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Author: D. Hoffmann
Publisher: Springer
ISBN: 023028812X
Category : History
Languages : en
Pages : 282
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Book Description
Russian Modernity places Imperial and Soviet Russia in a European context. Russia shared in a larger European modernity marked by increased overlap and sometimes merger of realms that had previously been treated as discrete entities: the social and the political, state and society, government and economy, and private and public. These were attributes of Soviet dictatorship, but their origins can be located in a larger European context and in the emergence of modern forms of government in Imperial Russia.
Author: D. Hoffmann
Publisher: Springer
ISBN: 023028812X
Category : History
Languages : en
Pages : 282
Get Book Here
Book Description
Russian Modernity places Imperial and Soviet Russia in a European context. Russia shared in a larger European modernity marked by increased overlap and sometimes merger of realms that had previously been treated as discrete entities: the social and the political, state and society, government and economy, and private and public. These were attributes of Soviet dictatorship, but their origins can be located in a larger European context and in the emergence of modern forms of government in Imperial Russia.
Author: Regina Elsner
Publisher: BoD – Books on Demand
ISBN: 3838215680
Category : Religion
Languages : en
Pages : 390
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Book Description
The Russian Orthodox Church (ROC) faced various iterations of modernization throughout its history. This conflicted encounter continues in the ROC’s current resistance against—what it perceives as—Western modernity including liberal and secular values. This study examines the historical development of the ROC’s arguments against—and sometimes preferences for—modernization and analyzes which positions ended up influencing the official doctrine. The book’s systematic analysis of dogmatic treatises shows the ROC’s considerable ability of constructive engagement with various aspects of the modern world. Balancing between theological traditions of unity and plurality, the ROC’s today context of operating within an authoritarian state appears to tip the scale in favor of unity.
Author: Irina Shevelenko
Publisher: University of Wisconsin Press
ISBN: 0299320405
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Presenting a multifaceted portrait of modernist culture in Russia, an array of distinguished scholars shows how artists and writers in the early twentieth century engaged with politics, science, and religion. At a time when many Russian social institutions looked to the past, modernist arts powerfully amplified a gamut of new ideas about individual and collective transformation. Expanding upon prior studies that focus more specifically on literary manifestations of the movement, Reframing Russian Modernism features original research that ranges broadly, from political aesthetics to Darwinism to yoga. These unique complementary perspectives counter reductionism of any kind, integrating the study of Russian modernism into the larger body of humanistic scholarship devoted to modernity.
Author: Sho Konishi
Publisher: BRILL
ISBN: 1684175313
Category : History
Languages : en
Pages : 440
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Book Description
"Mid-nineteenth century Russian radicals who witnessed the Meiji Restoration saw it as the most sweeping revolution in recent history and the impetus for future global progress. Acting outside imperial encounters, they initiated underground transnational networks with Japan. Prominent intellectuals and cultural figures, from Peter Kropotkin and Lev Tolstoy to Saigo Takamori and Tokutomi Roka, pursued these unofficial relationships through correspondence, travel, and networking, despite diplomatic and military conflicts between their respective nations. Tracing these non-state networks, Anarchist Modernity uncovers a major current in Japanese intellectual and cultural life between 1860 and 1930 that might be described as “cooperatist anarchist modernity”—a commitment to realizing a modern society through mutual aid and voluntary activity, without the intervention of state governance. These efforts later crystallized into such movements as the Nonwar Movement, Esperantism, and the popularization of the natural sciences. Examining cooperatist anarchism as an intellectual foundation of modern Japan, Sho Konishi offers a new approach to Japanese history that fundamentally challenges the “logic” of Western modernity. It looks beyond this foundational construct of modern history writing to understand people, practices, and cultural expressions that have been forgotten or dismissed as products of anti-modern nativist counter urges against the West."
Author: Jefferson J. A. Gatrall
Publisher: Penn State Press
ISBN: 027103677X
Category : Art
Languages : en
Pages : 304
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Book Description
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
Author: Michael David-Fox
Publisher: University of Pittsburgh Press
ISBN: 0822980924
Category : History
Languages : en
Pages : 316
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Book Description
Crossing Borders deconstructs contemporary theories of Soviet history from the revolution through the Stalin period, and offers new interpretations based on a transnational perspective. To Michael David-Fox, Soviet history was shaped by interactions across its borders. By reexamining conceptions of modernity, ideology, and cultural transformation, he challenges the polarizing camps of Soviet exceptionalism and shared modernity and instead strives for a theoretical and empirical middle ground as the basis for a creative and richly textured analysis. Discussions of Soviet modernity have tended to see the Soviet state either as an archaic holdover from the Russian past, or as merely another form of conventional modernity. David-Fox instead considers the Soviet Union in its own light—as a seismic shift from tsarist society that attracted influential visitors from the pacifist Left to the fascist Right. By reassembling Russian legacies, as he shows, the Soviet system evolved into a complex "intelligentsia-statist" form that introduced an array of novel agendas and practices, many embodied in the unique structures of the party-state. Crossing Borders demonstrates the need for a new interpretation of the Russian-Soviet historical trajectory—one that strikes a balance between the particular and the universal.
