Author: Augustin Holl
Publisher: Rowman Altamira
ISBN: 9780759106055
Category : Art
Languages : en
Pages : 180
Book Description
The Neolithic rock images of Iheren, Algeria are the starting point for Augustin Holl's careful analysis of the iconography of Saharan rock art. Created in the third millennium B.C., the Iheren murals are over 3 meters wide and contain multiple compositions that present an allegorical depiction of the lifeways of Tassilian pastoralists in the Sahara. Holl approaches his task as an archaeologist, examining the various strands of evidence icons, ideas, motifs, colors, and sizes-and weaving them together into a story that offers a window on the pastoralist worldview through the semiotics of their art. His deconstruction and synthesis of this corpus of material should be of interest to African archaeologists, rock art specialists, art historians, and cultural anthropologists alike."
Saharan Rock Art
Author: Augustin Holl
Publisher: Rowman Altamira
ISBN: 9780759106055
Category : Art
Languages : en
Pages : 180
Book Description
The Neolithic rock images of Iheren, Algeria are the starting point for Augustin Holl's careful analysis of the iconography of Saharan rock art. Created in the third millennium B.C., the Iheren murals are over 3 meters wide and contain multiple compositions that present an allegorical depiction of the lifeways of Tassilian pastoralists in the Sahara. Holl approaches his task as an archaeologist, examining the various strands of evidence icons, ideas, motifs, colors, and sizes-and weaving them together into a story that offers a window on the pastoralist worldview through the semiotics of their art. His deconstruction and synthesis of this corpus of material should be of interest to African archaeologists, rock art specialists, art historians, and cultural anthropologists alike."
Publisher: Rowman Altamira
ISBN: 9780759106055
Category : Art
Languages : en
Pages : 180
Book Description
The Neolithic rock images of Iheren, Algeria are the starting point for Augustin Holl's careful analysis of the iconography of Saharan rock art. Created in the third millennium B.C., the Iheren murals are over 3 meters wide and contain multiple compositions that present an allegorical depiction of the lifeways of Tassilian pastoralists in the Sahara. Holl approaches his task as an archaeologist, examining the various strands of evidence icons, ideas, motifs, colors, and sizes-and weaving them together into a story that offers a window on the pastoralist worldview through the semiotics of their art. His deconstruction and synthesis of this corpus of material should be of interest to African archaeologists, rock art specialists, art historians, and cultural anthropologists alike."
African Rock Art
Author: David Coulson
Publisher: Harry N Abrams B.V.
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Publisher: Harry N Abrams B.V.
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Contains more than two hundred photographs of Africa's rock art, coupled with historical and interpretive analyses, compiled to raise public awareness of the variety, importance, and frailty of these works.
Round Heads
Author: Jitka Soukopova
Publisher: Cambridge Scholars Publishing
ISBN: 1443845795
Category : Art
Languages : en
Pages : 191
Book Description
The Central Sahara is considered the greatest “museum” of rock art in the world, containing several thousand prehistoric and recent images. The oldest paintings, called Round Heads, originated during a humid phase in the 10th millennium before present and they were created by dark-skinned hunter-gatherers living in the Algerian and Libyan mountains. Rock shelters show mainly anthropomorphic figures with body paintings and other embellishments testifying ancient rituals and ceremonies. Only two animal species – antelope and mouflon – appear to be as important as men and women; mixed with them on the same walls, these animals had a fundamental place in the ideology of the period. Since the discovery by Europeans in the 19th century, research in the Sahara has been scarce due to the difficult working conditions and to the problematic politics associated with national permissions. The rock art and the archaeology have always been treated as separated disciplines and only rarely were the paintings associated with a material culture. They have been described and classified but not interpreted because it was considered unachievable. Using interdisciplinary studies, this book approaches the previously neglected fields of the study of Saharan rock art, and it proposes new ways to research the art and the societies that created it.
