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Author: Alexandra Harris
Publisher: Thames & Hudson
ISBN: 0500778434
Category : Art
Languages : en
Pages : 459
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Book Description
Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.
Author: Alexandra Harris
Publisher: Thames & Hudson
ISBN: 0500778434
Category : Art
Languages : en
Pages : 459
Get Book Here
Book Description
Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.
Author: Alexandra Harris
Publisher:
ISBN: 9780500289723
Category :
Languages : en
Pages : 320
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Book Description
While the battles for modern art and society were being fought in France and Spain, it has seemed a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea-shops. In this multi-awardwinning book now available in paperback Alexandra Harris tells a different story. In the 1930s and 1940s, artists and writers explored what it meant to be alive in England. Eclectically, passionately, wittily, they showed that the modern need not be at war with the past. Constructivists and conservatives could work together, and even the Bauhaus émigré, László Moholy-Nagy, was beguiled into taking photographs for Betjemans nostalgic Oxford University Chest. This modern English renaissance was shared by writers, painters, gardeners, architects, critics, tourists and composers. John Piper, Virginia Woolf, Florence White, Christopher Tunnard, Evelyn Waugh, E. M. Forster and the Sitwells are part of the story, along with Bill Brandt, Graham Sutherland, Eric Ravilious and Cecil Beaton.
Author: Richard Tillinghast
Publisher:
ISBN:
Category :
Languages : en
Pages : 11
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Book Description
Tillinghast reviews "Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper", by Alexandra Harris (Thames & Hudson, 2010).
Author: Alexandra Harris
Publisher: National Geographic Books
ISBN: 0500518114
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
A lively look at the English literary and artistic responses to the weather from Chaucer and Shakespeare to Keats and Ian McEwan In a sweeping panorama, Weatherland allows us to witness England’s cultural climates across the centuries. Before the Norman Conquest, Anglo-Saxons living in a wintry world wrote about the coldness of exile or the shelters they had to defend against enemies outside. The Middle Ages brought the warmth of spring; the new lyrics were sung in praise of blossoms and cuckoos. Descriptions of a rainy night are rare before 1700, but by the end of the eighteenth century the Romantics had adopted the squall as a fit subject for their most probing thoughts. The weather is vast and yet we experience it intimately, and Alexandra Harris builds her remarkable story from small evocative details. There is the drawing of a twelfth-century man in February, warming bare toes by the fire. There is the tiny glass left behind from the Frost Fair of 1684, and the Sunspan house in Angmering that embodies the bright ambitions of the 1930s. Harris catches the distinct voices of compelling individuals. “Bloody cold,” says Jonathan Swift in the “slobbery” January of 1713. Percy Shelley wants to become a cloud and John Ruskin wants to bottle one. Weatherland is a celebration of English air and a life story of those who have lived in it.
Author: Alexandra Harris
Publisher: Thames & Hudson
ISBN: 0500770972
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
An ideal introduction to the life and work of Virginia Woolf by an award-winning author: the story of a life lived with intensity from moment to moment and shaped into the lasting patterns of art. In 1907, when she was twenty-five and not yet a published novelist, Virginia Stephen had everything still to prove. She felt herself to be at a crossroads: “I shall be miserable, or happy; a wordy sentimental creature, or a writer of such English as shall one day burn the pages.” Today her prose is still blazing; perhaps it burns brighter than ever. This is the story of how a determined young woman with a notebook became one of the greatest writers of all time. It is a story that sparkles with wit and friendship, language and love, wicked jokes and passionate appreciation of ordinary things. In this illuminating new account, Alexandra Harris uses vivid flashes of detail to evoke Woolf’s changing backgrounds and preoccupations. We move from the close-packed rhythms of a Victorian childhood to the experiments of Bloomsbury and Woolf’s trial-and-error answers to the pressing question of how to live. We see her tackling challenging forms of writing, trying out different voices, following flights of fancy, and returning to earth. Above all, we see her making conscious decisions about what to do next. The book considers each of the novels in context, gives due prominence to a range of Woolf’s dazzlingly inventive essays, traces the contentious course of her “afterlife,” and shows why, seventy years after her death, Virginia Woolf continues to haunt and inspire us.
Author:
Publisher:
ISBN: 9780957062863
Category : Art, British
Languages : en
Pages : 70
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Book Description
Author: Michael Mayne
Publisher: Darton Longman and Todd
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
When he was in his fifties, Michael Mayne, formerly the vicar of Great St Mary's in Cambridge and Dean of Westminster Abbey, was cruelly afflicted with ME, but transformed personal adversity through his pen, writing (with Gerald Priestland) an account of his illness (A Year Lost and Found) that continues to be helpful to ME sufferers worldwide. Sadly, in the health lottery, Mayne seems to have drawn the short straw. In 2005, he was diagnosed with cancer of the jaw, and found himself overnight in what he calls 'cancer country', perhaps the most merciless terrain in the world.
Author: Leo Mellor
Publisher: Cambridge University Press
ISBN: 1139501534
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
From fires to ghosts, and from flowers to surrealist apparitions, the bombsites of London were both unsettling and inspiring terrains. Yet throughout the years prior to the Second World War, British culture was already filled with ruins and fragments. They appeared as content, with visions of tottering towers and scraps of paper; and also as form, in the shapes of broken poetics. But from the outbreak of the Second World War what had been an aesthetic mode began to resemble a proleptic template. During that conflict many modernist writers – such as Graham Greene, Louis MacNeice, David Jones, J. F. Hendry, Elizabeth Bowen, T. S. Eliot and Rose Macaulay – engaged with devastated cityscapes and the altered lives of a nation at war. To understand the potency of the bombsites, both in the Second World War and after, Reading the Ruins brings together poetry, novels and short stories, as well as film and visual art.
Author: Nadifa Mohamed
Publisher: Macmillan + ORM
ISBN: 1429979798
Category : Fiction
Languages : en
Pages : 299
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Book Description
Yemen, 1935. Jama is a "market boy," a half-feral child scavenging with his friends in the dusty streets of a great seaport. For Jama, life is a thrilling carnival, at least when he can fill his belly. When his mother—alternately raging and loving—dies young, she leaves him only an amulet stuffed with one hundred rupees. Jama decides to spend her life's meager savings on a search for his never-seen father; the rumors that travel along clan lines report that he is a driver for the British somewhere in the north. So begins Jama's extraordinary journey of more than a thousand miles north all the way to Egypt, by camel, by truck, by train, but mostly on foot. He slings himself from one perilous city to another, fiercely enjoying life on the road and relying on his vast clan network to shelter him and point the way to his father, who always seems just a day or two out of reach. In his travels, Jama will witness scenes of great humanity and brutality; he will be caught up in the indifferent, grinding machine of war; he will crisscross the Red Sea in search of working papers and a ship. Bursting with life and a rough joyfulness, Black Mamba Boy is debut novelist Nadifa Mohamed's vibrant, moving celebration of her family's own history.
Author: Frances Stonor Saunders
Publisher: New Press, The
ISBN: 1595589147
Category : History
Languages : en
Pages : 458
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Book Description
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