Author: Louise Hardiman
Publisher: Open Book Publishers
ISBN: 1783743417
Category : Art
Languages : en
Pages : 243
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Book Description
In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Author: Laura Engelstein
Publisher: Cornell University Press
ISBN: 1501721291
Category : History
Languages : en
Pages : 481
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Book Description
The revolution of 1905 challenged not only the social and political structures of imperial Russia but the sexual order as well. Throughout the decade that followed-in the salons of the artistic and intellectual avant-garde, on the pages of popular romances, in the staid assemblies of physicians, psychiatrists, and legal men—the talk everywhere was of sex. This eagerly awaited book, echoing the title of a pre-World War I bestseller, The Keys to Happiness, marks the first serious attempt to understand the intense public interest in sexuality as a vital dimension of late tsarist political culture. Drawing on a strong foundation of historical sources—from medical treatises and legal codes to anti-Semitic pamphlets, commercial fiction, newspaper advertisements, and serious literature—Laura Engelstein shows how Western ideas and attitudes toward sex and gender were transformed in the Russian context as imported views on prostitution, venereal disease, homosexuality, masturbation, abortion, and other themes took on distinctively Russian hues. Engelstein divides her study into two parts, the first focusing on the period from the Great Reforms to 1905 and on the two professional disciplines most central to the shaping of a modern sexual discourse in Russia: law and medicine. The second part describes the complicated sexual preoccupations that accompanied the mobilization leading up to 1905, the revolution itself, and the aftermath of continued social agitation and intensified intellectual doubt. In chapters of astonishing richness, the author follows the sexual theme through the twists of professional and civic debate and in the surprising links between high and low culture up to the eve of the First World War. Throughout, Engelstein uses her findings to rethink the conventional wisdom about the political and cultural history of modern Russia. She maps out new approaches to the history of sexuality, and shows, brilliantly, how the study of attitudes toward sex and gender can help us to grasp the most fundamental political issues in any society.
Author: Daniel R. Brower
Publisher: Univ of California Press
ISBN: 9780520067646
Category : History
Languages : en
Pages : 288
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Book Description
The Russian City Between Tradition and Modernity provides a comprehensive history of urban development in European Russia during the last half of the nineteenth century. Using both statistical perspectives on urbanization and cultural representations of the city, Brower constructs a synthetic view of the remaking of urban Russia. He argues that the reformed municipalities succeeded in creating an embryonic civil society among the urban elite but failed to fashion a unified, orderly city. By the end of the century, the cities confronted social disorder of a magnitude that resembled latent civil war. Drawing on a wide range of archival and published sources, including census materials and reports from municipal leaders and tsarist officials, Brower offers a new approach to the social history of Russia. The author emphasizes the impact of the massive influx of migrants on the country's urban centers, whose presence dominated the social landscape of the city. He outlines the array of practices by which the migrant laborers adapted to urban living and stresses the cultural barriers that isolated them from the well-to-do urban population. Brower suggests that future scholarship should pay particular attention to the duality between the sweeping visions of social progress of the elite and the unique practices of the urban workforce. This contradiction, he argues, offers a key explanation for the social instability of imperial Russia in the closing decades of the nineteenth century. The Russian City Between Tradition and Modernity provides a comprehensive history of urban development in European Russia during the last half of the nineteenth century. Using both statistical perspectives on urbanization and cultural representations of the city, Brower constructs a synthetic view of the remaking of urban Russia. He argues that the reformed municipalities succeeded in creating an embryonic civil society among the urban elite but failed to fashion a unified, orderly city. By the end of the century, the cities confronted social disorder of a magnitude that resembled latent civil war. Drawing on a wide range of archival and published sources, including census materials and reports from municipal leaders and tsarist officials, Brower offers a new approach to the social history of Russia. The author emphasizes the impact of the massive influx of migrants on the country's urban centers, whose presence dominated the social landscape of the city. He outlines the array of practices by which the migrant laborers adapted to urban living and stresses the cultural barriers that isolated them from the well-to-do urban population. Brower suggests that future scholarship should pay particular attention to the duality between the sweeping visions of social progress of the elite and the unique practices of the urban workforce. This contradiction, he argues, offers a key explanation for the social instability of imperial Russia in the closing decades of the nineteenth century.
Author: Maria Taroutina
Publisher: Penn State University Press
ISBN: 9780271081045
Category : Art, Byzantine
Languages : en
Pages : 0
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Book Description
Charts the rediscovery and rigorous reassessment of the medieval Russo-Byzantine artistic tradition in Russia in the years 1860-1920. Explores the link between Byzantine revivalism and modernist experimentation, which ultimately made a significant and lasting impact on twentieth-century avant-garde movements.
