Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England PDF full book. Access full book title Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England by PhilipRoss Bullock. Download full books in PDF and EPUB format.
Author: PhilipRoss Bullock
Publisher: Routledge
ISBN: 1351550500
Category : Music
Languages : en
Pages : 313
Get Book Here
Book Description
Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jan?k, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi
Author: PhilipRoss Bullock
Publisher: Routledge
ISBN: 1351550500
Category : Music
Languages : en
Pages : 313
Get Book Here
Book Description
Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jan?k, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi
Author: Wendy Rosslyn
Publisher: Open Book Publishers
ISBN: 1906924651
Category : History
Languages : en
Pages : 262
Get Book Here
Book Description
"This collection of essays examines the lives of women across Russia--from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia--discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic presence in Russia's culture and society"--Publisher's description.
Author: Paul Watt
Publisher: Routledge
ISBN: 1351974009
Category : Music
Languages : en
Pages : 131
Get Book Here
Book Description
Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.
Author: Rachael Durkin
Publisher: Taylor & Francis
ISBN: 1000563359
Category : Music
Languages : en
Pages : 637
Get Book Here
Book Description
Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. The 37 chapters within consider the partnership through four lenses—the universal, opera and literature, musical and literary forms, and popular music and literature—and touch upon diverse and pertinent themes for our modern times, ranging from misogyny to queerness, racial inequality to the claimed universality of whiteness. This Companion therefore offers an essential resource for all who try to decode the musico-literary exchange.
Author: Rebecca Beasley
Publisher: OUP Oxford
ISBN: 0191636630
Category : Literary Criticism
Languages : en
Pages : 326
Get Book Here
Book Description
Russia in Britain offers the first comprehensive account of the breadth and depth of the British fascination with Russian and Soviet culture, tracing its transformative effect on British intellectual life from the 1880s, the decade which saw the first sustained interest in Russian literature, to 1940, the eve of the Soviet Union's entry into the Second World War. By focusing on the role played by institutions, disciplines and groups, libraries, periodicals, government agencies, concert halls, publishing houses, theatres, and film societies, this collection marks an important departure from standard literary critical narratives, which have tended to highlight the role of a small number of individuals, notably Sergei Diaghilev, Constance Garnett, Theodore Komisarjevsky, Katherine Mansfield, George Bernard Shaw and Virginia Woolf. Drawing on recent research and newly available archives, Russia in Britain shifts attention from individual figures to the networks within which they operated, and uncovers the variety of forces that enabled and structured the British engagement with Russian culture. The resulting narrative maps an intricate pattern of interdisciplinary relations and provides the foundational research for a new understanding of Anglo-Russian/Soviet interaction. In this, it makes a major contribution to the current debates about transnationalism, cosmopolitanism and 'global modernisms' that are reshaping our knowledge of nineteenth- and early twentieth-century British culture.
Author: Anthony Cross
Publisher: Open Book Publishers
ISBN: 190925410X
Category : Literary Criticism
Languages : en
Pages : 350
Get Book Here
Book Description
"The essays in this stimulating collection attest to the scope and variety of Russia's influence on British culture. They move from the early nineteenth century -- when Byron sent his hero Don Juan to meet Catherine the Great, and an English critic sought to come to terms with the challenge of Pushkin -- to a series of Russian-themed exhibitions at venues including the Crystal Palace and Earls Court. The collection looks at British encounters with Russian music, the absorption with Dostoevskii and Chekhov, and finishes by shedding light on Britain's engagement with Soviet film."--Back cover.
Author: Michael Allis
Publisher: Liverpool University Press
ISBN: 1835533442
Category : Music
Languages : en
Pages : 200
Get Book Here
Book Description
This book is a critical edition of the autobiography and selected musical criticism of Herbert Thompson (1856–1945) who was chief music critic at The Yorkshire Post from 1886 until 1936, and Yorkshire correspondent for the Musical Times.
Author: Sarah Collins
Publisher: Cambridge University Press
ISBN: 1108480055
Category : Art
Languages : en
Pages : 269
Get Book Here
Book Description
Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.
Author: Michael Allis
Publisher: Cambridge Scholars Publishing
ISBN: 1443846902
Category : Music
Languages : en
Pages : 250
Get Book Here
Book Description
Marking the fiftieth anniversary of the death of Aldous Huxley (1894–1963), Temporaries and Eternals focuses on the music column that Huxley wrote for The Weekly Westminster Gazette in 1922–23. Readers of Huxley’s novels, essays and travel writing will be aware of the wealth of musical detail in these works, and this book suggests that such references can only be fully understood in the context of the opinions voiced in Huxley’s music criticism. Not only does Huxley’s column offer a fascinating snapshot of musical life in 1920s Britain, but several of the themes that Huxley explores continue to have contemporary relevance. These include music and technology, the composer-performer relationship, the nature of the child prodigy, musical tradition and innovation, the suitability of opera libretti, and how to write about music effectively. However, Huxley’s central theme, reflected in the title of this book, is the problematic question of how to judge the significance and potential longevity of specific composers and their works, from Palestrina to Schoenberg. After an extended introduction placing Huxley’s music criticism in the context of his other writings, the book reproduces all 64 of Huxley’s weekly articles, with footnote commentary to help the reader appreciate his wide-ranging textual references.
Author: Rosemary Golding
Publisher: Routledge
ISBN: 1351965743
Category : Music
Languages : en
Pages : 293
Get Book Here
Book Description
Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
