Author: James A. Drake
Publisher: Hal Leonard Corporation
ISBN: 9781574670196
Category : Biography & Autobiography
Languages : en
Pages : 546
Book Description
Chronicles the life and career of the great soprano
Rosa Ponselle
Author: James A. Drake
Publisher: Hal Leonard Corporation
ISBN: 9781574670196
Category : Biography & Autobiography
Languages : en
Pages : 546
Book Description
Chronicles the life and career of the great soprano
Publisher: Hal Leonard Corporation
ISBN: 9781574670196
Category : Biography & Autobiography
Languages : en
Pages : 546
Book Description
Chronicles the life and career of the great soprano
The Musical Leader
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 592
Book Description
Official Bulletin
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1002
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1002
Book Description
Rosa Raisa
Author: Charles Mintzer
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
The first biography of one of the greatest dramatic sopranos of opera's first Golden Age.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 382
Book Description
The first biography of one of the greatest dramatic sopranos of opera's first Golden Age.
Musical Digest
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
Book Description
Musical America
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 544
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 544
Book Description
The Musical Leader
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 508
Book Description
American Opera Singers and Their Recordings
Author: Clyde T. McCants
Publisher: McFarland
ISBN: 9780786419524
Category : Music
Languages : en
Pages : 410
Book Description
This book focuses on American opera singers and what their recordings say about their artistry. It is not a book about all American opera singers, since many who had important careers on stage, made few, if any, recordings. And many of those who did make recordings, did so prior to the introduction of electrical recording in 1925 (and the resulting advances in the reproduction of the human voice). Opera enthusiasts can only imagine the sound of Farinelli's voice or read what his contemporaries have written about it, but with almost any famous or near-famous singer of recent years, enthusiasts do not have to imagine. Their voices are available through the technology of sound recording. There are 53 entries, one each for 52 singers and a composite entry for a group of Hollywood vocalists. Each entry contains biographical information and is followed by a discography of operatic recordings to be used in conjunction with the critical commentaries. The entries are in alphabetical order by the singer's last name and provide critical analyses of key recordings and of the artists' gifts and limitations.
Publisher: McFarland
ISBN: 9780786419524
Category : Music
Languages : en
Pages : 410
Book Description
This book focuses on American opera singers and what their recordings say about their artistry. It is not a book about all American opera singers, since many who had important careers on stage, made few, if any, recordings. And many of those who did make recordings, did so prior to the introduction of electrical recording in 1925 (and the resulting advances in the reproduction of the human voice). Opera enthusiasts can only imagine the sound of Farinelli's voice or read what his contemporaries have written about it, but with almost any famous or near-famous singer of recent years, enthusiasts do not have to imagine. Their voices are available through the technology of sound recording. There are 53 entries, one each for 52 singers and a composite entry for a group of Hollywood vocalists. Each entry contains biographical information and is followed by a discography of operatic recordings to be used in conjunction with the critical commentaries. The entries are in alphabetical order by the singer's last name and provide critical analyses of key recordings and of the artists' gifts and limitations.
The New Success
Author:
Publisher:
ISBN:
Category : Success
Languages : en
Pages : 1018
Book Description
Publisher:
ISBN:
Category : Success
Languages : en
Pages : 1018
Book Description
The Castrato
Author: Martha Feldman
Publisher: Univ of California Press
ISBN: 0520292448
Category : History
Languages : en
Pages : 496
Book Description
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy—involving teachers, patrons, colleagues, and relatives—whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers—from Cavalli and Pergolesi to Handel, Mozart, and Rossini—were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.
Publisher: Univ of California Press
ISBN: 0520292448
Category : History
Languages : en
Pages : 496
Book Description
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato’s comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy—involving teachers, patrons, colleagues, and relatives—whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers—from Cavalli and Pergolesi to Handel, Mozart, and Rossini—were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.