Author: Marina Frolova-Walker
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 424
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Book Description
Challenging what is widely regarded as the distinguishing feature of Russian music--its ineffable "Russianness"--Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera A Life for the Tsar in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies and discusses two central myths that dominated Russian culture during this period--that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. The author also offers a critical account of how the imperatives of nationalist thought affected individual composers. In this way Frolova-Walker provides a new perspective on the brilliant creativity, innovation, and eventual stagnation within the tradition of Russian nationalist music.
Author: Robert C. Ridenour
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 274
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Book Description
Author: Richard Taruskin
Publisher: Univ of California Press
ISBN: 0520268067
Category : Biography & Autobiography
Languages : en
Pages : 416
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Book Description
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Author: Harry White
Publisher: Cork University Press
ISBN: 9781859181539
Category : History
Languages : en
Pages : 310
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Book Description
An innovative collection of essays applying a "new musicology" approach to the relationship between nationalist ideologies and the development of European music.
Author: Montagu Montagu-Nathan
Publisher: Biblo & Tannen Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 364
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Book Description
Author: Richard Taruskin
Publisher: Princeton University Press
ISBN: 9780691070650
Category : History
Languages : en
Pages : 600
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Book Description
with an air of alterity--sensed, exploited, bemoaned, reveled in, traded on, and defended against both from within and from without." The author's goal is to explore this assumption of otherness in an all-encompassing work that re-creates the cultural contexts of the folksong anthologies of the 1700s, the operas, symphonies, and ballets of the 1800s, the modernist masterpieces of the 1900s, and the hugely fraught but ambiguous products of the Soviet period. Taruskin begins by showing how enlightened aristocrats, reactionary romantics, and the theorists and victims of totalitarianism have variously fashioned their vision of Russian society in musical terms. He then examines how Russia as a whole shaped its identity in contrast to an "East" during the age of its imperialist expansion, and in contrast to two different musical "Wests," Germany and Italy, during the formative years of its national consciousness.
Author: Stanley Ray Hall
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 358
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Book Description
Author: M. Montagu-Nathan
Publisher: Read Books Ltd
ISBN: 1447487400
Category : Biography & Autobiography
Languages : en
Pages : 275
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Book Description
M. Montagu-Nathan takes an in-depth look and the history of Russian music, and a special look at the rise and progress of the Russian School of Composers. Contents include: Introduction; Part 1- The Pre-nationalists. Volkoff- Berezovsky, Bortniansky and Verstovsky, Glinka "A Life for the Czar", Russian and Ludmilla, Dargomijsky, The Stone Guest and the Five, Seroff and Lvoff. Part 2 - The Nationalists. Balakireff, Cesar cui, Borodin, Moussorgsky, Boris Goudounoff, Khovantchina, The Last Phase, Rimsky Korsakoff. Part 3- The Decline of Nationalism. Glazounoff, Liadoff and Liapounoff, Arensky, Tchaikovsky Rubinstein and the Eclectics, Taneieff. Part 4- The Present Movement. Rachmaninoff, Gliere and Ippolitoff-Ivanoff, Scriabin, Vassilenko and Grechaninoff, Akimenko Tcherepnin and Rebikoff, Steinberg Medtner and Catoire, Stravinsky, Operatic and Concert Enterprises, Appendix I, Appendix II.
Author: Matthew Riley
Publisher: Boydell & Brewer
ISBN: 1783271426
Category : History
Languages : en
Pages : 258
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Book Description
How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well. MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism andEthnicity at the London School of Economics.
Author: Richard Taruskin
Publisher: Univ of California Press
ISBN: 0520288084
Category : Music
Languages : en
Pages : 556
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Book Description
This new collection views Russian music through the Greek triad ofÊÒthe Good, the True, and the BeautifulÓ to investigateÊhow the idea of "nation" embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, postÐCold War, and now postÐ9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much ofÊthe volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; andÊto the tension between the compelling artistic quality of works such as StravinskyÕs Sacre du Printemps or ProkofieffÕs Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating TaruskinÕs authority and ability toÊbring living history out of the shadows.
