Routledge Revivals: The Illuminations of the Stavelot Bible (1978) PDF Download
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Author: Wayne Dynes
Publisher: Routledge
ISBN: 1351395033
Category : Religion
Languages : en
Pages : 222
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Book Description
First published in 1978, this book offers a comprehensive study of the illuminations of the Stavelot Bible. The illuminations themselves have been recognized as occupying an important place in the incipient stage of the Romanesque style in the Meuse valley. The two volumes of the Bible contain no less than ninety-seven illuminated initials, almost half of them containing figures. Wayne Dynes’s study brings this into context by giving the historical background of the abbey of Stavelot and the manuscript itself, and then the exegetical and illustrative tradition shaping earlier illuminated Bibles. A third chapter examines the question of the assignment of the hands, providing at the same time a survey of the contents. This clears the way for discussions of areas of importance including the famous full-page composition of Christ in Majesty, and analyses key miniatures and groups of miniatures. This procedure serves to clarify the overall scheme of illumination and permit a comparison with earlier achievements in the history of Bible illumination.
Author: Wayne Dynes
Publisher: Routledge
ISBN: 1351395033
Category : Religion
Languages : en
Pages : 222
Get Book Here
Book Description
First published in 1978, this book offers a comprehensive study of the illuminations of the Stavelot Bible. The illuminations themselves have been recognized as occupying an important place in the incipient stage of the Romanesque style in the Meuse valley. The two volumes of the Bible contain no less than ninety-seven illuminated initials, almost half of them containing figures. Wayne Dynes’s study brings this into context by giving the historical background of the abbey of Stavelot and the manuscript itself, and then the exegetical and illustrative tradition shaping earlier illuminated Bibles. A third chapter examines the question of the assignment of the hands, providing at the same time a survey of the contents. This clears the way for discussions of areas of importance including the famous full-page composition of Christ in Majesty, and analyses key miniatures and groups of miniatures. This procedure serves to clarify the overall scheme of illumination and permit a comparison with earlier achievements in the history of Bible illumination.
Author: Wayne Dynes
Publisher:
ISBN: 9781138305632
Category :
Languages : en
Pages : 374
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Book Description
First published in 1978, this book offers a comprehensive study of the illuminations of the Stavelot Bible. The illuminations themselves have been recognized as occupying an important place in the incipient stage of the Romanesque style in the Meuse valley. The two volumes of the Bible contain no less than ninety-seven illuminated initials, almost half of them containing figures. Wayne Dynes's study brings this into context by giving the historical background of the abbey of Stavelot and the manuscript itself, and then the exegetical and illustrative tradition shaping earlier illuminated Bibles. A third chapter examines the question of the assignment of the hands, providing at the same time a survey of the contents. This clears the way for discussions of areas of importance including the famous full-page composition of Christ in Majesty, and analyses key miniatures and groups of miniatures. This procedure serves to clarify the overall scheme of illumination and permit a comparison with earlier achievements in the history of Bible illumination. vements in the history of Bible illumination.
Author: Sofia Zoitou
Publisher: Mediterranean Art Histories
ISBN: 9789004436855
Category : History
Languages : en
Pages : 284
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Book Description
"In Staging Holiness. The Case of Hospitaller Rhodes (ca. 1309-1522) Sofia Zoitou offers a study of the history of relic collections, devotional rituals and sites invested with special meaning in Rhodes, during a time when the island became one of the most frequented ports of call for ships carrying pilgrims from Venice to the Holy Land. Scrutinizing late medieval travel reports by pilgrims from all over Europe along with extant historical, archaeological, visual and material evidence, Sofia Zoitou traces the various forms of the Rhodian cultic sites' evolution and perception, ultimately considered as an overall artistic strategy for the staging of the sacred"--
Author: Alison I. Beach
Publisher: Cambridge University Press
ISBN: 1108770630
Category : Religion
Languages : en
Pages : 1244
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Book Description
Monasticism, in all of its variations, was a feature of almost every landscape in the medieval West. So ubiquitous were religious women and men throughout the Middle Ages that all medievalists encounter monasticism in their intellectual worlds. While there is enormous interest in medieval monasticism among Anglophone scholars, language is often a barrier to accessing some of the most important and groundbreaking research emerging from Europe. The Cambridge History of Medieval Monasticism in the Latin West offers a comprehensive treatment of medieval monasticism, from Late Antiquity to the end of the Middle Ages. The essays, specially commissioned for this volume and written by an international team of scholars, with contributors from Australia, Belgium, Canada, England, France, Germany, Italy, the Netherlands, Spain, Switzerland, and the United States, cover a range of topics and themes and represent the most up-to-date discoveries on this topic.
