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Author: Romare Bearden
Publisher: Ngw-Stud Hist Art
ISBN: 9780300121612
Category : Artists, American
Languages : en
Pages : 0
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Book Description
Proceedings of a symposium organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art which was held Oct. 24-25, 2003 in Washington.
Author: Romare Bearden
Publisher: Ngw-Stud Hist Art
ISBN: 9780300121612
Category : Artists, American
Languages : en
Pages : 0
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Book Description
Proceedings of a symposium organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art which was held Oct. 24-25, 2003 in Washington.
Author: Ellie Tweedy
Publisher:
ISBN: 9780615202914
Category : African American artists
Languages : en
Pages : 0
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Book Description
Introduction by Pamela Ford. Text by Robert G. O'Meally, Kobena Mercer, et al.
Author: Robert G. O'Meally
Publisher: DC Moore Gallery, New York
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Foreword by Bridget Moore. Text by Robert G. O'Meally.
Author: Adrienne L. Childs
Publisher: Rizzoli Publications
ISBN: 0847866645
Category : Art
Languages : en
Pages : 210
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Book Description
A timely consideration of African-American artists' rich engagement with the history of art from the twentieth century, this book is the winner of the James A. Porter and David C. Driskell Book Award for African American Art History. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.
Author: Romare Bearden
Publisher: DC Moore Gallery, New York
ISBN: 9780982631652
Category : Artists' preparatory studies
Languages : en
Pages : 0
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Book Description
One of the undisputed masters of American collage, Romare Bearden (1911-1988) once described collage-making as improvisation, likening it to the creative spontaneity of jazz and blues. Highlighting this approach, Idea to Realization features a rare group of works that blend paint, photographic images and abstracted cut-paper elements. Created as maquettes for murals, mosaics, book jackets and other projects, most of these works have never before been reproduced. The publication includes the striking maquette for "Pittsburgh Recollections," a bold modernist panorama tracing the city's development that was realized in 1984 as the famed 60-foot-long mosaic of ceramic tiles in downtown Pittsburgh. Bearden frequently collaborated with fellow artists, writers, musicians and choreographers, creating artworks for books and designing book covers, posters, costumes and stage sets, and Idea to Realization also draws attention to the important role of collaboration in Bearden's practice.
Author: Robert G. O'Meally
Publisher: Duke University Press Books
ISBN: 9781478000440
Category : Art
Languages : en
Pages : 0
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Book Description
The Romare Bearden Reader brings together a collection of new essays and canonical writings by novelists, poets, historians, critics, and playwrights. The contributors, who include Toni Morrison, Ralph Ellison, August Wilson, Farah Jasmine Griffin, and Kobena Mercer, contextualize Bearden's life and career within the history of modern art, examine the influence of jazz and literature on his work, trace his impact on twentieth-century African American culture, and outline his art's political dimensions. Others focus on specific pieces, such as A Black Odyssey, or the ways in which Bearden used collage to understand African American identity. The Reader also includes Bearden's most important writings, which grant readers insight into his aesthetic values and practices and share his desire to tell what it means to be black in America. Put simply, The Romare Bearden Reader is an indispensable volume on one of the giants of twentieth-century American art. Contributors. Elizabeth Alexander, Romare Bearden, Mary Lee Corlett, Rachel DeLue, David C. Driskell, Brent Hayes Edwards, Ralph Ellison, Henri Ghent, Farah Jasmine Griffin, Harry Henderson, Kobena Mercer, Toni Morrison, Albert Murray, Robert G. O’Meally, Richard Powell, Richard Price, Sally Price, Myron Schwartzman, Robert Burns Stepto, Calvin Tomkins, John Edgar Wideman, August Wilson
Author: Romare Bearden
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
The catalogue for an exhibition of the remarkable prints of African- American artist Romare Beardon (1912-1988), who began as a Social Realist and then became a part of the Abstract Expressionists at Kootz Gallery. Includes a checklist of all the prints currently known.
Author: Glenda Elizabeth Gilmore
Publisher: UNC Press Books
ISBN: 1469667878
Category : Art
Languages : en
Pages : 264
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Book Description
Romare Bearden (1911–1988), one of the most prolific, original, and acclaimed American artists of the twentieth century, richly depicted scenes and figures rooted in the American South and the Black experience. Bearden hailed from North Carolina but was forced to relocate to the North when a white mob harassed his family in the 1910s. His family story is a compelling, complicated saga of Black middle-class achievement in the face of relentless waves of white supremacy. It is also a narrative of the generational trauma that slavery and racism inflicted over decades. But as Glenda Gilmore reveals in this trenchant reappraisal of Bearden's life and art, his work reveals his deep imagination, extensive training, and rich knowledge of art history. Gilmore explores four generations of Bearden's family and highlights his experiences in North Carolina, Pittsburgh, and Harlem. She engages deeply with Bearden's art and considers it as an alternative archive that offers a unique perspective on the history, memory, and collective imagination of Black southerners who migrated to the North. In doing so, she revises and deepens our appreciation of Bearden's place in the artistic canon and our understanding of his relationship to southern, African American, and American cultural and social history.
Author: David C. Driskell
Publisher: Pomegranate
ISBN: 0764914553
Category : African American art
Languages : en
Pages : 252
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Book Description
This volume presents selections from the highly-respected Cosby collection of African American art. Their introductions elaborate on their strong belief that African American families should themselves seek to preserve their cultural history and not rely on the mainstream. They also provide interesting background about how they began their collection and what owning the art has meant to them. The essay by Driskell (curator, author, and scholar) places each artist within the context of his or her era from the late 1700s to the present, and explores the historical, biographical, social, and political background of each period. Also contains biographies of the artists. Beautifully illustrated with 91 color plates and several other illustrations. Oversize: 10.25x13.25". Annotation copyrighted by Book News Inc., Portland, OR
Author: Romare Bearden
Publisher: University of Washington Press
ISBN: 9780295746432
Category : African American art
Languages : en
Pages : 0
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Book Description
In November 1977, The New Yorker published a feature-length biography of artist Romare Bearden by Calvin Tomkins as part of its "Profiles" series. The essay, titled Profile: Putting Something Over Something Else (using Bearden's words to describe the creative process), brought national focus to Bearden, whose rise had seemed meteoric since the late 1960s. The experience of the interview prompted Bearden to launch an autobiographical collection he called Profiles. He sequenced the project in two parts: Part I, The Twenties, featuring memories from his youth in the South and in Pittsburgh, and Part II, The Thirties, about his early adult life in New York. Bearden collaborated with friend and writer Albert Murray on a short statement to accompany each piece. These appeared scripted onto the walls of the Profile exhibition to lead viewers on a visual and poetic journey. This landmark volume reassembles and reconsiders Bearden's Profile series. Beyond providing the opportunity to explore an understudied body of work, the project will investigate the roles of narrative and self-presentation for an artist who made a career of creating works based on memory and experience. It will also reveal Bearden's own gestures away from the autobiographical and toward a broader view.
