No Vacancy: A Forced Proximity Erotic Romance PDF Download
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Author: Kayla North
Publisher: Amanda Holt
ISBN:
Category : Fiction
Languages : en
Pages : 88
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Book Description
A forced proximity erotic romance. The setting? A rural motel on Manitoba's Highway Five, a safe haven at the center of a ruthless Canadian Prairie blizzard. The greater predicament? One last hotel room key, and two travelers from different worlds in need of shelter from the storm. Yet despite their misfortune, fortune still favors the bold strangers: Summer, in all her radiance is bold enough to unsettle him, and Grant is far too damned intrigued by her to resist.
Author: Kate Singer
Publisher: SUNY Press
ISBN: 1438475276
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Examines the concept of a poetics of vacancy in Romantic-era literature. Romantic Vacancy argues that, at the cult of sensibility’s height, Romantic writers found alternative tropes of affect to express movement beyond sensation and the body. Grappling with sensibility’s claims that sensation could be translated into ideas and emotions, poets of vacancy rewrote core empiricist philosophies that trapped women and men in sensitive bodies and, more detrimentally, in ideological narratives about emotional response that gendered subjects’ bodies and minds. Kate Singer contends that affect’s genesis occurs instead through a series of figurative responses and movements that loop together human and nonhuman movements of mind, body, and nature into a posthuman affect. This book discovers a new form of Romantic affect that is dynamically linguistic and material. It seeks to end the long tradition of holding women and men writers of the Romantic period as separate and largely unequal. It places women writers at the forefront of speculative thinking, repositions questions of gender at the vanguard of Romantic-era thought, revises how we have long thought of gender in the period, and rewrites our notions of Romantic affect. Finally, it answers pivotal questions facing both affect studies and Romanticism about interrelations among language, affect, and materiality. Readers will learn more about the deep history of how poetic language can help us move beyond binary gender and its limiting intellectual and affective ideologies. “Romantic Vacancy is a formidable text for our time. Providing a nuanced and original account of Romanticism’s reconfiguration of affect, Singer not only opens up new ways of thinking about literature of the past; her detailed argument for complex poetic explorations of what it means to be a self, create challenges for the present, especially through the intimate relation between text and affect. This book is essential for anyone working in literary Romanticism, but will also be valuable for those interested in the complex literary history of affect.” — Claire Colebrook, Pennsylvania State University Praise for Romantic Vacancy “For some time now there has been what we might call a movement that attends in Romantic writing to affects and states of being we had previously neglected or simply missed altogether. A generation of scholars, junior and senior, is mapping out this uncharted territory in the most original manner, along the way teaching us how to be with Romanticism, and how Romanticism has always been with us, in ways that are teaching all of us in turn how to be with the present. We can put Kate Singer’s Romantic Vacancy—smart, insightful, beautifully argued—at the vanguard of this movement, proof of the fact that any rumours of the death of our field are not only highly exaggerated but just plain wrong.” — Joel Faflak, author of Romantic Psychoanalysis: The Burden of the Mystery “Romantic Vacancy offers compelling close readings of Romantic women poets and two canonical male poets (Shelley and Wordsworth). After reading this book, Romantic-era scholars will no longer be able to read these poets in the same way again—I think this book will be a game changer for scholars working on women poets. This is a very fine work that should have a significant influence on the field.” — Daniela Garofalo, author of Women, Love, and Commodity Culture in British Romanticism
Author: Kayla North
Publisher: Amanda Holt
ISBN:
Category : Fiction
Languages : en
Pages : 88
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Book Description
A forced proximity erotic romance. The setting? A rural motel on Manitoba's Highway Five, a safe haven at the center of a ruthless Canadian Prairie blizzard. The greater predicament? One last hotel room key, and two travelers from different worlds in need of shelter from the storm. Yet despite their misfortune, fortune still favors the bold strangers: Summer, in all her radiance is bold enough to unsettle him, and Grant is far too damned intrigued by her to resist.