Author: Beate Fricke
Publisher: Brepols Publishers
ISBN: 9782503541181
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
This book investigates the origins and transformations of medieval image culture and its reflections in theology, hagiography, historiography and art. It deals with a remarkable phenomenon: the fact that, after a period of 500 years of absence, the tenth century sees a revival of monumental sculpture in the Latin West. Since the end of Antiquity and the pagan use of free-standing, life-size sculptures in public and private ritual, Christians were obedient to the Second Commandment forbidding the making and use of graven images. Contrary to the West, in Byzantium, such a revival never occurred: only relief sculpture - mostly integrated within an architectural context - was used. However, Eastern theologians are the authors of highly fascinating and outstanding original theoretical reflections about the nature and efficacy of images. How can this difference be explained? Why do we find the most fascinating theoretical concepts of images in a culture that sticks to two-dimensional icons often venerated as cult-images that are copied and repeated, but only randomly varied? And why does a groundbreaking change in the culture of images - the revival of monumental sculpture - happen in a context that provides more restrained theoretical reflections upon images in their immediate theological, liturgical and artistic contexts? These are some of the questions that this book seeks to answer.The analysis and contextualization of the revival of monumental sculpture includes reflections on liturgy, architecture, materiality of minor arts and reliquaries, medieval theories of perception, and gift exchange and its impact upon practices of image veneration, aesthetics and political participation. Drawing on the historical investigation of specific objects and texts between the ninth and the eleventh century, the book outlines an occidental history of image culture, visuality and fiction, claiming that only images possess modes of visualizing what in the discourse of medieval theology can never be addressed and revealed.
Author: Elizabeth C. Parker
Publisher: Metropolitan Museum of Art New York
ISBN: 9780300193497
Category :
Languages : en
Pages : 0
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Book Description
In 1988, The Cloisters celebrated its fiftieth anniversary as a branch museum of The Metropolitan Museum of Art. Devoted to the art of medieval Europe, The Cloisters is a twentieth century museum designed in a style evocative of medieval architecture. Its combination of medieval and modern architectural elements, organized around arcades of five medieval cloisters, creates a unique and sympathetic context for the exhibition of sculpture, metalwork, textiles, and painting. This contextual approach has been enormously influential in introducing medieval art to the American public. The opportunity for both visitor and scholar to examine works of art in evocative settings has informed and inspired viewers since the Museum's opening in 1938. The collection continues to grow in a wide-ranging fashion, as exemplified by the recently acquired Langobardic reliefs and fourteenth-century stained glass from the Austrian castle chapel at Ebreichsdorf, which are examined here. A two-day scholarly symposium marked the fiftieth anniversary of The Cloisters, bringing together fifteen distinguished scholars from Europe and North America. Jointly sponsored by The Metropolitan Museum of Art and the International Center of Medieval Art, the symposium offered discussions of The Cloisters' history as well as concise papers emphasizing new research on specific works of art in the collection. Keynote papers by Ilene H. Forsyth and Willibald Sauerlander presented provocative critical reviews of the present state of research on Romanesque and Gothic art--the predominant strengths of the collection. Their appraisals and proposals for new directions of research confirm the rapidly changing and challenging state of medieval art scholarship. Symposium participants have revised their papers for publication, and contributions by members of the Museum's staff have been added. The twenty-two studies presented in this commemorative volume demonstrate the methodological diversity confronting the field of medieval art history. As a group, they offer an extraordinary tribute to the significance of The Cloisters Collection. (This title was originally published in 1991/92.)
Author: Thomas F. X. Noble
Publisher:
ISBN: 9780268036102
Category : History
Languages : en
Pages : 0
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Book Description
Medievalists explore geographical regions and themes to expose the best current thinking about what was and what was not distinctive about the twelfth century.
Author: James Robinson
Publisher: British Museum Research Public
ISBN: 9780861591954
Category : History
Languages : en
Pages : 0
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Book Description
"A landmark publication exploring the relationship between sacred matter and precious materials in the Middle Ages."--Site web de l'éditeur.
Author: Charles Reginald Dodwell
Publisher: Yale University Press
ISBN: 9780300064933
Category : Art
Languages : en
Pages : 484
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Book Description
Between the ninth and thirteenth centuries the Western world witnessed a glorious flowering of the pictorial arts. In this lavishly illustrated book, C.R. Dodwell provides a comprehensive guide to all forms of this art--from wall and panel paintings to stained glass windows, mosaics, and embroidery--and sets them against the historical and theological influences of the age. Dodwell describes the rise and development of some of the great styles of the Middle Ages: Carolingian art, which ranged from the splendid illuminations appropriate to an emperor's court to drawings of great delicacy; Anglo-Saxon art, which had a rare vitality and finesse; Ottonian art with its political and spiritual messages; the colorful Mozarabic art of Spain, which had added vigor through its interaction with the barbaric Visigoths; and the art of Italy, influenced by the styles of Byzantium and the West. Dodwell concludes with an examination of the universal Romanesque style of the twelfth century that extended from the Scandinavian countries in the north to Jerusalem in the south. His book--which includes the first exhaustive discussion of the painters and craftsmen of the time, incorporates the latest research, and is filled with new ideas about the relations among the arts, history, and theology of the period--will be an invaluable resource for both art historians and students of the Middle Ages.
Author: Walter Cahn
Publisher: Ithaca, N.Y. : Cornell University Press
ISBN:
Category : Art
Languages : en
Pages : 314
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Book Description
