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Author: Alma Davenport
Publisher: UNM Press
ISBN: 9780826320766
Category : History
Languages : en
Pages : 220
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Book Description
A compact, readable, up-to-date overview of the history of photography.
Author: Alma Davenport
Publisher: UNM Press
ISBN: 9780826320766
Category : History
Languages : en
Pages : 220
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Book Description
A compact, readable, up-to-date overview of the history of photography.
Author: Robert L. Reid
Publisher: Minnesota Historical Society Press
ISBN: 0873512480
Category : History
Languages : en
Pages : 218
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Book Description
"Picturing Minnesota brings together the best of the images taken in Minnesota from the collection of photographs commissioned by the Farm Security Administration during the depression era and the advent of World War II. Among the photographers represented here are John Vachon, a native of St. Paul, Russell Lee, Jack Delano, Arthur Rothstein and Marion Post Wolcott. Outstanding as photographic works of art, these pictures are unique in their ability to convey the details of life in Minnesota during those years"--Publisher's description from lensculture.com.
Author: Mary Jane Appel
Publisher: Liveright Publishing
ISBN: 1631496174
Category : Biography & Autobiography
Languages : en
Pages : 471
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Book Description
Russell Lee, a contemporary of Walker Evans and Dorothea Lange, now emerges from the shadows as one of the most influential documentary photographers in American history. The most prolific photographer of the Great Depression, Russell Lee has never been canonized for his iconic images. With this compulsively readable and definitive biography, historian and archivist Mary Jane Appel finally uncovers Lee’s rebellious life, tracing his journey from blue-blood beginnings to intrepid years of activism and pioneering creativity, through the incredible body of work he left behind. Born in the quintessential turn-of-the-century small town of Ottawa, Illinois, in 1903, Lee grew up in a wealthy family riddled with tragedy. He trained in college to become a chemical engineer, but was quickly drawn to Greenwich Village, where he developed an interest in social change and the arts. In 1935, the charismatic bohemian picked up a camera and a year later walked into the office of Roy Stryker, head of the Historical Section of the Resettlement Administration, later renamed the Farm Security Administration (FSA), setting in motion a new life trajectory. The Historical Section aimed to capture rural poverty and the New Deal programs designed to abolish it. But Stryker imagined a much broader pictorial sourcebook for America, and no one on his legendary team—including Dorothea Lange, Walker Evans, and Gordon Parks, among others—would be more dedicated to reaching this goal than Russell Lee. As Appel demonstrates, Stryker and Lee developed a fascinating symbiotic relationship that resulted in a massive and complex breadth of work. Living out of his car from the fall of 1936 to mid-1942, Lee crisscrossed America’s back roads more than any photographer of his era. During this time, he shot 19,000 negatives that were captioned and printed—more than twice that of any other FSA photographer. He captured arresting images of sweeping dust storms and devastating floods, and chronicled the World War II home front and the last gasp of a small-town America that was inexorably vanishing, all the while focusing prophetically on issues like segregation and climate change, decades before they became national concerns. Meticulously weaving previously unseen letters and diaries, Appel brilliantly reveals why Lee’s profile has remained obscured, while his contemporaries became broadly celebrated. With more than 100 images spread throughout, Russell Lee speaks not only to the complexity of a pioneering documentary photographer’s work but to a seminal American moment captured viscerally like never before.
Author: James Guimond
Publisher: UNC Press Books
ISBN: 9780807843086
Category : Social Science
Languages : en
Pages : 368
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Book Description
Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
Author: Mary Murphy
Publisher: Montana Historical Society
ISBN: 9780917298813
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
Arthur Rothstein, Russell Lee, John Vachon, and Marion Post Wolcott became some of the United States' best-known photographers through their pictures of Depression-era America. Their assignment, as one of their associates described it, was to have "a long look at the whole vast, complicated rural U.S. landscape with all that was built on it and all those who built and wrecked and worked in it and bore kids and dragged them up and played games and paraded and picnicked and suffered and died and were buried in it." In Montana the four photographers traveled to forty of the state's fifty-six counties, creating a rich record of the many facets of the Depression and recovery: rural and urban, agricultural and industrial, work and play, hard times and the promise of a brighter future. The photographers captured the dignity of Montanans as they struggled to scratch out livings from dried-up fields, nurture families in the shadows of Butte head frames, and foster communities on the vast expanses of the northern plains. Hope in Hard Times, features over 140 Farm Security Administration photographs to illustrate the story of the Great Depression in Montana and the experiences of the photographers who documented it. Today these striking images, from cities like Butte to small towns like Terry, present an unforgettable portrait of a little-studied period in the history of Montana. Selected from the Farm Security Administration Collection at the Library of Congress in Washington, D.C., the photographs in Hope in Hard Times offer viewers an unparalleled look at life in Montana in the years preceding the United States' entry into World War II.
Author: Kate Flint
Publisher: Oxford University Press
ISBN: 0198808267
Category : Art
Languages : en
Pages : 412
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Book Description
A lively history of flash photography from the nineteenth century to the present that covers diverse topics like race, poverty, and the paparazzi. It surveys the work of professionals and amateurs, news hounds and art photographers, and photographers of crime and wildlife to highlight the role of flash in popular culture, literature, and film
Author: Russell Lee
Publisher: Morgan & Morgan, Incorporated
ISBN:
Category : Documentary photography
Languages : en
Pages : 220
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Book Description
A brief biography of the photographer followed by his photographs of people and places.
Author:
Publisher: UNM Press
ISBN: 9780826343192
Category : Biography & Autobiography
Languages : en
Pages : 156
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Book Description
This collection of photographs from the last three decades by Western writer and photographer Nancy Wood captures the people and places of rural Colorado and New Mexico.
Author: James R. Swensen
Publisher: University of Oklahoma Press
ISBN: 0806153164
Category : History
Languages : en
Pages : 269
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Book Description
As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck’s The Grapes of Wrath and the photographs produced for the New Deal’s Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck’s novel and the FSA’s photography—and into the circumstances that have made them enduring icons of the Depression. Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA’s work to publicize the plight of the migrant in the wake of the novel and John Ford’s award-winning film adaptation. A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.
