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Author: Andrew Franta
Publisher: Cambridge University Press
ISBN: 1139462997
Category : Literary Criticism
Languages : en
Pages : 15
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Book Description
Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poet and reader, these changes prompted marked changes in conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the novel and the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and the publishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron, Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a unique reading of Romanticism and its contribution to modern conceptions of politics and publicity.
Author: Andrew Franta
Publisher: Cambridge University Press
ISBN: 1139462997
Category : Literary Criticism
Languages : en
Pages : 15
Get Book Here
Book Description
Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poet and reader, these changes prompted marked changes in conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the novel and the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and the publishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron, Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a unique reading of Romanticism and its contribution to modern conceptions of politics and publicity.
Author: Jonathan Mulrooney
Publisher: Cambridge University Press
ISBN: 1316877396
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.
Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1107158850
Category : History
Languages : en
Pages : 331
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Book Description
Michael Gamer explodes the myth of the unworldly Romantic poet, showing writers' interest in public presence, and profit and loss.
Author: M. Schoenfield
Publisher: Springer
ISBN: 0230617999
Category : Language Arts & Disciplines
Languages : en
Pages : 306
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Book Description
When Lord Byron identified the periodical industry as the "Literary Lower Empire," he registered the cultural clout that periodicals had accumulated by positioning themselves as both the predominant purveyors of scientific, economic, and social information and the arbiters of literary and artistic taste. British Periodicals and Romantic Identity explores how periodicals such as the Edinburgh, Blackwood s, and the Westminster became the repositories and creators of "public opinion." In addition, Schoenfield examines how particular figures, both inside and outside the editorial apparatus of the reviews and magazines, negotiated this public and rapidly professionalized space. Ranging from Lord Byron, whose self-identification as lord and poet anticipated his public image in the periodicals, to William Hazlitt, equally journalist and subject of the reviews, this engaging study explores both canonical figures and canon makers in the periodicals and positions them as a centralizing force in the consolidation of Romantic print culture.
Author: Keith Hanley
Publisher: Routledge
ISBN: 131796893X
Category : History
Languages : en
Pages : 300
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Book Description
This volume assembles a wide range of studies that together provide—through their interdisciplinary range, international scope, and historical emphases—an original scholarly exploration of one of the most important topics in recent nineteenth-century studies: the emergence in the nineteenth century of forms of global experience that have developed more recently into rapidly expanding processes of globalization and their attendant collisions of race, religion, ethnicity, population groups, natural environments, national will and power. Emphasizing such links between global networks past and present, the essays in this volume engage with the latest work in postcolonial, cosmopolitan, and globalization theory while speaking directly to the most pressing concerns of contemporary geopolitics. Each essay examines specific cultural and historical circumstances in the formation of nineteenth-century worlds from a range of disciplinary perspectives, including economics, political history, natural history, philosophy, the history of medicine and disease, religious studies, literary criticism, art history, and colonial studies. Detailed in their particular modes of analysis yet integrated into a collective conversation about the nineteenth century’s profound impact on our present worlds, these inquiries also explore the economic, political, and cultural determinants on nineteenth-century types of transnational experience as interweaving forces creating new material frameworks and conceptual models for comprehending major human categories—such as race, gender, subjectivity, and national identity—in global terms. As nineteenth-century global intersections differ in important ways from the shapes of globalization today, however, the essays in this volume generate new ways of understanding emergent patterns of worldwide experience in the age of imperialism and thereby stimulate fresh insights into the dynamics of global formations and conflicts today.
Author: Carmen Faye Mathes
Publisher: Stanford University Press
ISBN: 1503631753
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Critics have long understood the development of Romantic aesthetics as a turning point in the history of literary theory, a turn that is responsible for theories of mind and body that continue to inform our understandings of subjectivity and embodiment today. Yet the question of what aesthetic experience can "do" grates against the fact that much Romantic writing represents subjects as not actually in charge of the feelings they feel, the dreams they dream, or the actions they take. In response to this dilemma, Poetic Form and Romantic Provocation argues that being moved contrary to one's will is itself an aesthetic phenomenon explored by Romantic poets whose experiments with poetic form and genre provoke unanticipated feelings through verse. By analyzing how Romantic poets intervene, affectively and aesthetically, in readerly expectations of form and genre, Mathes shows how provocations disrupt and invite, disturb and compel—interrupting or suspending or retreating in ways that ask readers to orient themselves, materially and socially, in relation to literary experiences that are at once virtual and embodied. Examining the formal tactics of Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley, alongside their reactions to historical events such as Toussaint Louverture's revolt and the Peterloo Massacre, Mathes reveals that an aesthetics of radical openness is central to the development of literary theory and criticism in Romantic Britain.
