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Author: Elena Andreeva
Publisher: Springer Nature
ISBN: 3030363384
Category : History
Languages : en
Pages : 374
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Book Description
“This book provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans. The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also. Karazin’s importance—at the time and now—is appropriately highlighted.” - Jeff Sahadeo, Associate Professor, Carleton University, Canada “Elena Andreeva’s book resurrects a vital if forgotten figure from the Russian past: Nikolai Karazin, Russia’s Kipling, a multifaceted participant in Russian imperial expansion, whose fiction, journalism, ethnography and visual representations may well have done more than any agent of the Russian state to represent and popularize Russia’s conquest of Central Asia to a newly literate Russian public beyond the educated elites. Archivally based and carefully argued, Andreeva’s study of Karazin reveals the absence of any singular logic to Russian imperial expansion. In her analysis Karazin emerges as a vernacular enthusiast of empire who was able to reconcile a skeptical attitude towards tsarist autocracy with an idealized view of Russia’s 'civilizing' mission in the East.” - Harsha Ram, Associate Professor, University of California, Berkeley, USA This book is dedicated to the literary and visual images of Central Asia in the works of the popular Russian artist Nikolai Karazin. It analyzes the ways Karazin’s discourse inflected, and was inflected by, the expansion of the Russian empire – and therefore sheds light on the place of art and culture in the Russian colonial enterprise. It is the first attempt to interpret Karazin’s images of Central Asia within Russian imperial networks and within the maze of the Russian national identity that informed them.
Author: Elena Andreeva
Publisher: Springer Nature
ISBN: 3030363384
Category : History
Languages : en
Pages : 374
Get Book Here
Book Description
“This book provides a deep reading of Nikolai Karazin’s works and his relationship with Central Asia. Elena Andreeva shows how Karazin’s prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians’ self-identity as colonizers and Europeans. The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also. Karazin’s importance—at the time and now—is appropriately highlighted.” - Jeff Sahadeo, Associate Professor, Carleton University, Canada “Elena Andreeva’s book resurrects a vital if forgotten figure from the Russian past: Nikolai Karazin, Russia’s Kipling, a multifaceted participant in Russian imperial expansion, whose fiction, journalism, ethnography and visual representations may well have done more than any agent of the Russian state to represent and popularize Russia’s conquest of Central Asia to a newly literate Russian public beyond the educated elites. Archivally based and carefully argued, Andreeva’s study of Karazin reveals the absence of any singular logic to Russian imperial expansion. In her analysis Karazin emerges as a vernacular enthusiast of empire who was able to reconcile a skeptical attitude towards tsarist autocracy with an idealized view of Russia’s 'civilizing' mission in the East.” - Harsha Ram, Associate Professor, University of California, Berkeley, USA This book is dedicated to the literary and visual images of Central Asia in the works of the popular Russian artist Nikolai Karazin. It analyzes the ways Karazin’s discourse inflected, and was inflected by, the expansion of the Russian empire – and therefore sheds light on the place of art and culture in the Russian colonial enterprise. It is the first attempt to interpret Karazin’s images of Central Asia within Russian imperial networks and within the maze of the Russian national identity that informed them.
Author: Elena Andreeva
Publisher:
ISBN: 9783030363390
Category :
Languages : en
Pages : 0
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Book Description
"The manuscript provides a deep reading of Nikolai Karazin's works and his relationship with Central Asia. Certainly, Elena Andreeva shows how Karazin's prolific creations have much to tell us about Russian imperialism, colonial and local society as well as Russians' self-identity as colonizers and Europeans. The work offers an original contribution to the scholarship on Russian imperial history and that of Central Asia, and Russian literary history also. Karazin's importance-at the time and now-is appropriately highlighted." - Jeff Sahadeo, Associate Professor, Carleton University, Canada "Elena Andreeva's book resurrects a vital if forgotten figure from the Russian past: Nikolai Karazin, Russia's Kipling, a multifaceted participant in Russian imperial expansion, whose fiction, journalism, ethnography and visual representations may well have done more than any agent of the Russian state to represent and popularize Russia's conquest of Central Asia to a newly literate Russian public beyond the educated elites. Archivally based and carefully argued, Andreeva's study of Karazin reveals the absence of any singular logic to Russian imperial expansion. In her analysis Karazin emerges as a vernacular enthusiast of empire who was able to reconcile a skeptical attitude towards tsarist autocracy with an idealized view of Russia's "civilizing" mission in the East." - Harsha Ram, Associate Professor, University of California, Berkeley, USA This book is dedicated to the literary and visual images of Central Asia in the works of the popular Russian artist Nikolai Karazin (1842-1908). It analyzes the ways Karazin's discourse inflected, and was inflected by, the expansion of the Russian empire - and therefore sheds light on the place of art and culture in the Russian colonial enterprise. It is the first attempt to interpret Karazin's images of Central Asia within Russian imperial networks - and within the maze of the Russian national identity that informed them. .
