Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
The Nation
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
Book Description
English Lyrics from Dryden to Burns
Author: Morris William Croll
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 234
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 234
Book Description
Literary Bulletin
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 456
Book Description
The Literary News
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 308
Book Description
General Catalogue of the Books
Author: Detroit Public Library
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 1138
Book Description
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 1138
Book Description
Literary News
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 792
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 792
Book Description
The Dial
Author: Francis Fisher Browne
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 362
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 362
Book Description
Rural Lyrics, Elegies, and Other Short Poems
Author: J. F. Simmons
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 244
Book Description
The Princeton Handbook of Poetic Terms
Author: Alex Preminger
Publisher: Princeton University Press
ISBN: 1400857988
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This compact volume makes available a selection of 402 entries from the widely praised Princeton Encyclopedia of Poetry and Poetics, with emphasis on prosodic and poetic terms likely to be encountered in many different areas of literary study. The book includes detailed discussions of poetic forms, prosody, rhetoric, genre, and topics such as theories of poetry and the relationship of linguistics to poetry. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400857988
Category : Literary Criticism
Languages : en
Pages : 326
Book Description
This compact volume makes available a selection of 402 entries from the widely praised Princeton Encyclopedia of Poetry and Poetics, with emphasis on prosodic and poetic terms likely to be encountered in many different areas of literary study. The book includes detailed discussions of poetic forms, prosody, rhetoric, genre, and topics such as theories of poetry and the relationship of linguistics to poetry. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Lyric Apocalypse
Author: Ryan Netzley
Publisher: Fordham Univ Press
ISBN: 0823263487
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no “after” to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new.
Publisher: Fordham Univ Press
ISBN: 0823263487
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
What’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no “after” to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new.