Author: Rosetsu Nagasawa
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
Book Description
Rosetsu; Exhibition of Paintings, Denver Art Museum, September 8 - October 14, 1973
Author: Rosetsu Nagasawa
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
Book Description
Japanese Art
Author: Miyeko Murase
Publisher: Metropolitan Museum of Art
ISBN: 0870991361
Category : Art
Languages : en
Pages : 365
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870991361
Category : Art
Languages : en
Pages : 365
Book Description
The Poetry of Nature
Author: John T. Carpenter
Publisher: Metropolitan Museum of Art
ISBN: 1588396541
Category : Art
Languages : en
Pages : 227
Book Description
With a shared reverence for the arts of Japan, T. Richard Fishbein and his wife, Estelle P. Bender assembled an outstanding and diverse collection of paintings of the Edo period (1615 – 1868). The Poetry of Nature offers an in-depth look at more than forty works from their collection that together trace the development of the major schools and movements of the era — Rinpa, Nanga, Zen, Maruyama-Shijō, and Ukiyo-e — from their roots in Heian court culture and the Kano and Tosa artistic lineages that preceded them. Insightful essays by John T. Carpenter and Midori Oka reveal a unifying theme — the celebration of the natural world — expressed in varied forms, from the bold, graphic manner of Rinpa to the muted sensitivity of Nanga. Lavishly illustrated, these works draw particular focus to the unique intertwinement of poetry and the pictorial arts that is fundamental to the Japanese tradition. In addition to providing new readings and translations of Japanese and Chinese poems, The Poetry of Nature sheds new light on the ways in which Edo artists used verse to transform their paintings into a hybrid literary and visual art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Publisher: Metropolitan Museum of Art
ISBN: 1588396541
Category : Art
Languages : en
Pages : 227
Book Description
With a shared reverence for the arts of Japan, T. Richard Fishbein and his wife, Estelle P. Bender assembled an outstanding and diverse collection of paintings of the Edo period (1615 – 1868). The Poetry of Nature offers an in-depth look at more than forty works from their collection that together trace the development of the major schools and movements of the era — Rinpa, Nanga, Zen, Maruyama-Shijō, and Ukiyo-e — from their roots in Heian court culture and the Kano and Tosa artistic lineages that preceded them. Insightful essays by John T. Carpenter and Midori Oka reveal a unifying theme — the celebration of the natural world — expressed in varied forms, from the bold, graphic manner of Rinpa to the muted sensitivity of Nanga. Lavishly illustrated, these works draw particular focus to the unique intertwinement of poetry and the pictorial arts that is fundamental to the Japanese tradition. In addition to providing new readings and translations of Japanese and Chinese poems, The Poetry of Nature sheds new light on the ways in which Edo artists used verse to transform their paintings into a hybrid literary and visual art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
The Fat Innkeeper
Author: Alan Russell
Publisher: Mysterious Press
ISBN: 0446565768
Category : Fiction
Languages : en
Pages : 217
Book Description
When a doctor investigating fraud in a visiting New Age cult winds up dead, hotel detective Am Caulfield scours the premises for clues while struggling to keep a group of swingers under control, in the sequel to The Hotel Detective.
Publisher: Mysterious Press
ISBN: 0446565768
Category : Fiction
Languages : en
Pages : 217
Book Description
When a doctor investigating fraud in a visiting New Age cult winds up dead, hotel detective Am Caulfield scours the premises for clues while struggling to keep a group of swingers under control, in the sequel to The Hotel Detective.
國華
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 490
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 490
Book Description
Ancient Tales and Folklore of Japan
Author: Richard Gordon Smith
Publisher: Arcturus Publishing
ISBN: 1398847135
Category : Fiction
Languages : en
Pages : 346
Book Description
This enthralling collection brings together over 50 ancient tales from Japanese folklore, gathered and retold by 19th century traveler and naturalist Richard Gordon Smith. During his journeys around Japan, Smith recorded ancient Japanese myths and legends in his personal diaries. The result is a fascinating collection of historical legends from all over Japan, with themes including ghosts, unrequited love, Shinto landscape, tree and ocean spirits, samurai culture and tales driven by Bushido and Buddhist ethics. Gordon Smith's writing combines a realist style with supernatural elements, resulting in an anthology of 'magic realist' tales which will bewitch and captivate readers. ABOUT THE SERIES: Arcturus World Mythology series brings together captivating retellings of myths and legends from different oral traditions, from Greek and Roman to Norse and Native American, offering rich insight into their cultures and beliefs.
