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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 458
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Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 608
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Book Description
Provides image and full-text online access to back issues. Consult the online table of contents for specific holdings.
Author:
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Category : Religion
Languages : en
Pages : 420
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Author: Sheona Beaumont
Publisher: Springer Nature
ISBN: 3031215540
Category : Religion
Languages : en
Pages : 323
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Book Description
This volume presents a collection of essays by leading experts which examine nineteenth century ideas about Christian theology, art, architecture, restoration, and curatorial practice. The volume unveils the importance of John Ruskin’s writing for today’s audience, and allies it with the dynamism of the Pre-Raphaelite religious imagination. Ruskin’s drawings and daguerreotypes, as well as Pre-Raphaelite paintings, stained glass, and engravings, are shown to be alive with visual theology: artists such as Dante Gabriel Rossetti, John Everett Millais, Edward Burne-Jones, and Evelyn de Morgan illuminate aspects of faith and aesthetics. The interdisciplinary nature of this volume encourages reflection upon praise, truth, and beauty. The aesthetic conversations between Ruskin and the Pre-Raphaelites themselves become a form of ‘sacra conversazione’.
Author: Gill Cockram
Publisher: Bloomsbury Publishing
ISBN: 0857716573
Category : History
Languages : en
Pages : 280
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In the first book to analyse the form and influence of Ruskin's social theory, Gill Cockram looks at Ruskin's significant contribution to social and intellectual thought in the late 19th and early 20th centuries. In a field often overlooked by 19th century historians, "Ruskin and Social Reform" clarifies for the first time how Ruskin's social theory was disseminated to a much wider readership than was evident in the mid-nineteenth century and how it was that Ruskin achieved great prominence as a social philosopher. Cockram examines the chronological development of Ruskin's thought and establishes the extent of his influence among the nascent labour movement. It was the support of a thinker as original and as unconventional as Ruskin that helped to challenge the laissez-faire conformities of classical economics and launched the quest to find a more ethical and humane basis for social policy-making.
Author: Frederick William Roe
Publisher:
ISBN:
Category : England
Languages : en
Pages : 356
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Author: James S. Dearden
Publisher: A&C Black
ISBN: 9781841270463
Category : Philosophy
Languages : en
Pages : 306
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Book Description
Despite professing a dislike of having his portrait taken, John Ruskin's footsteps were dogged by portrait painters, sculptors, caricaturists and photographers from the cradle to the grave and beyond. A thoroughly accessible book it lists and describes some 331likenesses made between 1822 and 1998. The three introductory chapters to this book survey Ruskin portraiture and the portraits, his general physical appearance througout his life, his hands, his mouth, his various illnesses and their effect on his appearance, his clothes, style of dress, size, tailors, their bills, etc. These opening chapters include many descriptions and reminiscences by Ruskin's friends and acquaintances, and those who portrayed him. The principal part of the book deals with the individual portraits, their history, where and why they were made, what Ruskin was doing at that time of his life and what his connection was with the artists in question. He was portrayed so regularly that this section is also effectively a potted Ruskin biography, based on the portraits. A 'catalogue raisonne' of the Ruskin portraits follows where the physical details of the works are listed, together with details of reproductions, exhibitions and provenance.
Author: Michael T. Saler
Publisher: Oxford University Press
ISBN: 0195349067
Category : History
Languages : en
Pages : 256
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The Avant-Garde in Interwar England addresses modernism's ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. During this period, a debate raged across the nation concerning the purpose of art in society. On one side were the aesthetic formalists, led by members of London's Bloomsbury Group, who thought art was autonomous from everyday life. On the other were England's so-called medieval modernists, many of them from the provincial North, who maintained that art had direct social functions and moral consequences. As Michael T. Saler demonstrates in this fascinating volume, the heated exchange between these two camps would ultimately set the terms for how modern art was perceived by the British public. Histories of English modernism have usually emphasized the seminal role played by the Bloomsbury Group in introducing, celebrating, and defining modernism, but Saler's study instead argues that, during the watershed years between the World Wars, modern art was most often understood in the terms laid out by the medieval modernists. As the name implies, these artists and intellectuals closely associated modernism with the art of the Middle Ages, building on the ideas of John Ruskin, William Morris, and other nineteenth-century romantic medievalists. In their view, modernism was a spiritual, national, and economic movement, a new and different artistic sensibility that was destined to revitalize England's culture as well as its commercial exports when applied to advertising and industrial design. This book, then, concerns the busy intersection of art, trade, and national identity in the early decades of twentieth-century England. Specifically, it explores the life and work of Frank Pick, managing director of the London Underground, whose famous patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. As one of the foremost adherents of medieval modernism, Pick converted London's primary public transportation system into the culminating project of the arts and crafts movement. But how should today's readers regard Pick's achievement? What can we say of the legacy of this visionary patron who sought to transform the whole of sprawling London into a post-impressionist work of art? And was medieval modernism itself a movement of pioneers or dreamers? In its bold engagement with such questions, The Avant-Garde in Interwar England will surely appeal to students of modernism, twentieth-century art, the cultural history of England, and urban history.
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1670
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Author: John Quinn
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 736
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