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Author: Peter Melville
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889205175
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
What does hospitality have to do with Romanticism? What are the conditions of a Romantic welcome? Romantic Hospitality and the Resistance to Accommodation traces the curious passage of strangers through representative texts of English Romanticism, while also considering some European philosophical “pre-texts” of this tradition. From Rousseau’s invocation of the cot-less Carib to Coleridge’s reception of his Porlockian caller, Romanticisms encounters with the “strange” remind us that the hospitable relation between subject and Other is invariably fraught with problems. Drawing on recent theories of accommodation and estrangement, Peter Melville argues that the texts of Romantic hospitality (including those of Rousseau, Kant, Coleridge, and Mary Shelley) are often troubled by the subject’s failure to welcome the Other without also exposing the stranger to some form of hostility or violence. Far from convincing Romantic writers to abandon the figure of hospitality, this failure invites them instead to articulate and theorize a paradoxical imperative governing the subject’s encounters with strangers: if the obligation to welcome the Other is ultimately impossible to fulfill, then it is also impossible to ignore. This paradox is precisely what makes Romantic hospitality an act of responsibility. Romantic Hospitality and the Resistance to Accommodation brings together the wide-ranging interests of hospitality theory, diet studies, and literary ethics within a single investigation of visitation and accommodation in the Romantic period. As re-visionary as it is interdisciplinary, the book demonstrates not only the extent to which we continue to be influenced by Romantic views of the stranger but also, more importantly, what Romanticism has to teach us about our own hospitable obligations within this heritage.
Author: Peter Melville
Publisher: Wilfrid Laurier Univ. Press
ISBN: 0889205175
Category : Literary Criticism
Languages : en
Pages : 209
Get Book Here
Book Description
What does hospitality have to do with Romanticism? What are the conditions of a Romantic welcome? Romantic Hospitality and the Resistance to Accommodation traces the curious passage of strangers through representative texts of English Romanticism, while also considering some European philosophical “pre-texts” of this tradition. From Rousseau’s invocation of the cot-less Carib to Coleridge’s reception of his Porlockian caller, Romanticisms encounters with the “strange” remind us that the hospitable relation between subject and Other is invariably fraught with problems. Drawing on recent theories of accommodation and estrangement, Peter Melville argues that the texts of Romantic hospitality (including those of Rousseau, Kant, Coleridge, and Mary Shelley) are often troubled by the subject’s failure to welcome the Other without also exposing the stranger to some form of hostility or violence. Far from convincing Romantic writers to abandon the figure of hospitality, this failure invites them instead to articulate and theorize a paradoxical imperative governing the subject’s encounters with strangers: if the obligation to welcome the Other is ultimately impossible to fulfill, then it is also impossible to ignore. This paradox is precisely what makes Romantic hospitality an act of responsibility. Romantic Hospitality and the Resistance to Accommodation brings together the wide-ranging interests of hospitality theory, diet studies, and literary ethics within a single investigation of visitation and accommodation in the Romantic period. As re-visionary as it is interdisciplinary, the book demonstrates not only the extent to which we continue to be influenced by Romantic views of the stranger but also, more importantly, what Romanticism has to teach us about our own hospitable obligations within this heritage.
Author: Peter Melville
Publisher: Wilfrid Laurier Univ. Press
ISBN: 9781554585489
Category :
Languages : en
Pages : 208
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Book Description
What does hospitality have to do with Romanticism? What are the conditions of a Romantic welcome? Romantic Hospitality and the Resistance to Accommodation traces the curious passage of strangers through representative texts of English Romanticism, while also considering some European philosophical "pre-texts" of this tradition. From Rousseau's invocation of the cot-less Carib to Coleridge's reception of his Porlockian caller, Romanticisms encounters with the "strange" remind us that the hospitable relation between subject and Other is invariably fraught with problems. Drawing on recent theories of accommodation and estrangement, Peter Melville argues that the texts of Romantic hospitality (including those of Rousseau, Kant, Coleridge, and Mary Shelley) are often troubled by the subject's failure to welcome the Other without also exposing the stranger to some form of hostility or violence. Far from convincing Romantic writers to abandon the figure of hospitality, this failure invites them instead to articulate and theorize a paradoxical imperative governing the subject's encounters with strangers: if the obligation to welcome the Other is ultimately impossible to fulfill, then it is also impossible to ignore. This paradox is precisely what makes Romantic hospitality an act of responsibility. Romantic Hospitality and the Resistance to Accommodation brings together the wide-ranging interests of hospitality theory, diet studies, and literary ethics within a single investigation of visitation and accommodation in the Romantic period. As re-visionary as it is interdisciplinary, the book demonstrates not only the extent to which we continue to be influenced by Romantic views of the stranger but also, more importantly, what Romanticism has to teach us about our own hospitable obligations within this heritage.
