Romances of Chivalry in the Spanish Golden Age PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Romances of Chivalry in the Spanish Golden Age PDF full book. Access full book title Romances of Chivalry in the Spanish Golden Age by Daniel Eisenberg. Download full books in PDF and EPUB format.
Author: Daniel Eisenberg
Publisher: Juan de La Cuesta-Hispanic Monographs
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
Get Book Here
Book Description
Eisenberg's book dealing with the Spanish Romances of chivalry, the most popular fiction of the Spanish Renaissance, and the preferred reading of Don Quijote, is finally back in print. Originally published in 1982, this important work has been out of print for a number of years. "Dan Eisenberg's work is our best source of knowledge about the Spanish romances of chivalry." -Sydney P. Cravens Texas Tech University "Daniel Eisenberg tiene un profundo conocimiento de los secretos de los libros de caballermas." -Martmn de Riquer Real Academia Espaqola
Author: Daniel Eisenberg
Publisher: Juan de La Cuesta-Hispanic Monographs
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
Get Book Here
Book Description
Eisenberg's book dealing with the Spanish Romances of chivalry, the most popular fiction of the Spanish Renaissance, and the preferred reading of Don Quijote, is finally back in print. Originally published in 1982, this important work has been out of print for a number of years. "Dan Eisenberg's work is our best source of knowledge about the Spanish romances of chivalry." -Sydney P. Cravens Texas Tech University "Daniel Eisenberg tiene un profundo conocimiento de los secretos de los libros de caballermas." -Martmn de Riquer Real Academia Espaqola
Author: Jennifer Robin Goodman
Publisher: Boydell & Brewer
ISBN: 9780851157009
Category : Biography & Autobiography
Languages : en
Pages : 258
Get Book Here
Book Description
The literature of medieval knighthood is shown to have influenced exploration narratives from Marco Polo to Captain John Smith. Explorers from Marco Polo to Captain John Smith viewed their travels and discoveries in the light of attitudes they absorbed from the literature of medieval knighthood. Their own accounts, and contemporary narratives [reinforced by the interest of early printers], reveal this interplay, but historians of exploration on the one hand, and of chivalry on the other, have largely ignored this cultural connection. Jennifer Goodman convincingly develops the ideaof the chivalric romance as an imaginative literature of travel; she traces the publication of medieval chivalric texts alongside exploration narratives throughout the later middle ages and renaissance, and reveals parallel themesand preoccupations. She illustrates this with the histories of a sequence of explorers and their links with chivalry, from Marco Polo to Captain John Smith, and including Gadifer de la Salle and his expedition to the Canary Islands, Prince Henry the Navigator, Cortés, Hakluyt, and Sir Walter Raleigh. JENNIFER GOODMAN teaches at Texas A & M University.
Author: Henry Thomas
Publisher: Forgotten Books
ISBN: 9780656138029
Category : Literary Collections
Languages : en
Pages : 346
Get Book Here
Book Description
Excerpt from Spanish and Portuguese Romances of Chivalry: The Revival of the Romance, of Chivalry in the Spanish, Peninsula, and Its Extension, and Influence Abroad How far the writer has relied on his predecessors in the same field will be evident from the references in the text. To all, and especially to those whose names appear in the bibliography, he gratefully acknowledges his in debtedness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Leticia Alvarez Recio
Publisher:
ISBN: 1487539002
Category : LITERARY CRITICISM
Languages : en
Pages : 297
Get Book Here
Book Description
"This collection of original essays examines the publication and reception history of sixteenth-century Iberian books of chivalry in English translation and explores the impact of that literary corpus on Elizabethan culture as well as its connections with other contemporary genres such as native English fiction, chronicle, and epistolary writing. The essays focus mainly on Anthony Munday's work as the leading translator as well as the two main Spanish sixteenth-century cycles-Le., Amadis and Palmerin-from a variety of critical approaches, including cultural studies, book history and reception, material history, translation, post-colonial criticism, and early modern Qender studies."--
Author: Daniel Gutiérrez Trápaga
Publisher: Tamesis Books
ISBN: 9781855663206
Category : Chivalry in literature
Languages : en
Pages : 200
Get Book Here
Book Description
Examines the importance of intertextuality, in particular hypertextuality, in the poetics of Castilian romances of chivalry.
