : 71
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Book Description
Fourteen pieces -- scored for flute/piccolo, clarinet, glass harmonica (tuned glass bowls), xylophone, two pianos, and strings -- paint delightful musical portraits of a lion, chickens, turtles, an elephant, kangaroos, and the immensely popular swan.
Author: Philip Purvis
Publisher: Routledge
ISBN: 1136182152
Category : Music
Languages : en
Pages : 305
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Book Description
This book addresses the ways in which masculinity is negotiated, constructed, represented, and problematized within operatic music and practice. Although the consideration of masculine ontology and epistemology has pervaded cultural and sociological studies since the late 1980s, and masculinity has been the focus of recent if sporadic musicological discussion, the relationship between masculinity and opera has so far escaped detailed critical scrutiny. Operating from a position of sympathy with feminist and queer approaches and the phallocentric tendencies they identify, this study offers a unique perspective on the cultural relativism of opera by focusing on the male operatic subject. Anchored by musical analysis or close readings of musical discourse, the contributions take an interdisciplinary approach by also engaging with theatre, popular music, and cultural musicology scholarship. The various musical, theoretical, and socio-political trajectories of the essays are historically dispersed from seventeenth to twentieth- first-century operatic works and practices, visiting masculinity and the operatic voice, the complication or refusal of essentialist notions of masculinity, and the operatic representation of the ‘crisis’ of masculinity. This volume will not only enliven the study of masculinity in opera, but be an appealing contribution to music scholars interested in gender, history, and new musicology.
Author: J. Richards
Publisher: Springer
ISBN: 0230250890
Category : Performing Arts
Languages : en
Pages : 279
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Book Description
The first study of the depictions of the Ancient World on the Victorian and Edwardian stage, this book analyzes plays set in and dramatising the histories of Greece, Rome, Egypt, Babylon and the Holy Land. In doing so, it seeks to locate theatre within the wider culture, tracing its links and interaction with other cultural forms.
