Royal Academy Illustrated 2010 PDF Download
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Author: Richard Cork
Publisher: Royal Academy Books
ISBN: 9781905711567
Category : Art
Languages : en
Pages : 196
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Book Description
First published in the 1870s, the 'Royal Academy Illustrated' presents the highlights of each year's show and is a fascinating barometer of changing artistic tastes. A cross-section of the works on display is included, accompanied by installation shots of the galleries.
Author: Richard Cork
Publisher: Royal Academy Books
ISBN: 9781905711567
Category : Art
Languages : en
Pages : 196
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Book Description
First published in the 1870s, the 'Royal Academy Illustrated' presents the highlights of each year's show and is a fascinating barometer of changing artistic tastes. A cross-section of the works on display is included, accompanied by installation shots of the galleries.
Author: Vincent van Gogh
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
"Vincent van Gogh is one of the greatest figures in Western art. Revered for his bold, expressive paintings, he is also admired as a prodigious and eloquent letter writer. His correspondence displays a remarkable literary gift and an ability to communicate his ideas and feelings about nature, art and life in direct, emotive language." "Illustrated with works of art and letters that demonstrate Van Gogh's abiding preoccupations - the role of colour in painting, portraiture and the cycles of nature, for example - this fascinating book explores the correspondence as a self-portrait of the artist and the man. The letter-sketches that he used to describe completed works or those in progress are reproduced alongside the paintings or drawings on which they are based, providing a unique insight into his artistic development. Drawing on new and extensive research, leading authorities on Van Gogh reveal how the letters enhance and shape our view of this modern master." --Book Jacket.
Author: Royal Academy of Arts
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Scott Rothkopf
Publisher: Yale University Press
ISBN: 0300195877
Category : Art
Languages : en
Pages : 306
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Book Description
With over 200 illustrations of iconic works as well as preparatory studies and historic photographs, this book offers fresh insight into Koons’s polarizing and influential career.
Author: Esther Susan Bell
Publisher: Yale University Press
ISBN: 0300218885
Category : Art
Languages : en
Pages : 473
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Book Description
A beautiful volume that brings to light the forgotten Le Nain brothers, a trio of 17th-century French master painters who specialized in portraiture, religious subjects, and scenes of everyday peasant life In France in the 17th century, the brothers Antoine (c. 1598-1648), Louis (c. 1600/1605-1648), and Mathieu (1607-1677) Le Nain painted images of everyday life for which they became posthumously famous. They are celebrated for their depictions of middle-class leisure activities, and particularly for their representations of peasant families, who gaze out at the viewer. The uncompromising naturalism of these compositions, along with their oddly suspended action, imparts a sense of dignity to their subjects. Featuring more than sixty paintings highlighting the artists' full range of production, including altarpieces, private devotional paintings, portraits, and the poignant images of peasants for which the brothers are best known, this generously illustrated volume presents new research concerning the authorship, dating, and meaning of the works by well-known scholars in the field. Also groundbreaking are the results of a technical study of the paintings, which constitutes a major contribution to the scholarship on the Le Nain brothers.
Author: Scott Rothkopf
Publisher: Yale University Press
ISBN: 0300229291
Category : Art
Languages : en
Pages : 665
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Book Description
A richly illustrated, expansive mid-career survey of the stand-out American artist's pioneering and influential work, with each copy featuring a unique silk-screen cover printed in Owens's studio Since the early 1990s, Laura Owens (b. 1970) has challenged traditional assumptions about figuration and abstraction in her pioneering approach to painting. Created in close collaboration with the artist on the occasion of her mid-career survey at the Whitney Museum of American Art, this inventive and comprehensive book features an incisive introduction by Scott Rothkopf, critical essays, literary texts, and short commentaries on a variety of subjects related to Owens's broad interests, which range from folk art and needlework to comics and wallpaper. Reflections by more than twenty of Owens's fellow artists, collaborators, assistants, dealers, family members, and friends offer an array of perspectives on her work at different periods in her life, beginning with her high school years in Ohio and ending with her current exhibition. A rich trove of more than a thousand images, drawn from the artist's personal archive and largely unpublished before now, includes personal correspondence, journals, academic transcripts, handwritten notes, source material, exhibition announcements, clippings, and installation photographs. Strikingly, each copy also features a unique silk-screen cover printed in Owens's studio, giving readers the opportunity to own an original work of art. Together, all of these elements provide a rare and intimate look at how an artist might make her way in the world as well as how art gets made, movements take hold, and relationships evolve over time.
Author:
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 178
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Book Description
Author: Claude Douglas Dickerson (III)
Publisher: Metropolitan Museum of Art
ISBN: 1588394727
Category : Artists' preparatory studies
Languages : en
Pages : 433
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Book Description
"The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods."--Publisher's website.
Author: Andrew Lambirth
Publisher: Royal Academy Books
ISBN: 9781905711581
Category : Art
Languages : en
Pages : 160
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Book Description
Includes chronology (p. 154-155) and index.
Author: Sarah Monks
Publisher: Routledge
ISBN: 1351559966
Category : Art
Languages : en
Pages : 278
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Book Description
Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848 offers a range of case studies which consider individual artists' personal, professional and artistic relationships with the Royal Academy during the late eighteenth and early nineteenth centuries, bringing together the research of leading historians of British artistic culture during this period. Over its introduction and nine essays, this collection considers the Academy as a lived organism whose most effective role, following its establishment in 1768, was as a reference point towards, around and against which artists operated in their relationships with each other and with artistic practice itself. In so doing, this collection also considers the relationship between Academic ideals and individual practice (as well as lived experience) during this period of art?s increasingly public manifestation at the Academy. Individual artists examined include Joshua Reynolds, Joseph Wright of Derby, Benjamin West and William Etty. Thinking beyond the dichotomy of loyalism and rebellion - and complicating notions of the Academy as a monolithic ossifying institution from which progressive artists would be ?liberated? in the wake of the Pre-Raphaelite Brotherhood?s emergence in 1848 - this volume investigates the Academy?s varied impact upon the lives, experiences and ideals of its diverse artistic communities.