Author: Chris Washington
Publisher: University of Toronto Press
ISBN: 1487530323
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Romantic Revelations shows that the nonhuman is fundamental to Romanticism’s political responses to climatic catastrophes. Exploring what he calls "post-apocalyptic Romanticism," Chris Washington intervenes in the critical conversation that has long defined Romanticism as an apocalyptic field. "Apocalypse" means "the revelation of a perfected world," which sees Romanticism’s back-to-nature environmentalism as a return to paradise and peace on earth. Romantic Revelations, however, demonstrates that the destructive climate change events of 1816, "the year without a summer," changed Romantic thinking about the environment and the end of the world. Their post-apocalyptic visions correlate to the beginning of the Anthropocene, the time when humans initiated the possible extinction of their own species and potentially the earth. Rather than constructing paradises where humans are reborn or human existence ends, the later Romantics are interested in how to survive in the ashes after great social and climatic global disasters. Romantic Revelations argues that Percy Shelley, Mary Shelley, Lord Byron, John Clare, and Jane Austen sketch out a post-apocalyptic world that, in contrast to the sunnier Romantic narratives, is paradoxically the vision that offers us hope. In thinking through life after disaster, Washington contends that these authors craft an optimistic vision of the future that leads to a new politics.
Author: Michael Falk
Publisher: Springer Nature
ISBN: 303149959X
Category :
Languages : en
Pages : 300
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Book Description
Author: Carmen Faye Mathes
Publisher: Stanford University Press
ISBN: 1503631753
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Critics have long understood the development of Romantic aesthetics as a turning point in the history of literary theory, a turn that is responsible for theories of mind and body that continue to inform our understandings of subjectivity and embodiment today. Yet the question of what aesthetic experience can "do" grates against the fact that much Romantic writing represents subjects as not actually in charge of the feelings they feel, the dreams they dream, or the actions they take. In response to this dilemma, Poetic Form and Romantic Provocation argues that being moved contrary to one's will is itself an aesthetic phenomenon explored by Romantic poets whose experiments with poetic form and genre provoke unanticipated feelings through verse. By analyzing how Romantic poets intervene, affectively and aesthetically, in readerly expectations of form and genre, Mathes shows how provocations disrupt and invite, disturb and compel—interrupting or suspending or retreating in ways that ask readers to orient themselves, materially and socially, in relation to literary experiences that are at once virtual and embodied. Examining the formal tactics of Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley, alongside their reactions to historical events such as Toussaint Louverture's revolt and the Peterloo Massacre, Mathes reveals that an aesthetics of radical openness is central to the development of literary theory and criticism in Romantic Britain.
Author: Michael Demson
Publisher: Rutgers University Press
ISBN: 1684481783
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
For most of the eighteenth century, automata were deemed a celebration of human ingenuity, feats of science and reason. Among the Romantics, however, they prompted a contradictory apprehension about mechanization and contrivance: such science and engineering threatened the spiritual nature of life, the source of compassion in human society. A deep dread of puppets and the machinery that propels them consequently surfaced in late eighteenth and early nineteenth century literature. Romantic Automata is a collection of essays examining the rise of this cultural suspicion of mechanical imitations of life. Recent scholarship in post-humanism, post-colonialism, disability studies, post-modern feminism, eco-criticism, and radical Orientalism has significantly affected the critical discourse on this topic. In engaging with the work and thought of Coleridge, Poe, Hoffmann, Mary Shelley, and other Romantic luminaries, the contributors to this collection open new methodological approaches to understanding human interaction with technology that strives to simulate, supplement, or supplant organic life. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Omar F. Miranda
Publisher: Cambridge University Press
ISBN: 1009206516
