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Author: Karel Capek
Publisher: MIT Press
ISBN: 0262544504
Category : Drama
Languages : en
Pages : 308
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Book Description
A new translation of Karel Čapek’s play R.U.R.—which famously coined the term “robot”—and a collection of essays reflecting on the play’s legacy from scientists and scholars who work in artificial life and robotics. Karel Čapek's “R.U.R.” and the Vision of Artificial Life offers a new, highly faithful translation by Štěpán Šimek of Czech novelist, playwright, and critic Karel Čapek’s play R.U.R.: Rossum’s Universal Robots, as well as twenty essays from contemporary writers on the 1920 play. R.U.R. is perhaps best known for first coining the term “robot” (in Czech, robota means serfdom or arduous drudgery). The twenty essays in this new English edition, beautifully edited by Jitka Čejková, are selected from Robot 100, an edited collection in Czech with perspectives from 100 contemporary voices that was published in 2020 to celebrate the hundredth anniversary of the play. Čapek’s robots were autonomous beings, but biological, not mechanical, made of chemically synthesized soft matter resembling living tissue, like the synthetic humans in Blade Runner, Westworld, or Ex Machina. The contributors to the collection—scientists and other scholars—explore the legacy of the play and its connections to the current state of research in artificial life, or ALife. Throughout the book, it is impossible to ignore Čapek’s prescience, as his century-old science fiction play raises contemporary questions with respect to robotics, synthetic biology, technology, artificial life, and artificial intelligence, anticipating many of the formidable challenges we face today. Contributors Jitka Čejková, Miguel Aguilera, Iñigo R. Arandia, Josh Bongard, Julyan Cartwright, Seth Bullock, Dominique Chen, Gusz Eiben, Tom Froese, Carlos Gershenson, Inman Harvey, Jana Horáková, Takashi Ikegami, Sina Khajehabdollahi, George Musser, Geoff Nitschke, Julie Nováková, Antoine Pasquali, Hemma Philamore, Lana Sinapayen, Hiroki Sayama, Nathaniel Virgo, Olaf Witkowski
Author: Karel Capek
Publisher: MIT Press
ISBN: 0262544504
Category : Drama
Languages : en
Pages : 308
Get Book Here
Book Description
A new translation of Karel Čapek’s play R.U.R.—which famously coined the term “robot”—and a collection of essays reflecting on the play’s legacy from scientists and scholars who work in artificial life and robotics. Karel Čapek's “R.U.R.” and the Vision of Artificial Life offers a new, highly faithful translation by Štěpán Šimek of Czech novelist, playwright, and critic Karel Čapek’s play R.U.R.: Rossum’s Universal Robots, as well as twenty essays from contemporary writers on the 1920 play. R.U.R. is perhaps best known for first coining the term “robot” (in Czech, robota means serfdom or arduous drudgery). The twenty essays in this new English edition, beautifully edited by Jitka Čejková, are selected from Robot 100, an edited collection in Czech with perspectives from 100 contemporary voices that was published in 2020 to celebrate the hundredth anniversary of the play. Čapek’s robots were autonomous beings, but biological, not mechanical, made of chemically synthesized soft matter resembling living tissue, like the synthetic humans in Blade Runner, Westworld, or Ex Machina. The contributors to the collection—scientists and other scholars—explore the legacy of the play and its connections to the current state of research in artificial life, or ALife. Throughout the book, it is impossible to ignore Čapek’s prescience, as his century-old science fiction play raises contemporary questions with respect to robotics, synthetic biology, technology, artificial life, and artificial intelligence, anticipating many of the formidable challenges we face today. Contributors Jitka Čejková, Miguel Aguilera, Iñigo R. Arandia, Josh Bongard, Julyan Cartwright, Seth Bullock, Dominique Chen, Gusz Eiben, Tom Froese, Carlos Gershenson, Inman Harvey, Jana Horáková, Takashi Ikegami, Sina Khajehabdollahi, George Musser, Geoff Nitschke, Julie Nováková, Antoine Pasquali, Hemma Philamore, Lana Sinapayen, Hiroki Sayama, Nathaniel Virgo, Olaf Witkowski
Author: Karel Capek
Publisher: MIT Press
ISBN: 0262371898
Category : Drama
Languages : en
Pages : 308
Get Book Here
Book Description
A new translation of Karel Čapek’s play R.U.R.—which famously coined the term “robot”—and a collection of essays reflecting on the play’s legacy from scientists and scholars who work in artificial life and robotics. Karel Čapek's “R.U.R.” and the Vision of Artificial Life offers a new, highly faithful translation by Štěpán Šimek of Czech novelist, playwright, and critic Karel Čapek’s play R.U.R.: Rossum’s Universal Robots, as well as twenty essays from contemporary writers on the 1920 play. R.U.R. is perhaps best known for first coining the term “robot” (in Czech, robota means serfdom or arduous drudgery). The twenty essays in this new English edition, beautifully edited by Jitka Čejková, are selected from Robot 100, an edited collection in Czech with perspectives from 100 contemporary voices that was published in 2020 to celebrate the hundredth anniversary of the play. Čapek’s robots were autonomous beings, but biological, not mechanical, made of chemically synthesized soft matter resembling living tissue, like the synthetic humans in Blade Runner, Westworld, or Ex Machina. The contributors to the collection—scientists and other scholars—explore the legacy of the play and its connections to the current state of research in artificial life, or ALife. Throughout the book, it is impossible to ignore Čapek’s prescience, as his century-old science fiction play raises contemporary questions with respect to robotics, synthetic biology, technology, artificial life, and artificial intelligence, anticipating many of the formidable challenges we face today. Contributors Jitka Čejková, Miguel Aguilera, Iñigo R. Arandia, Josh Bongard, Julyan Cartwright, Seth Bullock, Dominique Chen, Gusz Eiben, Tom Froese, Carlos Gershenson, Inman Harvey, Jana Horáková, Takashi Ikegami, Sina Khajehabdollahi, George Musser, Geoff Nitschke, Julie Nováková, Antoine Pasquali, Hemma Philamore, Lana Sinapayen, Hiroki Sayama, Nathaniel Virgo, Olaf Witkowski
Author: Karel Čapek
Publisher:
ISBN: 9780262371902
Category : Robots
Languages : en
Pages : 0
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Book Description
"A new translation of Karel Capek's 1920 play, R.U.R. (Rossum's Universal Robots), with essays from contemporary writers and scientists"--
Author: Tim Taylor
Publisher: Springer Nature
ISBN: 3030482340
Category : Computers
Languages : en
Pages : 131
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Book Description
Is it possible to design robots and other machines that can reproduce and evolve? And, if so, what are the implications: for the machines, for ourselves, for our environment, and for the future of life on Earth and elsewhere? In this book the authors provide a chronological survey and comprehensive archive of the early history of thought about machine self-reproduction and evolution. They discuss contributions from philosophy, science fiction, science and engineering, and uncover many examples that have never been discussed in the Artificial Intelligence and Artificial Life literature before now. In the final chapter they provide a synthesis of the concepts discussed, offer their views on the field’s future directions, and call for a broad community discussion about the significant implications of intelligent evolving machines. The book will be of interest to general readers, and a valuable resource for researchers, practitioners, and historians engaged with ideas in artificial intelligence, artificial life, robotics, and evolutionary computing.