Publisher: Arcturus Publishing
ISBN: 1398847135
Category : Fiction
Languages : en
Pages : 346
Book Description
This enthralling collection brings together over 50 ancient tales from Japanese folklore, gathered and retold by 19th century traveler and naturalist Richard Gordon Smith. During his journeys around Japan, Smith recorded ancient Japanese myths and legends in his personal diaries. The result is a fascinating collection of historical legends from all over Japan, with themes including ghosts, unrequited love, Shinto landscape, tree and ocean spirits, samurai culture and tales driven by Bushido and Buddhist ethics. Gordon Smith's writing combines a realist style with supernatural elements, resulting in an anthology of 'magic realist' tales which will bewitch and captivate readers. ABOUT THE SERIES: Arcturus World Mythology series brings together captivating retellings of myths and legends from different oral traditions, from Greek and Roman to Norse and Native American, offering rich insight into their cultures and beliefs.
Traditions Unbound
Author: Matthew P. McKelway
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 220
Book Description
Published on the occasion of the exhibition organized by the Asian Art Museum, Agency for Cultural Affairs of Japan, and Kyoto National Museum and presented at the Asian Art Museum--Chong-Moon Lee Center, Dec. 3, 2005-Feb. 26, 2006--T.p. verso.
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 220
Book Description
Published on the occasion of the exhibition organized by the Asian Art Museum, Agency for Cultural Affairs of Japan, and Kyoto National Museum and presented at the Asian Art Museum--Chong-Moon Lee Center, Dec. 3, 2005-Feb. 26, 2006--T.p. verso.
Southwest Art
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 862
Book Description
The Aesthetics of Strangeness
Author: W. Puck Brecher
Publisher: University of Hawaii Press
ISBN: 0824839129
Category : History
Languages : en
Pages : 282
Book Description
Eccentric artists are “the vagaries of humanity” that inhabit the deviant underside of Japanese society: This was the conclusion drawn by pre–World War II commentators on most early modern Japanese artists. Postwar scholarship, as it searched for evidence of Japan’s modern roots, concluded the opposite: The eccentric, mad, and strange are moral exemplars, paragons of virtue, and shining hallmarks of modern consciousness. In recent years, the pendulum has swung again, this time in favor of viewing these oddballs as failures and dropouts without lasting cultural significance. This work corrects the disciplinary (and exclusionary) nature of such interpretations by reconsidering the sudden and dramatic emergence of aesthetic eccentricity during the Edo period (1600–1868). It explains how, throughout the period, eccentricity (ki) and madness (kyō) developed and proliferated as subcultural aesthetics. By excavating several generations of early modern Japan’s eccentric artists, it demonstrates that individualism and strangeness carried considerable moral and cultural value. Indeed, Edo society fetishized various marginal personae—the recluse, the loser, the depraved, the outsider, the saint, the mad genius—as local heroes and paragons of moral virtue. This book concludes that a confluence of intellectual, aesthetic, and social conditions enabled multiple concurrent heterodoxies to crystallize around strangeness as a prominent cultural force in Japanese society. A study of impressive historical and disciplinary breadth, The Aesthetics of Strangeness also makes extensive use of primary sources, many previously overlooked in existing English scholarship. Its coverage of the entire Edo period and engagement with both Chinese and native Japanese traditions reinterprets Edo-period tastes and perceptions of normalcy. By wedding art history to intellectual history, literature, aesthetics, and cultural practice, W. Puck Brecher strives for a broadly interdisciplinary perspective on this topic. Readers will discover that the individuals that form the backbone of his study lend credence to a new interpretation of Edo-period culture: a growing valuation of eccentricity within artistic and intellectual circles that exerted indelible impacts on mainstream society. The Aesthetics of Strangeness demystifies this emergent paradigm by illuminating the conditions and tensions under which certain rubrics of strangeness— ki and kyō particularly—were appointed as aesthetic criteria. Its revision of early modern Japanese culture constitutes an important contribution to the field.