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Two centuries after Percy Shelley's death, his writings continue to resonate in remarkable ways. Shelley addressed climate change, women's liberation, nonbinary gender, and political protest, while speaking to Indigenous, queer/trans, disabled, displaced, and working-class communities. He still inspires artists and social justice movements around the world today. Yet Percy Shelley for Our Times reveals an even more farsighted writer, one whose poetic methodology went beyond the didactic powers of prophetic art. Not historicist, presentist, or transhistorical, Shelley 'for our times' conceives worlds outside himself, his poetry, and his era, envisioning how audiences connect and collaborate across space and time. This collection revitalizes a writer once considered an adolescent of idealist protest, showing how his interwoven poetics of relationality continually revisits the meaning of community and the contemporary. This title is part of the Flip it Open programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Matthew Ward
Publisher: Oxford University Press
ISBN: 0198894775
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
The Romantic period witnessed decisive interest in how feeling might align with forms of artistic expression. Many critical studies have focused on the serious side and melancholic moods of Romantic poets. Romantic Poets and the Laughter of Feeling instead embraces the sublime and the ridiculous to offer an original and compelling new reading of British Romanticism. It reveals the decisive role laughter and the laughable play in Romantic aesthetics, emotions, and ethics. Matthew Ward shows that laughter was one of the primary means by which Romantics embraced and expanded upon, but also frequently aped and lampooned, sympathetic feeling. The laughter of feeling is both the expression of sympathy and an articulation of its implications, prejudices, and constraints. For Romantic poets like Wordsworth, Shelley, and Keats, the sound of laughter carries the hope that greater knowledge of others derives from feeling for and with them through poetry, and this might lead to a better understanding of oneself. Yet laughter also makes these poets acutely aware that our emotional lives are utterly unfamiliar and perhaps ultimately unknowable. Their prosody of laughter enlivens and exposes; it embodies their sense of?and ambitions for?poetry, and yet calls those matters into the most comical and gravest doubt. Laughter helps define what it is to be human. This book shows that it also defines what it is to be a 'Romantic' poet.
Author: Orrin N. C. Wang
Publisher: Bloomsbury Publishing USA
ISBN: 1501360817
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
This collection provides new readings of Frankenstein from a myriad of established and burgeoning theoretical vantages including narrative theory, cognitive and affect theory, the new materialism, media theory, critical race theory, queer and gender studies, deconstruction, psychoanalysis, and others. Demonstrating how the literary power of Frankenstein rests on its ability to theorize questions of mind, self, language, matter, and the socio-historic that also drive these critical approaches, this volume illustrates the ongoing intellectual richness found both in Mary Shelley's work and contemporary ways of thinking about it.
Author: Kate Singer
Publisher: Liverpool University Press
ISBN: 1789627575
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
Material Transgressions reveals how Romantic-era authors think outside of historical and theoretical ideologies that reiterate notions of sexed bodies, embodied subjectivities, isolated things, or stable texts. The essays gathered here examine how Romantic writers rethink materiality, especially the subject-object relationship, in order to challenge the tenets of Enlightenment and the culture of sensibility that privileged the hegemony of the speaking and feeling lyric subject and to undo supposedly invariable matter, and representations of it, that limited their writing, agency, knowledge, and even being. In this volume, the idea of transgression serves as a flexible and capacious discursive and material movement that braids together fluid forms of affect, embodiment, and textuality. The texts explored offer alternative understandings of materiality that move beyond concepts that fix gendered bodies and intellectual capacities, whether human or textual, idea or thing. They enact processes – assemblages, ghost dances, pack mentality, reiterative writing, shapeshifting, multi-voiced choric oralities – that redefine restrictive structures in order to craft alternative modes of being in the world that can help us to reimagine materiality both in the Romantic period and now. Such dynamism not only reveals a new materialist imaginary for Romanticism but also unveils textualities, affects, figurations, and linguistic movements that alter new materialism’s often strictly ontological approach. List of contributors: Kate Singer, Ashley Cross, Suzanne L. Barnett, Harriet Kramer Linkin, Michael Gamer, Katrina O’Loughlin, Emily J. Dolive, Holly Gallagher, Jillian Heydt-Stevenson, Mary Beth Tegan, Mark Lounibos, Sonia Hofkosh, David Sigler, Chris Washington, Donelle Ruwe, Mark Lussier.