Publisher: Cambridge Scholars Publishing
ISBN: 1443845795
Category : Art
Languages : en
Pages : 191
Book Description
The Central Sahara is considered the greatest “museum” of rock art in the world, containing several thousand prehistoric and recent images. The oldest paintings, called Round Heads, originated during a humid phase in the 10th millennium before present and they were created by dark-skinned hunter-gatherers living in the Algerian and Libyan mountains. Rock shelters show mainly anthropomorphic figures with body paintings and other embellishments testifying ancient rituals and ceremonies. Only two animal species – antelope and mouflon – appear to be as important as men and women; mixed with them on the same walls, these animals had a fundamental place in the ideology of the period. Since the discovery by Europeans in the 19th century, research in the Sahara has been scarce due to the difficult working conditions and to the problematic politics associated with national permissions. The rock art and the archaeology have always been treated as separated disciplines and only rarely were the paintings associated with a material culture. They have been described and classified but not interpreted because it was considered unachievable. Using interdisciplinary studies, this book approaches the previously neglected fields of the study of Saharan rock art, and it proposes new ways to research the art and the societies that created it.
Rock Art in Africa
Author: Jean-Loïc Le Quellec
Publisher: Flammarion-Pere Castor
ISBN:
Category : Art
Languages : en
Pages : 254
Book Description
The only book of its kind to examine cave art throughout Africa. The paintings and engravings discovered in African caves are amazing works of art that hold clues to understanding the history of humankind.
Publisher: Flammarion-Pere Castor
ISBN:
Category : Art
Languages : en
Pages : 254
Book Description
The only book of its kind to examine cave art throughout Africa. The paintings and engravings discovered in African caves are amazing works of art that hold clues to understanding the history of humankind.
Caravans of Gold, Fragments in Time
Author: Kathleen Bickford Berzock
Publisher: Princeton University Press
ISBN: 069118268X
Category : Art
Languages : en
Pages : 313
Book Description
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
Publisher: Princeton University Press
ISBN: 069118268X
Category : Art
Languages : en
Pages : 313
Book Description
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
The Oxford Handbook of the Archaeology and Anthropology of Rock Art
Author: Bruno David
Publisher:
ISBN: 0190607351
Category : Art
Languages : en
Pages : 1185
Book Description
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Publisher:
ISBN: 0190607351
Category : Art
Languages : en
Pages : 1185
Book Description
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
The World of Rock Art
Author: Bansi Lal Malla
Publisher:
ISBN: 9788173054471
Category : Art, Prehistoric
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9788173054471
Category : Art, Prehistoric
Languages : en
Pages : 0
Book Description
Uan Tabu in the Settlement History of the Libyan Sahara
Author: Elena A. A. Garcea
Publisher: All’Insegna del Giglio
ISBN: 8878141844
Category : Social Science
Languages : en
Pages : 281
Book Description
Uan Tabu is a rockshelter on the left bank of the central valley of the Wadi Teshuinat, which is a main ancient water course in the Tadrart Acacus mountain range. It is located in the Fezzan region, south-western Libya (Great Jamahirya). The site was discovered by Fabrizio Mori in 1960 and was re-excavated and studied by a multi-disciplinary team at the beginning of the 1990s. It has also remarkable rock art that includes paintings from the Round Head and Pastoral phases. Between 1960 and 1963, a trench was dug into the archaeological deposit at the foot of the rock wall. The results of the 1960s’ excavation have never been published before, apart from some brief notes. They are thoroughly described and discussed in the present volume. Between 1990 and 1993, the excavation was resumed and extended. The 1990s’ excavation has been preliminarily published. Further information and details are now presented and commented. A stratigraphic and cultural correlation between the two excavations is also attempted in this volume. Four main archaeological and paedological units were identified and dated. They spanned from the Late Pleistocene to the Late Holocene. The earliest one, dating to the Pleistocene, included an Aterian techno-complex and was dated to around 61,000 years BP. Later, during the Early Holocene, a ‘pre-pastoral’ occupation occurred since the 10th millennium bp. This period was differentiated in two phases characterised by different socio-cultural systems: 1. during the Early Acacus (around 9800-8800 years bp), the site was used on a seasonal basis, probably during the dry season, for practising hunting activities; 2. during the Late Acacus (around 8800-8600 years bp), a more sedentary lifestyle was hypothesised for the inhabitants of the site. These two cultural facies comprised the upper three units. The fourth phase of occupation of the shelter was only attested to the surface of the site, but it could be still considered as an indication of the use of the site during the Late Holocene, as late as the 4th millennium bp. A dung fill in the wall of the rockshelter dated to the end of this, Late Pastoral, phase and is the only evidence for domesticated animals.