Publisher: University of Hawaii Press
ISBN: 0824839129
Category : History
Languages : en
Pages : 282
Book Description
Eccentric artists are “the vagaries of humanity” that inhabit the deviant underside of Japanese society: This was the conclusion drawn by pre–World War II commentators on most early modern Japanese artists. Postwar scholarship, as it searched for evidence of Japan’s modern roots, concluded the opposite: The eccentric, mad, and strange are moral exemplars, paragons of virtue, and shining hallmarks of modern consciousness. In recent years, the pendulum has swung again, this time in favor of viewing these oddballs as failures and dropouts without lasting cultural significance. This work corrects the disciplinary (and exclusionary) nature of such interpretations by reconsidering the sudden and dramatic emergence of aesthetic eccentricity during the Edo period (1600–1868). It explains how, throughout the period, eccentricity (ki) and madness (kyō) developed and proliferated as subcultural aesthetics. By excavating several generations of early modern Japan’s eccentric artists, it demonstrates that individualism and strangeness carried considerable moral and cultural value. Indeed, Edo society fetishized various marginal personae—the recluse, the loser, the depraved, the outsider, the saint, the mad genius—as local heroes and paragons of moral virtue. This book concludes that a confluence of intellectual, aesthetic, and social conditions enabled multiple concurrent heterodoxies to crystallize around strangeness as a prominent cultural force in Japanese society. A study of impressive historical and disciplinary breadth, The Aesthetics of Strangeness also makes extensive use of primary sources, many previously overlooked in existing English scholarship. Its coverage of the entire Edo period and engagement with both Chinese and native Japanese traditions reinterprets Edo-period tastes and perceptions of normalcy. By wedding art history to intellectual history, literature, aesthetics, and cultural practice, W. Puck Brecher strives for a broadly interdisciplinary perspective on this topic. Readers will discover that the individuals that form the backbone of his study lend credence to a new interpretation of Edo-period culture: a growing valuation of eccentricity within artistic and intellectual circles that exerted indelible impacts on mainstream society. The Aesthetics of Strangeness demystifies this emergent paradigm by illuminating the conditions and tensions under which certain rubrics of strangeness— ki and kyō particularly—were appointed as aesthetic criteria. Its revision of early modern Japanese culture constitutes an important contribution to the field.
Friends, Acquaintances, Pupils and Patrons
Author: Anna Beerens
Publisher: Amsterdam University Press
ISBN: 9087280017
Category : Social Science
Languages : en
Pages : 320
Book Description
Annotation. This study of the social circumstances of Japanese intellectuals in the last quarter of the eighteenth century is based on biographical data concerning 173 individuals. It deals with the image of intellectual life of that period in current scholarship, and with the self-image and ethos of scholars, authors, poets and artists. That self-image and ethos, however, often clash with the realities of their everyday lives. This prosopographical investigation offers a new look at intellectual life on a basic level. The current image of intellectual life in the Tokugawa period is one of dissatisfaction and withdrawal, whereas the image that results from this study is one of dynamism and interaction. For more (Dutch-language) titles on Japan, please visit: "http://www.aup.nl/do.php?a=show_visitor_booklist&b=series&series=21">www.aup.nl/japan This title can be previewed in Google Books - http://books.google.com/books?vid=ISBN9789087280017.
Publisher: Amsterdam University Press
ISBN: 9087280017
Category : Social Science
Languages : en
Pages : 320
Book Description
Annotation. This study of the social circumstances of Japanese intellectuals in the last quarter of the eighteenth century is based on biographical data concerning 173 individuals. It deals with the image of intellectual life of that period in current scholarship, and with the self-image and ethos of scholars, authors, poets and artists. That self-image and ethos, however, often clash with the realities of their everyday lives. This prosopographical investigation offers a new look at intellectual life on a basic level. The current image of intellectual life in the Tokugawa period is one of dissatisfaction and withdrawal, whereas the image that results from this study is one of dynamism and interaction. For more (Dutch-language) titles on Japan, please visit: "http://www.aup.nl/do.php?a=show_visitor_booklist&b=series&series=21">www.aup.nl/japan This title can be previewed in Google Books - http://books.google.com/books?vid=ISBN9789087280017.