Author: Cynthia Schoolar Williams
Publisher: Springer
ISBN: 1137340053
Category : Fiction
Languages : en
Pages : 334
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Book Description
Hospitality and the Transatlantic Imagination, 1815-1835 argues that a select group of late-Romantic English and American writers disrupted national tropes by reclaiming their countries' shared historical identification with hospitality. In doing so, they reimagined the spaces of encounter: the city, the coast of England, and the Atlantic itself.
Author: Chris Washington
Publisher: Bloomsbury Publishing USA
ISBN: 1501336398
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Romanticism and Speculative Realism features a range of scholars working at the intersection of literary poetics and philosophy. It considers how the writing of the Romantic era reconceptualizes the human imagination, the natural world, and the language that correlates them in radical ways that can advance current speculative debates concerning new ontologies and new materialisms. In their wide-ranging examinations of canonical and non-canonical romantic writers, the scholars gathered here rethink the connections between the human and non-human world to envision speculative modes of social being and ecological politics. Spanning historical and national frameworks-from historical romanticism to contemporary post-romantic ecology, and from British and German romanticism to global modernity-these essays examine life in all its varied forms in, and beyond, the Anthropocene.
Author: Chris Washington
Publisher: University of Toronto Press
ISBN: 1487504500
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Romantic Revelations shows that the nonhuman is fundamental to Romanticism’s political responses to climatic catastrophes. Exploring what he calls "post-apocalyptic Romanticism," Chris Washington intervenes in the critical conversation that has long defined Romanticism as an apocalyptic field. "Apocalypse" means "the revelation of a perfected world," which sees Romanticism’s back-to-nature environmentalism as a return to paradise and peace on earth. Romantic Revelations, however, demonstrates that the destructive climate change events of 1816, "the year without a summer," changed Romantic thinking about the environment and the end of the world. Their post-apocalyptic visions correlate to the beginning of the Anthropocene, the time when humans initiated the possible extinction of their own species and potentially the earth. Rather than constructing paradises where humans are reborn or human existence ends, the later Romantics are interested in how to survive in the ashes after great social and climatic global disasters. Romantic Revelations argues that Percy Shelley, Mary Shelley, Lord Byron, John Clare, and Jane Austen sketch out a post-apocalyptic world that, in contrast to the sunnier Romantic narratives, is paradoxically the vision that offers us hope. In thinking through life after disaster, Washington contends that these authors craft an optimistic vision of the future that leads to a new politics.
Author: James A. W. Heffernan
Publisher: Yale University Press
ISBN: 0300206844
Category : Literary Criticism
Languages : en
Pages : 439
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Book Description
In works of Western literature ranging from Homer’s Odyssey to Albee’s Who’s Afraid of Virginia Woolf? the giving and taking of hospitality is sometimes pleasurable, but more often perilous. Heffernan traces this leitmotiv through the history of our greatest writings, including Christ’s Last Supper, Macbeth’s murder of his royal guest, and Camus’s short story on French colonialism in Arab Algeria. By means of such examples and many more, this book considers what literary hosts, hostesses, and guests do to as well as for each other. In doing so, it shows how often treachery rends the fabric of trust that hospitality weaves.
Author: Kate Singer
Publisher: State University of New York Press
ISBN: 1438475292
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Romantic Vacancy argues that, at the cult of sensibility's height, Romantic writers found alternative tropes of affect to express movement beyond sensation and the body. Grappling with sensibility's claims that sensation could be translated into ideas and emotions, poets of vacancy rewrote core empiricist philosophies that trapped women and men in sensitive bodies and, more detrimentally, in ideological narratives about emotional response that gendered subjects' bodies and minds. Kate Singer contends that affect's genesis occurs instead through a series of figurative responses and movements that loop together human and nonhuman movements of mind, body, and nature into a posthuman affect. This book discovers a new form of Romantic affect that is dynamically linguistic and material. It seeks to end the long tradition of holding women and men writers of the Romantic period as separate and largely unequal. It places women writers at the forefront of speculative thinking, repositions questions of gender at the vanguard of Romantic-era thought, revises how we have long thought of gender in the period, and rewrites our notions of Romantic affect. Finally, it answers pivotal questions facing both affect studies and Romanticism about interrelations among language, affect, and materiality. Readers will learn more about the deep history of how poetic language can help us move beyond binary gender and its limiting intellectual and affective ideologies.
