Rossetti and His Circle PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rossetti and His Circle PDF full book. Access full book title Rossetti and His Circle by Sir Max Beerbohm. Download full books in PDF and EPUB format.
Author: Sir Max Beerbohm
Publisher: London : W. Heinemann
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 9
Get Book Here
Book Description
Author: Sir Max Beerbohm
Publisher: London : W. Heinemann
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 9
Get Book Here
Book Description
Author: Elizabeth Prettejohn
Publisher: Stewart, Tabori, & Chang
ISBN:
Category : Art
Languages : en
Pages : 84
Get Book Here
Book Description
The rumours it aroused mixed fact and fiction to tell of love affairs between artists and models, of nocturnal rambles and drunken poetry recitations, of the house's collection of Oriental china, medieval musical instruments and exotic animals. But fact or fantasy, the circle's unconventional image was inseparable from their artistic experiments.
Author: Henry Currie Marillier
Publisher:
ISBN:
Category : Pre-Raphaelitism
Languages : en
Pages : 392
Get Book Here
Book Description
Author: Cecil Y. Lang
Publisher: University of Chicago Press
ISBN: 022622838X
Category : Poetry
Languages : en
Pages : 594
Get Book Here
Book Description
This useful volume presents the major works of the five leading Pre-Raphaelite poets. Foremost in the collection, and included in their entirety are D. G. Rossetti's The House of Life, C. G. Rossetti's "Monna Innominata," William Morris's "Defence of Guenevere," Swinburne's Atalanta in Calydon, and Meredith's "Modern Love." Complementing these major poems is a fine, generous selection of the poets' shorter pieces that are typical of their work as a whole. For this second edition, Cecil Lang has substituted two early Swinburne poems, "The Leper" and "Anactoria," for Fitzgerald's The Rubáiyát of Omar Khayyám. These poems, which the editor describes as "shocking," show a new aspect of Swinburne not discussed previously. Lang's Introduction describes briefly the founding of the Pre-Raphaelite Brotherhood, discusses each of the Pre-Raphaelite poets, both individually and in relation to the others, and grapples with the questions of definition of Pre-Raphaelitism and the similarities between its painting and poetry. The book is appropriately illustrated with thirty-two works by D. G. Rossetti, John Ruskin, William H. Hunt, and other Pre-Raphaelite artists. This is the only anthology available that provides a representative selection of the work of these important poets. It will be indispensable to students of Victorian poetry and appreciated by readers interested in the Pre-Raphaelites.
Author: Max Beerbohm
Publisher: LA CASE Books
ISBN:
Category : Fiction
Languages : en
Pages : 390
Get Book Here
Book Description
Zuleika Dobson, or, an Oxford love story, is the only novel by English essayist Max Beerbohm, a satire of undergraduate life at Oxford published in 1911. It includes the famous line "Death cancels all engagements" and presents a corrosive view of Edwardian Oxford. The all-male campus of Oxford—Beerbohm’s alma mater—is a place where aesthetics holds sway above all else, and where witty intellectuals reign. Things haven’t changed for its privileged student body for years . . . until the beguiling music-hall prestidigitator Zuleika Dobson shows up. The book’s marvelous prose dances along the line between reality and the absurd as students and dons alike fall at Zuleika’s feet, and she cuts a wide swath across the campus—until she encounters one young aristocrat for whom she is astonished to find she has feelings. As Zuleika, and her creator, zero in on their targets, the book takes some surprising and dark twists on its way to a truly startling ending—an ending so striking that readers will understand why Virginia Woolf said that “Mr. Beerbohm in his way is perfect.” In 1998, the Modern Library ranked Zuleika Dobson 59th on its list of the 100 best English-language novels of the 20th century.
