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Author: Neil Stratford
Publisher:
ISBN: 9781899828258
Category : Art
Languages : fr
Pages : 0
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Book Description
Romanesque sculpture in Burgundy has always been seen as central to our understanding of the history and culture of 11th and 12th century Europe, standing as it does at a cross-roads between north and south, with its rich agricultural and urban economies out of which grew some of the great monastic settlements of feudal Europe, including of course Cluny and the Cistercians. Neil Stratford has been Keeper of Medieval and Later Antiquities at the British Museum since 1975 and is recognised as a leading authority on Romanesque and Gothic art. Over the last twenty years he has published many articles on Romanesque Burgundy in a number of English and French journals. The most famous sculptures (above all the Cluny apse capitals and the Vezelay tympanum) have been studied, alongside unpublished and little known monuments. These two volumes brings together a selection of these studies, some published in English for the first time and with new photographs. All are updated with brief corrections and new comments from the author.
Author: Neil Stratford
Publisher:
ISBN: 9781899828258
Category : Art
Languages : fr
Pages : 0
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Book Description
Romanesque sculpture in Burgundy has always been seen as central to our understanding of the history and culture of 11th and 12th century Europe, standing as it does at a cross-roads between north and south, with its rich agricultural and urban economies out of which grew some of the great monastic settlements of feudal Europe, including of course Cluny and the Cistercians. Neil Stratford has been Keeper of Medieval and Later Antiquities at the British Museum since 1975 and is recognised as a leading authority on Romanesque and Gothic art. Over the last twenty years he has published many articles on Romanesque Burgundy in a number of English and French journals. The most famous sculptures (above all the Cluny apse capitals and the Vezelay tympanum) have been studied, alongside unpublished and little known monuments. These two volumes brings together a selection of these studies, some published in English for the first time and with new photographs. All are updated with brief corrections and new comments from the author.
Author: Neil Stratford
Publisher:
ISBN:
Category : Sculpture, French
Languages : en
Pages : 498
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Book Description
Author: C. Edson Armi
Publisher: L'Erma Di Bretschneider
ISBN: 9788891317452
Category : Cluniac sculpture
Languages : en
Pages : 0
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Book Description
The role of individual sculptors in creating the ambulatory capitals in the largest basilica in Christendom at Cluny remains a mystery. The unresolved issue of individual creativity leaves open three important questions about this powerful abbey which controlled hundreds of monasteries throughout Europe in the eleventh century: What was the specific artistic context - the origin, training and career path of the major sculptors who worked at the mother church at the start of construction? What was the relationship, in time and influence, between the focal ambulatory capitals and similar sculptures at numerous local sites? And what role did artists play in determining the form and meaning of Cluny sculptures and related monuments? This book traces the career of a sculptor who worked on the earliest capitals in the abbey church at Cluny. It documents his artistic preferences at previous Burgundian projects, gathering a variety of evidence intended to be on the one hand precise, complex and subtle, and on the other convincingly repetitious. He treated gesture, pose, anatomy, drapery, foliage, architecture, background and space not only consistently but also in a complementary fashion. Plainly put, he blurred the traditional distinction between sculpture and architecture, displaying a rich and unique combination of artistic preferences even as he worked with different kinds of patrons on various subjects at numerous and diverse monuments. These findings are supported with high-resolution photographs taken at telling angles from high ladders and scaffolding. This version of the creative process at the mother church, in which the Cluniac brothers picked a local talent to carry out one of the most important sculptural commissions in Europe, differs markedly from the standard one based largely on presumed but undocumented artistic priorities of the monks. Prevailing theory assumes the monks had an international perspective when it came to art as they tried to establish at Cluny a new Rome as the centerpiece of their monastic empire. Rather than tap an experienced sculptor who worked in the indigenous masonry tradition, they would have looked toward foreign lands to find suitable artists who based their designs on high forms of art such as ivory, painting, and metalwork. C. Edson Armi Is a research professor at the University of California, Santa Barbara. He has written books on Cluniac architecture and sculpture, design and construction in Romanesque architecture, Gothic sculpture, and American car design. He received the Society of Architectural Historians Founders' Award, the C.I.N.O.A. International Art History Prize, and a Guggenheim Fellowship.
Author: Arthur Kingsley Porter
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 296
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Book Description
Author: Susan Marcus
Publisher: FriesenPress
ISBN: 1460234979
Category : Architecture
Languages : en
Pages : 309
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Book Description
Architectural sculpture, virtually abandoned for five hundred years following the demise of the Roman Empire, was revivified on the portals of Romanesque churches in eleventh and twelfth-century France and Spain. Long overdue is a reappraisal of those images whose aesthetic of rendering the invisible visible establish them as valuable witnesses to the culture of Europe in the Middle Ages. Countless losses, mutilation through wilful destruction, centuries of accumulated grime, and a dearth of studies in English have impeded the deserved realization and appreciation of these magnificent works of art. Through illustration and illuminative interpretation, Romanesque Sculpture An Ecstatic Art fills the void by tracing the beginnings, maturation, and efflorescence of monumental sculptured facades in the short-lived Romanesque era. Depictions on them are mirrors of the age: sophisticated theological messages, monastic life, the cult of relics, pilgrimages, crusades and politics. The survey considers too the sculptors, mostly anonymous, who in adapting models from several media - both antique and current - created a unique visual vocabulary. The beauty of the sculptures comes to the fore. The stones live!
Author: Arthur Kingsley Porter
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages :
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Book Description
Author: Arthur Kingsley Porter
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 586
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Book Description
Author: Susan Jane Claremont
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 280
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Book Description
Author: C. Edson Armi
Publisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 230
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Book Description
For nearly a century, archaeologists and art historians studying the great third abbey at Cluny (Cluny III) have "agreed on a set of abstract principles, including its spontaneous generation or revolutionary character, and posited an overseeing genius who selected from non-local sources." In a sweeping revision of that position, this book argues that Cluny Ill is "the building where regional masons of different traditions first combined their talents to develop a new design," and further maintains that the artisans responsible for the masonry of Cluny Ill also created its sculpture. Professor Armi reaches these conclusions through a painstaking analysis of archaeological evidence, such as masons' marks, and a careful "hand analysis" of the site's sculpture, allowing observation of both individual and general design changes, turning points, and stylistic trends. As a result of his investigation of the major Burgundian structures of the period Cluny, Vézelay, Paray-le-Monial, Anzy-le-Duc, Perrecy-les-Forges, etc., the author has established a new chronology for the architecture of the region. He also has identified the careers of the major artists who carved the portal and capital sculpture. His research has even disproved the traditional assumption that sculpture was carved in situ, for his evidence reveals that finished pieces were fitted into the masonry at Cluny III and elsewhere. By focusing on the work of individual masons and on progressive alterations in architectural detail, the author has broken with the method of his predecessors, but there is ample support for both his methods and his conclusions in the book's 400 illustrations. In his use of macrophotography alone, Armi has added a valuable new methodological tool for the comprehension of both architecture and sculpture, but his most important contribution to the field lies in showing that, by working together, two local groups of masons merged their separate traditions to create a magnificent synthesis: the Cluniac High Romanesque style.