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Author: Ian Haywood
Publisher: Cambridge University Press
ISBN: 1107044219
Category : Art
Languages : en
Pages : 241
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Book Description
A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Author: Ian Haywood
Publisher: Cambridge University Press
ISBN: 1107044219
Category : Art
Languages : en
Pages : 241
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Book Description
A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Author: Olivia Ferguson
Publisher:
ISBN: 100927421X
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
What was caricature to novelists in the Romantic period? Why does Jane Austen call Mr Dashwood's wife 'a strong caricature of himself'? Why does Mary Shelley describe the body of Frankenstein's creature as 'in proportion', but then 'distorted in its proportions' - and does caricature have anything to do with it? This book answers those questions, shifting our understanding of 'caricature' as a literary-critical term in the decades when 'the English novel' was first defined and canonised as a distinct literary entity. Novels incorporated caricature talk and anti-caricature rhetoric to tell readers what different realisms purported to show them. Recovering the period's concept of caricature, Caricature and Realism in the Romantic Novel sheds light on formal realism's self-reflexivity about the 'caricature' of artifice, exaggeration and imagination. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Philip Connell
Publisher: Cambridge University Press
ISBN: 0521880122
Category : Literary Criticism
Languages : en
Pages : 319
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Book Description
An edited collection examining the construction of popular culture in the late eighteenth and early nineteenth centuries.
Author: Modern Language Association of America
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 644
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Book Description
Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography.
Author: Ian Haywood
Publisher: Cambridge University Press
ISBN: 1108425712
Category : Art
Languages : en
Pages : 343
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Book Description
Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.
Author: Damian Walford Davies
Publisher: Routledge
ISBN: 1135899657
Category : History
Languages : en
Pages : 415
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Book Description
The "(re)turn to history" in Romantic Studies in the 1980s marked the beginning of a critical orthodoxy that continues to condition, if not define, our sense of the Romantic period twenty-five years on. Romantic New Historicism’s revisionary engagements have played a central role in the realignment of the field and in the expansion of the Romantic canon. In this major new collection of eleven essays, critics reflect on New Historicism’s inheritance, its achievements and its limitations. Integrating a self-reflexive engagement with New Historicism’s "history" and detailed attention to a range of Romantic lives and literary texts, the collection offers a close-up view of Romanticism’s hybrid present, and a dynamic vision of its future.
Author: Ian Haywood
Publisher:
ISBN: 9781461950912
Category : Caricature in literature
Languages : en
Pages : 221
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Book Description
Lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Author: Kuno Francke
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
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Book Description
Author: Keri Yousif
Publisher: Routledge
ISBN: 1317176359
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
Examining how the rise of book illustration affected the historic hegemony of the word, Keri Yousif explores the complex literary and artistic relationship between the novelist Honoré de Balzac and the illustrator J. J. Grandville during the French July Monarchy (1830-1848). Both collaborators and rivals, these towering figures struggled for dominance in the Parisian book trade at the height of the Romantic revolution and its immediate aftermath. Both men were social portraitists who collaborated on the influential encyclopedic portrayal of nineteenth-century society, Les Français peints par eux-mêmes. However, their collaboration soon turned competitive with Grandville's publication of Scènes de la vie privée et publique des animaux, a visual parody of Balzac's Scènes de la vie privée. Yousif investigates Balzac's and Grandville's individual and joint artistic productions in terms of the larger economic and aesthetic struggles within the nineteenth-century arena of cultural production, showing how writers were forced to position themselves both in terms of the established literary hierarchy and in relation to the rapidly advancing image. As Yousif shows, the industrialization of the illustrated book spawned a triadic relationship between publisher, writer, and illustrator that transformed the book from a product of individual genius to a cooperative and commercial affair. Her study represents a significant contribution to our understanding of literature, art, and their interactions in a new marketplace for publication during the fraught transition from Romanticism to Realism.
Author: Sally Bushell
Publisher: Cambridge University Press
ISBN: 1108603173
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Romantic Cartographies is the first collection to explore the reach and significance of cartographic practice in Romantic-period culture. Revealing the diverse ways in which the period sought to map and spatialise itself, the volume also considers the engagement of our own digital cultures with Romanticism's 'map-mindedness'. Original, exploratory essays engage with a wide range of cartographic projects, objects and experiences in Britain, and globally. Subjects range from Wordsworth, Clare and Walter Scott, to Romantic board games and geographical primers, to reveal the pervasiveness of the cartographic imagination in private and public spheres. Bringing together literary analysis, creative practice, geography, cartography, history, politics and contemporary technologies – just as the cartographic enterprise did in the Romantic period itself – Romantic Cartographies enriches our understanding of what it means to 'map' literature and culture.
