The Cambridge Companion to Contemporary African American Literature PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Cambridge Companion to Contemporary African American Literature PDF full book. Access full book title The Cambridge Companion to Contemporary African American Literature by Yogita Goyal. Download full books in PDF and EPUB format.
Author: Yogita Goyal
Publisher: Cambridge University Press
ISBN: 1009184148
Category : Literary Criticism
Languages : en
Pages : 345
Get Book Here
Book Description
African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovation, it considers the history, practice, and future directions of the field. Examining various historical forces shaping the creation of innovative genres, the turn to the afterlife of slavery, the pull toward protest, and the impact of new and expanded geographies and methods, this Companion provides an invaluable point of reference for readers seeking rigorous and cutting-edge analyses of contemporary African American literature.
Author: Yogita Goyal
Publisher: Cambridge University Press
ISBN: 1139486713
Category : Literary Criticism
Languages : en
Pages :
Get Book Here
Book Description
Romance, Diaspora, and Black Atlantic Literature offers a rich, interdisciplinary treatment of modern black literature and cultural history, showing how debates over Africa in the works of major black writers generated productive models for imagining political agency. Yogita Goyal analyzes the tensions between romance and realism in the literature of the African diaspora, examining a remarkably diverse group of twentieth-century authors, including W. E. B. Du Bois, Chinua Achebe, Richard Wright, Ama Ata Aidoo and Caryl Phillips. Shifting the center of black diaspora studies by considering Africa as constitutive of black modernity rather than its forgotten past, Goyal argues that it is through the figure of romance that the possibility of diaspora is imagined across time and space. Drawing on literature, political history and postcolonial theory, this significant addition to the cross-cultural study of literatures will be of interest to scholars of African American studies, African studies and American literary studies.
Author: Yogita Goyal
Publisher: NYU Press
ISBN: 1479832715
Category : Literary Criticism
Languages : en
Pages : 271
Get Book Here
Book Description
Winner, 2021 René Wellek Prize, given by the American Comparative Literature Association Winner, 2021 Barbara Perkins and George Perkins Award, given by the International Society for the Study of Narrative Honorable Mention, 2020 James Russell Lowell Prize, given by the Modern Language Association Argues that the slave narrative is a new world literary genre In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal’s argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave. Goyal argues that in order to fathom forms of freedom and bondage today—from unlawful detention to sex trafficking to the refugee crisis to genocide—we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
Author: Yogita Goyal
Publisher: Cambridge University Press
ISBN: 1009184148
Category : Literary Criticism
Languages : en
Pages : 345
Get Book Here
Book Description
African American literature has changed in startling ways since the end of the Black Arts Era. The last five decades have generated new paradigms of racial formation and novel patterns of cultural production, circulation, and reception. This volume takes up the challenge of mapping the varied and changing field of contemporary African American writing. Balancing the demands of historical and political context with attention to aesthetic innovation, it considers the history, practice, and future directions of the field. Examining various historical forces shaping the creation of innovative genres, the turn to the afterlife of slavery, the pull toward protest, and the impact of new and expanded geographies and methods, this Companion provides an invaluable point of reference for readers seeking rigorous and cutting-edge analyses of contemporary African American literature.
Author: Brickman Barbara Jane Brickman
Publisher: Edinburgh University Press
ISBN: 1474452108
Category : Performing Arts
Languages : en
Pages : 336
Get Book Here
Book Description
Winston Churchill famously described the political alliance between the US and UK as a 'special relationship', but throughout the cultural history of these two countries there have existed transatlantic 'special relationships' of another kind - affairs between British and American citizens who have fallen in love, with one another but often too with the idea(l) of that other place across the ocean. From romantic novelist Elinor Glyn in the 1920s to Prince Harry and Meghan Markle today, this collection examines some of the history, contemporary manifestations and enduring appeal of US-UK romance across popular culture. Looking at both historical and contemporary case-studies, drawn from across film, television, music, literature, news and politics, this is a timely intervention into the popular romantic discourse of US-UK relations, at a critical and transitional moment in the ongoing viability of the special relationship.