Author: Elena Andreeva
Publisher: Bloomsbury Publishing
ISBN: 0755647955
Category : Social Science
Languages : en
Pages : 255
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Book Description
What is the nature of slavery as practiced and at times reintroduced over the past two centuries in the Middle East and North Africa? In spite of the rich regional diversity of the areas studied – from Morocco to the Indian Ocean to Iran – this anthology demonstrates clear commonalities across the super-region. These include the regulation of slavery by Islam and local traditions, the absence of a rigid racial hierarchy as in North American slavery, the management of the sexuality and reproductive capacity of female slaves, and views on identity and heritage among descendants of slaves. Authors also examine the economic and theological underpinnings of contemporary slavery and human trafficking. The book is among the first to focus on slavery across the Islamic world from the 19th century to the present – a period constituting the endgame of institutionalized slavery in the region but also the persistence of forms of de facto enslavement. Each chapter scrutinizes from a different vantage point – institutions, economics, the abolitionist movement, literature, folklore, and the moving image – creating a multi-dimensional picture of the phenomenon. The authors have mined government archives and statistics, memoirs, interviews, photographs, drawings, songs, cinema and television. Not only are Arabic, Persian and Turkish sources leveraged, but a variety of materials in minor and endangered languages, such as Soqotri, Balochi and Sorani Kurdish, in addition to European languages.
Author: Katya Hokanson
Publisher: University of Toronto Press
ISBN: 1487545614
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
A Woman’s Empire explores a new dimension of Russian imperialism: women actively engaged in the process of late imperial expansion. The book investigates how women writers, travellers, and scientists who journeyed to and beyond Central Asia participated in Russia’s "civilizing" and colonizing mission, utilizing newly found educational opportunities while navigating powerful discourses of femininity as well as male-dominated science. Katya Hokanson shows how these Russian women resisted domestic roles in a variety of ways. The women writers include a governor general’s wife, a fiction writer who lived in Turkestan, and a famous Theosophist, among others. They make clear the perspectives of the ruling class and outline the special role of women as describers and recorders of information about local women, and as builders of "civilized" colonial Russian society with its attendant performances and social events. Although the bulk of the women’s writings, drawings, and photography is primarily noteworthy for its cultural and historical value, A Woman’s Empire demonstrates how the works also add dimension and detail to the story of Russian imperial expansion and illuminates how women encountered, imagined, and depicted Russia’s imperial Other during this period.
Author: Inessa Kouteinikova
Publisher: Taylor & Francis
ISBN: 1000824950
Category : Photography
Languages : en
Pages : 222
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Book Description
This book illuminates the crucial role photography played from the very beginning of the Russian colonial presence in Central Asia and its entanglement with the orientalist legacy that followed. Inessa Kouteinikova examines these under-studied materials while also addressing the photographic market and reception of photography in the Russian Empire, the position of the popular press, the place of public exhibitions and emergence of the first ethnographic museums that took pace from Moscow to Tashkent during the time of the Russian conquest. This book embraces the dominant mode for representing the new colonial territories in the mid-late-19th-century Russia, by outlining the technical, commercial and artistic milieus during the Golden Age of Russian orientalism. The book will be of interest to scholars working in art history, history of photography and Russian studies.
Author:
Publisher: Sphinx Fine Art
ISBN: 1907200053
Category :
Languages : en
Pages : 322
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Book Description
Author: Maria Taroutina
Publisher: Manchester University Press
ISBN: 1526166224
Category : Art
Languages : en
Pages : 301
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Book Description
This volume features new research on Russia’s historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia’s perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia’s colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.
Author: Roy Bolton
Publisher: Sphinx Fine Art
ISBN: 9781907200007
Category : Art
Languages : en
Pages : 180
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Book Description
Author: Svetlana Gorshenina
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110754568
Category : History
Languages : en
Pages : 477
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Book Description
This volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.
Author: Sphinx Fine Art
Publisher: Sphinx Fine Art
ISBN: 9781907200021
Category : Painting, European
Languages : en
Pages : 254
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Book Description