Author: Henry Thomas
Publisher: Palala Press
ISBN: 9781341164316
Category :
Languages : en
Pages : 352
Get Book Here
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Ángel Flores
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Victoria Marie Munoz
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Chivalric romances were long fictional epics, typically in prose, which depicted the adventures of chivalrous knights as they traveled across the globe defeating monsters, heretics, and other evil agents and committed heroic feats on behalf of their monarchs. Set during the era of the medieval Crusades, chivalric romances greatly appealed to early modern Europe in the midst of unprecedented global exploration and transatlantic trade. The Introduction tracks the rise of romance from its roots in the European Crusades to its Renaissance in Golden Age Spain, which produced the most popular chivalric chronicles of the sixteenth-century. In Chapter 1 I argue that Spain’s role in reviving romance on the continent also caused the genre to decline in status in England. English critics deliberately feminized romance—presenting false evidence of their popularity with female readers—in an effort to cast the genre as immoral and inferior. The common subject of moralist criticism, Spanish romances nonetheless earned widespread popularity with both male and female readers and among laboring and privileged classes alike. Chapter 2 argues that appropriation from Spanish chivalric literature could be used to wage ideological war with Spain. This phenomenon most notably occurs in Edmund Spenser’s Faerie Queene (1590; 1595). Arcalaus, the evil sorcerer from Amadis de Gaula (1508), was the inspiration for Spenser’s Archimago, a representative of Philip II of Spain, specifically, and of Spanish falsehood more generally. Spenser’s anti-Spanish allegory also extends across Book I through Archimago’s various deceptions and contests with Redcrosse, the English Everyman who represents Saint George, patron saint of England. Prior to The Faerie Queene, however, Saint George did not appear as a decidedly English hero. Saint George was patron to various parts of Habsburg Europe, including Aragon and Cataluña in Spain. I argue that Spenser defensively Anglicizes Saint George—as a form of translatio imperii—in order to revive England’s own tradition of chivalric romance and compete with the Spanish cycles arriving in England. Elizabethan Hispanophobia partly derived from English propaganda that demonized the Spanish as heretical, bastardly and cruel, citing as evidence contemporary reports of the violence of Iberian conquistadors colonizing the New World. However, English depictions of Spain were neither uniformly antagonistic nor entirely approving. As Chapter 3 illustrates, prominent playwright, Ben Jonson, both praises Spanish culture and repeats stereotypical prejudices against the Spanish. Jonson’s representation of Spain was tempered by his comingled distaste for traditional Spanish romances, which associated with the failure of humanist ideals, and his great admiration for Baroque works, namely Don Quijote de la Mancha (1605) and Guzman de Alfarache (1599). Chapter 4 describes the softening of English vitriol against Spain through William Shakespeare’s Mediterranean romance, The Tempest (1611). Although scholars have traditionally argued that The Tempest lacks a direct source for the plot, I argue that the plot actually originates from Antonio de Eslava’s Noches de invierno (Winter Nights; 1609). I show that Shakespeare’s adaptation urges cooperation with Spain in order to advance England’s transatlantic aspirations. In adaptation, therefore, Shakespeare’s version presents a nuanced commentary on transatlantic colonization.
Author: Angel Flores
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 440
Get Book Here
Book Description
Author: Helen Moore
Publisher: Oxford University Press, USA
ISBN: 0198832427
Category : Literary Criticism
Languages : en
Pages : 413
Get Book Here
Book Description
This is a book about readers: readers reading, and readers writing. They are readers of all ages and from all ages: young and old, male and female, from Europe and the Americas. The book they are reading is the Spanish chivalric romance Amad�s de Gaula, known in English as Amadis de Gaule. Famous throughout the sixteenth century as the pinnacle of its fictional genre, the cultural functions of Amadis were further elaborated by the publication of Cervantes's Don Quixote in 1605, in which Amadis features as Quixote's favourite book. Amadis thereby becomes, as the philosopher Ortega y Gasset terms it, 'enclosed' within the modern novel and part of the imaginative landscape of British reader-authors such Mary Shelley, Smollett, Keats, Southey, Scott, and Thackeray. Amadis in English ranges from the sixteenth to the twentieth centuries, demonstrating through this 'biography' of a book the deep cultural, intellectual, and political connections of English, French, and Spanish literature across five centuries. Simultaneously an ambitious work of transnational literary history and a new intervention in the history of reading, this study argues that romance is historically located, culturally responsive, and uniquely flexible in the re-creative possibilities it offers readers. By revealing this hitherto unexamined reading experience connecting readers of all backgrounds, Amadis in English also offers many new insights into the politicisation of literary history; the construction and misconstruction of literary relations between England, France, and Spain; the practice and pleasures of reading fiction; and the enduring power of imagination.