Author: John Simons
Publisher: Libri Publishing Limited
ISBN:
Category : Art
Languages : en
Pages : 158
Get Book Here
Book Description
Rossetti's Wombat tells the story of Top, a wombat who belonged to the Pre-Raphaelite painter Dante Gabriel Rossetti for a few months in 1869. The book also describes the strange history of the European fascination with the wildlife of Australia, from the late 18th century onwards. By 1860, most well-to-do people could buy a pet kangaroo from a London pet shop - and many of them did. Wombats were rarer and more expensive but the tradition of wombat owning was well established by the turn of the 19th century. Napoleon had a pet wombat, as did the Duke of Edinburgh. Rossetti's Wombat is a light-hearted account of an improbable side of Victorian England. It examines the way a wombat participated in the delicate relationships between the men and women in the Pre-Raphaelite circle - particularly Rossetti's emotional affair with Jane Morris, wife of his friend and colleague William Morris. Fully illustrated with drawings and etchings of the period, Rossetti's Wombat will appeal to those with an interest in Victorian England and the Pre-Raphaelites - and to wombat lovers everywhere. John Simons is Professor of English and Dean of the Faculty of Media, Humanities and Technology at the University of Lincoln. He has published widely on subjects ranging from medieval chivalric romance to Andy Warhol, and from editions of medieval and early modern texts to a history of Hampshire cricket.
Author: Dante Alighieri
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Get Book Here
Book Description
Author: Dante Gabriel Rossetti
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
Get Book Here
Book Description
Author: Roger W. Peattie
Publisher: Penn State Press
ISBN: 0271044241
Category : Literary Criticism
Languages : en
Pages : 765
Get Book Here
Book Description
Author: Rita Cameron
Publisher: Kensington Publishing Corporation
ISBN: 1617738565
Category : Fiction
Languages : en
Pages : 369
Get Book Here
Book Description
"I'll never want to draw anyone else but you. You are my muse. Without you there is no art in me." With her pale, luminous skin and cloud of copper-colored hair, nineteen-year-old Lizzie Siddal looks nothing like the rosy-cheeked ideal of Victorian beauty. Working in a London milliner's shop, Lizzie stitches elegant bonnets destined for wealthier young women, until a chance meeting brings her to the attention of painter and poet Dante Gabriel Rossetti. Enchanted both by her ethereal appearance and her artistic ambitions--quite out of place for a shop girl--Rossetti draws her into his glittering world of salons and bohemian soirees. Lizzie begins to sit for some of the most celebrated members of the Pre-Raphaelite Brotherhood, posing for John Everett Millais as Shakespeare's Ophelia, for William Holman Hunt--and especially for Rossetti, who immortalizes her in countless paintings as his namesake's beloved Beatrice. The passionate visions Rossetti creates on canvas are echoed in their intense affair. But while Lizzie strives to establish herself as a painter and poet in her own right, betrayal, illness, and addiction leave her struggling to save her marriage and her sense of self. Rita Cameron weaves historical figures and vivid details into a complex, unconventional love story, giving voice to one of the most influential yet overlooked figures of a fascinating era--a woman who is both artist and inspiration, long gazed upon, but until now, never fully seen. An excerpt from Ophelia’s Muse Rossetti stood behind the canvas, pretending to study Deverell's painting while he admired its model. Despite Deverell's enthusiastic descriptions, Rossetti was completely unprepared for the glorious woman before him. She seemed to be from another age, as if she had sprung to life from an antique painting of an Italian saint. Seated before the window, her hair cast a slight golden glow in the afternoon sun, like a halo. She could not have been more perfect if he had sculpted her from marble with his own hands. Deverell claimed that he had found the perfect Viola, but this girl was far too beautiful to pose as some love-sick page. She was clearly meant to sit for the great heroines of history and myth, and Rossetti vowed to paint her as a queen. "Miss Siddal, has anyone ever told you that you were surely crafted by the gods in order to be painted? If you don't believe that yours is a beauty for the ages, you underestimate yourself." The force of his words struck Lizzie, and she wondered if he was serious, and if it could be true. Was this the thing that she had always been waiting for? Was she really meant to inspire great artists? Her head buzzed with the possibility, but the very allure of the idea felt dangerous. . .
