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Author: Adam Caruso
Publisher: GTA Verlag
ISBN: 9783856763626
Category : Architects
Languages : en
Pages : 0
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Book Description
The product of a continuous European architectural and intellectual practice that bridged the Second World War, the work of Rudolf Schwarz (1897?1961) allows a deeper understanding of post-war German architecture. This book examines nine of his religious and secular buildings sited in the Rhineland, which are presented through new survey drawings and photographs. These are accompanied by Schwarz?s project descriptions and his lecture ?Architecture of Our Times? from 1958, which contextualizes his approach. Essays by Wolfgang Pehnt and an interƯ view with Schwarz?s wife, the architect Maria Schwarz, provide further insight into this complex oeuvre.
Author: Adam Caruso
Publisher: GTA Verlag
ISBN: 9783856763626
Category : Architects
Languages : en
Pages : 0
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Book Description
The product of a continuous European architectural and intellectual practice that bridged the Second World War, the work of Rudolf Schwarz (1897?1961) allows a deeper understanding of post-war German architecture. This book examines nine of his religious and secular buildings sited in the Rhineland, which are presented through new survey drawings and photographs. These are accompanied by Schwarz?s project descriptions and his lecture ?Architecture of Our Times? from 1958, which contextualizes his approach. Essays by Wolfgang Pehnt and an interƯ view with Schwarz?s wife, the architect Maria Schwarz, provide further insight into this complex oeuvre.
Author: Alban Janson
Publisher: Walter de Gruyter
ISBN: 3034608926
Category : Architecture
Languages : de
Pages : 380
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Book Description
Architecture is an experience – with the intellect and with all our senses, in motion, and in use. But in order to actually discuss and assess it with relevance, a clarification of terms is essential in order to avoid the vagueness that often prevails when talking about architecture. This dictionary provides a vocabulary that allows the architecture discourse to go beyond the declaration of constructive relationships or the description of architectonic forms in familiar terms like “roof,” “base,” “wall,” and “axis” or “proportion”. The point is to describe the experience of architecture: how exactly does it contribute to the experience of a situation? For instance, the staging of an entrance situation, or the layout and visitor routes through a museum. From “context,” through “guidance,” “readability,” “patina,” “spatial structure,” “symmetry” and “tectonics,” to “width” (and “narrowness”) or “window,” the most important terms in architectural language are explained precisely and in detail.
Author: David G. Robson
Publisher:
ISBN: 9780500341872
Category : Architecture
Languages : en
Pages : 278
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Book Description
This is a definitive and comprehensive monograph on one of the 20th century's greatest architects, Geoffrey Bawa, whose influence has extended to garden and landscape design.
Author: Ludwig Mies van der Rohe
Publisher: Princeton Architectural Press
ISBN: 9781568987538
Category : Architecture
Languages : en
Pages : 100
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Book Description
"The thirty years modernist legend Mies van der Rohe spent working in America arguably reflect his most consistent and mature efforts toward achieving his goal: a new architecture for the twentieth century. Focusing on this American period, Conversations with Mies van der Rohe gives new credence to this claim by presenting the architect's most important design concerns in his own words. In this collection of interviews Mies talks freely about his relationship with clients, the common language he sought in his architectural projects, the influences on his work, and the synthesis of architecture and technology that he advanced in his designs and built works. An essay by Inaki Abalos provides a context for these interviews and looks at Mies's legacy from a contemporary perspective."--
Author: Jorge Otero-Pailos
Publisher: U of Minnesota Press
ISBN: 1452942692
Category : Architecture
Languages : en
Pages : 456
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Book Description
Architecture’s Historical Turn traces the hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question. Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism’s historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory—especially the theory of architectural history—a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory. Otero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it.
Author: Adam Caruso
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 200
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Book Description
Providing a new insight into 20th-century architecture, this is the first book in English on the work of French architect Fernand Pouillon, 1912-1986. At the book's heart lie survey drawings and photographs of Pouillon's key Parisian housing projects.
Author: Steffen P. Walz
Publisher: Lulu.com
ISBN: 0557285631
Category : Architecture
Languages : en
Pages : 384
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Book Description
“Toward a Ludic Architecture†is a pioneering publication, architecturally framing play and games as human practices in and of space. Filling the gap in literature, Steffen P. Walz considers game design theory and practice alongside architectural theory and practice, asking: how are play and games architected? What kind of architecture do they produce and in what way does architecture program play and games? What kind of architecture could be produced by playing and gameplaying?
Author: Livia Cárdenas
Publisher: BRILL
ISBN: 9004440127
Category : History
Languages : en
Pages : 574
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Book Description
This study is the first fundamental analysis and synopsis of the printed relic-book genre. Printed relic books represent, both by image and text, precious reliquaries, which were presented to the faithful audience during special liturgical feasts, the display of relics. This study brings into focus the specific aesthetics of these relic books and explores the immense influence that patrons had on figuration as well as on the forms of these books. The analysis focuses on the interaction of image and text as manifestation of authenticity. This book then contributes to clarifying the complex medial role of printing with movable type in its early period and offers a novel interpretation of the cultural significance of artefacts in the Renaissance. This book is a translation of Die Textur des Bildes: Das Heiltumsbuch im Kontext religiöser Medialität des Spätmittelalters (De Gruyter, 2013)
Author: Francesco Dal Co
Publisher: Yale University Press
ISBN: 0300248652
Category : Architecture
Languages : en
Pages : 513
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Book Description
"I look beyond solution; I look for an expression."--Eduardo Souto de Moura The architect Eduardo Souto de Moura (b. 1952) has won many accolades, including the 2011 Pritzker Architecture Prize. Based in Porto, Souto de Moura studied under Fernando Távora and worked under fellow Portuguese architect Álvaro Siza, with whom he continues to collaborate. Souto de Moura established his own practice in 1980, and his wide-ranging influences, including Mies van der Rohe and Donald Judd, can be seen in the stunning variety of his work, from his acclaimed private houses, to the striking Paula Rego Museum in Cascais and the Braga Municipal Stadium, to his work in historical contexts such as the Convento das Bernardas in Tavira. This beautifully illustrated retrospective provides the most comprehensive account of Souto de Moura's career to date. Drawings, notes and sketches from his archive, and newly commissioned photographs complement essays by scholars and prominent architects that trace Souto de Moura's career, contextualize his work within the larger trends of contemporary international architectural culture, and highlight the originality of his design strategy.
Author:
Publisher: BRILL
ISBN: 9004378219
Category : Art
Languages : en
Pages : 818
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Book Description
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.