Author: Elizabeth A. Bohls
Publisher: Cambridge University Press
ISBN: 1107079349
Category : History
Languages : en
Pages : 279
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Book Description
This book analyzes representations of the places of British slavery - Africa, the Caribbean, and Britain - in writings by planters, slaves and travellers.
Author: Jeremy Davies
Publisher: Routledge
ISBN: 1135016739
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Shortlisted for the University English Early Career Book Prize 2016 Shortlisted for the British Association for Romantic Studies First Book Prize 2015 When writers of the late eighteenth and early nineteenth centuries explored the implications of organic and emotional sensitivity, the pain of the body gave rise to unsettling but irresistible questions. Urged on by some of their most deeply felt preoccupations – and in the case of figures like Coleridge and P. B. Shelley, by their own experiences of chronic pain – many writers found themselves drawn to the imaginative scrutiny of bodies in extremis. Bodily Pain in Romantic Literature reveals the significance of physical hurt for the poetry, philosophy, and medicine of the Romantic period. This study looks back to eighteenth-century medical controversies that made pain central to discussions about the nature of life, and forward to the birth of surgical anaesthesia in 1846. It examines why Jeremy Bentham wrote in defence of torture, and how pain sparked the imagination of thinkers from Adam Smith to the Marquis de Sade. Jeremy Davies brings to bear on Romantic studies the fascinating recent work in the medical humanities that offers a fresh understanding of bodily hurt, and shows how pain could prompt new ways of thinking about politics, ethics, and identity.
Author: Lauren Gillingham
Publisher: Cambridge University Press
ISBN: 1009296574
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Revealing how a modern notion of fashion helped to transform the novel and its representation of social change and individual and collective life in nineteenth-century Britain, Lauren Gillingham offers a revisionist history of the novel. With particular attention to the fiction of the 1820s through 1840s, this study focuses on novels that use fashion's idiom of currency and obsolescence to link narrative form to a heightened sense of the present and the visibility of public life. It contends that novelists steeped their fiction in date-stamped matters of dress, manners, and media sensations to articulate a sense of history as unfolding not in epochal change, but in transient issues and interests capturing the public's imagination. Reading fiction by Mary Shelley, Letitia Landon, Edward Bulwer-Lytton, W. H. Ainsworth, Charles Dickens, Mary Elizabeth Braddon, and others, Fashionable Fictions tells the story of a nineteenth-century genre commitment to contemporaneity that restyles the novel itself.
Author: Kim Wheatley
Publisher: Routledge
ISBN: 1317061578
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Romantic writers such as Robert Southey and Samuel Taylor Coleridge aspired to rise above the so-called 'age of personality,' a new culture of politicized print gossip and personal attacks. Nevertheless, Southey, Coleridge, and other Romantic-era figures such as Leigh Hunt, William Hazlitt, Sydney Owenson, and the explorer John Ross became enmeshed in lively feuds with the major periodicals of the day, the Edinburgh Review and the Quarterly Review. Kim Wheatley focuses on feuds from the second and third decades of the nineteenth century, suggesting that by this time the vituperative rhetoric of the Edinburgh and the Quarterly had developed into what Coleridge called 'a habit of malignity.' Attending to the formal strategies of the reviewers' surprisingly creative prose, she traces how her chosen feuds take on lives of their own, branching off into other print media, including the weekly press and monthly magazines. Ultimately, Wheatley shows, these hostile exchanges incorporated literary genres and Romantic themes such as the idealized poetic self, the power of the supernatural, and the quest for the sublime. By turning episodes of print warfare into stories of transfiguration, the feuds thus unexpectedly contributed to the emergence of Romanticism.