Publisher: All’Insegna del Giglio
ISBN: 8878141844
Category : Social Science
Languages : en
Pages : 281
Book Description
Uan Tabu is a rockshelter on the left bank of the central valley of the Wadi Teshuinat, which is a main ancient water course in the Tadrart Acacus mountain range. It is located in the Fezzan region, south-western Libya (Great Jamahirya). The site was discovered by Fabrizio Mori in 1960 and was re-excavated and studied by a multi-disciplinary team at the beginning of the 1990s. It has also remarkable rock art that includes paintings from the Round Head and Pastoral phases. Between 1960 and 1963, a trench was dug into the archaeological deposit at the foot of the rock wall. The results of the 1960s’ excavation have never been published before, apart from some brief notes. They are thoroughly described and discussed in the present volume. Between 1990 and 1993, the excavation was resumed and extended. The 1990s’ excavation has been preliminarily published. Further information and details are now presented and commented. A stratigraphic and cultural correlation between the two excavations is also attempted in this volume. Four main archaeological and paedological units were identified and dated. They spanned from the Late Pleistocene to the Late Holocene. The earliest one, dating to the Pleistocene, included an Aterian techno-complex and was dated to around 61,000 years BP. Later, during the Early Holocene, a ‘pre-pastoral’ occupation occurred since the 10th millennium bp. This period was differentiated in two phases characterised by different socio-cultural systems: 1. during the Early Acacus (around 9800-8800 years bp), the site was used on a seasonal basis, probably during the dry season, for practising hunting activities; 2. during the Late Acacus (around 8800-8600 years bp), a more sedentary lifestyle was hypothesised for the inhabitants of the site. These two cultural facies comprised the upper three units. The fourth phase of occupation of the shelter was only attested to the surface of the site, but it could be still considered as an indication of the use of the site during the Late Holocene, as late as the 4th millennium bp. A dung fill in the wall of the rockshelter dated to the end of this, Late Pastoral, phase and is the only evidence for domesticated animals.
The Dawn of European Art
Author: André Leroi-Gourhan
Publisher: CUP Archive
ISBN: 9780521244596
Category : Art
Languages : en
Pages : 144
Book Description
Publisher: CUP Archive
ISBN: 9780521244596
Category : Art
Languages : en
Pages : 144
Book Description
Handbook of Rock Art Research
Author: David S. Whitley
Publisher: Rowman & Littlefield
ISBN: 9780742502567
Category : Art
Languages : en
Pages : 876
Book Description
While there has always been a large public interest in ancient pictures painted or carved on stone, the archaeological study of rock art is in its infancy. But intensive amounts of research has revolutionized this field in the past decade. New methods of dating and analysis help to pinpoint the makers of these beautiful images, new interpretive models help us understand this art in relation to culture. Identification, conservation and management of rock art sites have become major issues in historical preservation worldwide. And the number of archaeologically attested sites has mushroomed. In this handbook, the leading researchers in the rock art area provide cogent, state-of-the-art summaries of the technical, interpretive, and regional advances in rock art research. The book offers a comprehensive, basic reference of current information on key topics over six continents for archaeologists, anthropologists, art historians, and rock art enthusiasts.
Publisher: Rowman & Littlefield
ISBN: 9780742502567
Category : Art
Languages : en
Pages : 876
Book Description
While there has always been a large public interest in ancient pictures painted or carved on stone, the archaeological study of rock art is in its infancy. But intensive amounts of research has revolutionized this field in the past decade. New methods of dating and analysis help to pinpoint the makers of these beautiful images, new interpretive models help us understand this art in relation to culture. Identification, conservation and management of rock art sites have become major issues in historical preservation worldwide. And the number of archaeologically attested sites has mushroomed. In this handbook, the leading researchers in the rock art area provide cogent, state-of-the-art summaries of the technical, interpretive, and regional advances in rock art research. The book offers a comprehensive, basic reference of current information on key topics over six continents for archaeologists, anthropologists, art historians, and rock art enthusiasts.