Russian Art, Icons and Decorative Arts from the Origin to the Twentieth Century PDF Download
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Author: P. Verdier
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: P. Verdier
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Maria Taroutina
Publisher: Penn State Press
ISBN: 0271082550
Category : Art
Languages : en
Pages : 761
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Book Description
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Author: Walters Art Gallery (Baltimore, Md.)
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 102
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Author: Nikodim Pavlovich Kondakov
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 374
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Author: Oleg I︠U︡rʹevich Tarasov
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424
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Book Description
In Framing Russian Art, Oleg Tarasov investigates the role of the frame both literally and conceptually, both in the organization of the artistic space of a work of art and in the very perception of a visual image - an icon, a building, a painting, an etching or photograph. Part One is dedicated to exploring the frame of the Russian icon and related arks, folding images and prints, from the Middle Ages to the late nineteenth century, including analyses of Grigoriy Shumayev's vast and extraordinary Baroque masterpiece, which he called 'the iconostasis of the life-giving Cross', and the sumptuous blending of medievalism and the late Romanticism in the Church Not Made by Hands at Savva Momontov's estate of Abramtsevo outside Moscow. Part Two examines the successive roles of the frame in Baroque imperial portraiture, the dynastic grandiloquence of the nineteenth century, the impact of Western ideas and new technology (photography in particular) on the celebrated battle painter Vasiliy Vereshchagin, and finally the impact of the vanishing frame in abstract art and Modernism. --Book Jacket.
Author: Cynthia Hyla Whittaker
Publisher: BRILL
ISBN: 9004191852
Category : History
Languages : en
Pages : 216
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Book Description
The Romantic search for a national past was a European preoccupation in the first half of the nineteenth century. In Russia, this process led to the formation of the Russian style that has to today so captivated the world's imagination. While the manifestations of this style are easily recognizable in gleaming gilt, vibrant colors, onion domes, peasant costume, and tsarist regalia, hardly anyone has realized the pioneering and defining role that Fedor Solntsev (1801-1892) played in the development of a Russian national aesthetic. This book rescues Solntsev from obscurity and celebrates his major contributions to the arts, archaeology, architecture, ethnography, icon painting, restoration work, and Russian nationalist ideology as well as place his work in a general European context. Contributors include: Marc Raeff, Wendy Salmond, Richard Wortman, Anne Odom, Irina Bogatskaia, Marina Evtushenko, Olenka Pevny, Irina Reyfman, Nathaniel Knight, Lauren M. O'Connell, and J. Robert Wright.
Author: William R. Johnston
Publisher: JHU Press
ISBN: 9780801860409
Category : Antiques & Collectibles
Languages : en
Pages : 352
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Book Description
Surprisingly, the story of how William Walters and his son Henry created one of the finest privately assembled museums in the United States has not been told."--BOOK JACKET.
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 744
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Author: Jefferson J. A. Gatrall
Publisher: Penn State Press
ISBN: 027103677X
Category : Art
Languages : en
Pages : 304
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Book Description
"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.
Author: Ilia Dorontchenkov
Publisher: Univ of California Press
ISBN: 0520253728
Category : Art
Languages : en
Pages : 364
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Book Description
From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.