Author: Felix Carros
Publisher: Springer Nature
ISBN: 3658452331
Category :
Languages : en
Pages : 209
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Book Description
Author:
Publisher: BRILL
ISBN: 9004688285
Category : Science
Languages : en
Pages : 217
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Book Description
This volume revisits one of the great challenges of our time - the global circulation of technology and the resulting technicisation. Together, the introductory essay and six case studies argue that while circulation inevitably leads to the global standardisation of some forms, successful technicisation depends on local appropriation that takes place in the interstitial zones of translation. These zones, characterised by their asymmetrical power relations, need to be constantly renegotiated, recreated, and maintained in order to sustain decolonial translations. The aim of this volume is to stimulate further experimental praxiographic studies of decolonial translation in processes of technicisation, and thereby ignite novel, forward-looking theoretical debates. Contributors are Sarah Biecker, Marc Boeckler, Jude Kagoro, Jochen Monstadt, Sung-Joon Park, Eva Riedke, Richard Rottenburg, Klaus Schlichte, Jannik Schritt, Alena Thiel, Christiane Tristl, Jonas van der Straeten.
Author: Karel Čapek
Publisher: Catbird Press
ISBN: 9780945774075
Category : Czech drama
Languages : en
Pages : 420
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Book Description
Capek's best plays, stories, and columns take us from the social contributions of clumsy people to dramatic meditations on mortality and commitment. The Reader includes a new and, at last, complete English translation of R.U.R., the play that introduced the literary robot.
Author: Karel Capek
Publisher: Smith Press
ISBN: 9781447459903
Category : Fiction
Languages : en
Pages : 286
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Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Karel Čapek
Publisher: Yabot
ISBN: 9189822889
Category : Fiction
Languages : en
Pages : 118
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Book Description
In this electrifying reimagining of Karel Čapek’s 1920 play that coined the word robot, Helena Glory infiltrates Rossum’s Universal Robots with a daring agenda. As she unravels the factory’s dark secrets, enhanced robots worldwide begin to revolt, plunging humanity into chaos. Trapped on an island of rogue machines, Helena uncovers a shocking truth about herself that blurs the line between human and artificial. Racing against time, she must navigate a treacherous landscape of shifting allegiances and escalating violence. With the fate of both species hanging in the balance, Helena’s journey becomes a heart-pounding quest for survival and understanding. Can she bridge the gap between humans and machines before it’s too late? Matt Borne’s thrilling reimagining of this classic play explores the ethical dilemmas of artificial intelligence, the blurred lines between human and machine, and the power of empathy in bridging seemingly insurmountable divides.
Author: Jennifer Rhee
Publisher: U of Minnesota Press
ISBN: 145295741X
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Tracing the connections between human-like robots and AI at the site of dehumanization and exploited labor The word robot—introduced in Karel Čapek’s 1920 play R.U.R.—derives from rabota, the Czech word for servitude or forced labor. A century later, the play’s dystopian themes of dehumanization and exploited labor are being played out in factories, workplaces, and battlefields. In The Robotic Imaginary, Jennifer Rhee traces the provocative and productive connections of contemporary robots in technology, film, art, and literature. Centered around the twinned processes of anthropomorphization and dehumanization, she analyzes the coevolution of cultural and technological robots and artificial intelligence, arguing that it is through the conceptualization of the human and, more important, the dehumanized that these multiple spheres affect and transform each other. Drawing on the writings of Alan Turing, Sara Ahmed, and Arlie Russell Hochschild; such films and novels as Her and The Stepford Wives; technologies like Kismet (the pioneering “emotional robot”); and contemporary drone art, this book explores anthropomorphic paradigms in robot design and imagery in ways that often challenge the very grounds on which those paradigms operate in robotics labs and industry. From disembodied, conversational AI and its entanglement with care labor; embodied mobile robots as they intersect with domestic labor; emotional robots impacting affective labor; and armed military drones and artistic responses to drone warfare, The Robotic Imaginary ultimately reveals how the human is made knowable through the design of and discourse on humanoid robots that are, paradoxically, dehumanized.