Author: David Simpson
Publisher: University of Chicago Press
ISBN: 0226922367
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
In our post-9/11 world, the figure of the stranger—the foreigner, the enemy, the unknown visitor—carries a particular urgency, and the force of language used to describe those who are “different” has become particularly strong. But arguments about the stranger are not unique to our time. In Romanticism and the Question of the Stranger, David Simpson locates the figure of the stranger and the rhetoric of strangeness in romanticism and places them in a tradition that extends from antiquity to today. Simpson shows that debates about strangers loomed large in the French Republic of the 1790s, resulting in heated discourse that weighed who was to be welcomed and who was to be proscribed as dangerous. Placing this debate in the context of classical, biblical, and other later writings, he identifies a persistent difficulty in controlling the play between the despised and the desired. He examines the stranger as found in the works of Coleridge, Austen, Scott, and Southey, as well as in depictions of the betrayals of hospitality in the literature of slavery and exploration—as in Mungo Park's Travels and Stedman's Narrative—and portrayals of strange women in de Staël, Rousseau, and Burney. Contributing to a rich strain of thinking about the stranger that includes interventions by Ricoeur and Derrida, Romanticism and the Question of the Stranger reveals the complex history of encounters with alien figures and our continued struggles with romantic concerns about the unknown.
Author: Lindsay Anne Balfour
Publisher: Bucknell University Press
ISBN: 1611488508
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Hospitality in a Time of Terror: Strangers at the Gate offers a reading of hospitality that suggests the encounter with strangers is at the core of cultural production and culture itself in the aftermath of the terrorist attacks of September 11, 2001. It documents the significance of hospitality after the terrorist attacks, particularly as such an ethics is so provocatively raised or disavowed by a predominantly visual and cultural archive that has been and continues to be consumed by millions of people around the world. This book utilizes works of cultural memory, film, art and literature that show the breadth of hospitality’s influence but that offer a depth of insight, historical specificity, and theoretical intensity that only a product created in the aftermath of 9/11 allows. The September 11 Memorial and Museum in New York City, for example, is best understood as an institution defined by the question of hospitality, particularly as hospitality is engaged or disavowed through an experience with loss. This bookalso considers how hospitality might function in consideration of the violence perpetuated against bodies marked by discourses of race, gender, and sexuality, as is the case in the 2011 film, Zero Dark Thirty, and separately explores how alternative modes of hospitality are enabled by the fluid and dynamic space of the street and the urban art found there. The final chapter examines Don DeLillo's 2007 novel Falling Man, and argues that the novel demonstrates a sustained engagement with hospitality through the figure of organic shrapnel, a metaphor that suggests the possibility of being literally and figuratively embedded by another. The purpose of this book is to point out the diverse and even devastating ways that hospitality appears in ways that remind us that, if hospitality as we understand it is failing, it matters more than ever how we deploy it.
Author: Lorenzo Servitje
Publisher: State University of New York Press
ISBN: 1438481691
Category : Literary Criticism
Languages : en
Pages : 442
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Book Description
Medicine is most often understood through the metaphor of war. We encounter phrases such as "the war against the coronavirus," "the front lines of the Ebola crisis," "a new weapon against antibiotic resistance," or "the immune system fights cancer" without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War shows how this "martial metaphor" was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the developments and dangers of modernity: urbanization, industrialization, government intervention, imperial contact, crime, changing gender relations, and the relationship between the one and the many. While cultural and literary scholars have attributed the metaphor to late nineteenth-century germ theory or immunology, this book offers a new, more expansive history stretching from the metaphor's roots in early nineteenth-century militarism to its consolidation during the rise of early twentieth-century pharmacology. In so doing, Servitje establishes literature's pivotal role in shaping what war has made thinkable and actionable under medicine's increasing jurisdiction in our lives. Medicine Is War reveals how, in our own moment, the metaphor remains conducive to harming as much as healing, to control as much as empowerment.