Author: Lindsey Stewart
Publisher: Northwestern University Press
ISBN: 0810144123
Category : Philosophy
Languages : en
Pages : 292
Get Book Here
Book Description
During the antebellum period, slave owners weaponized southern Black joy to argue for enslavement, propagating images of “happy darkies.” In contrast, abolitionists wielded sorrow by emphasizing racial oppression. Both arguments were so effective that a political uneasiness on the subject still lingers. In The Politics of Black Joy, Lindsey Stewart wades into these uncomfortable waters by analyzing Zora Neale Hurston’s uses of the concept of Black southern joy. Stewart develops Hurston’s contributions to political theory and philosophy of race by introducing the politics of joy as a refusal of neo-abolitionism, a political tradition that reduces southern Black life to tragedy or social death. To develop the politics of joy, Stewart draws upon Zora Neale Hurston’s essays, Beyoncé’s Lemonade, and figures across several disciplines including Frederick Douglass, W. E. B. Du Bois, Toni Morrison, Angela Davis, Saidiya Hartman, Imani Perry, Eddie Glaude, and Audra Simpson. The politics of joy offers insights that are crucial for forming needed new paths in our current moment. For those interested in examining popular conceptions of Black political agency at the intersection of geography, gender, class, and Black spirituality, The Politics of Black Joy is essential reading.
Author: Angela Naimou
Publisher: Cambridge University Press
ISBN: 1108896928
Category : Literary Criticism
Languages : en
Pages : 704
Get Book Here
Book Description
Diaspora is an ancient term that gained broad new significance in the twentieth century. At its simplest, diaspora refers to the geographic dispersion of a people from a common originary space to other sites. It pulls together ideas of people, movement, memory, and home, but also troubles them. In this volume, established and newer scholars provide fresh explorations of diaspora for twenty-first century literary studies. The volume re-examines major diaspora origin stories, theorizes diaspora through its conceptual intimacies and entanglements, and analyzes literary and visual-cultural texts to reimagine the genres, genders, and genealogies of diaspora. Literary mappings move across Africa, the Americas, Middle East, Asia, Europe, and Pacific Islands, and through Atlantic, Pacific, Mediterranean, Gulf, and Indian waters. Chapters reflect on diaspora as a key concept for migration, postcolonial, global comparative race, environmental, gender, and queer studies. The volume is thus an accessible and provocative account of diaspora as a vital resource for literary studies in a bordered world.
Author: Shamoon Zamir
Publisher: Cambridge University Press
ISBN: 1139828134
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
W. E. B. Du Bois was the pre-eminent African American intellectual of the twentieth century. As a pioneering historian, sociologist and civil rights activist, and as a novelist and autobiographer, he made the problem of race central to an understanding of the United States within both national and transnational contexts; his masterwork The Souls of Black Folk (1903) is today among the most widely read and most often quoted works of American literature. This Companion presents ten specially commissioned essays by an international team of scholars which explore key aspects of Du Bois's work. The book offers students a critical introduction to Du Bois, as well as opening new pathways into the further study of his remarkable career. It will be of interest to all those working in African American studies, American literature, and American studies generally.
Author: Jennifer L. Fleissner
Publisher: University of Chicago Press
ISBN: 0226822036
Category : Literary Criticism
Languages : en
Pages : 499
Get Book Here
Book Description
An examination of the nineteenth-century American novel that argues for a new genealogy of the concept of the will. What if the modern person were defined not by reason or sentiment, as Enlightenment thinkers hoped, but by will? Western modernity rests on the ideal of the autonomous subject, charting a path toward self-determination. Yet novelists have portrayed the will as prone to insufficiency or excess—from indecision to obsession, wild impulse to melancholic inertia. Jennifer Fleissner’s ambitious book shows how the novel’s attention to the will’s maladies enables an ongoing interrogation of modern premises from within. Maladies of the Will reveals the nineteenth-century American novel’s relation to a wide-ranging philosophical tradition, highly relevant to our own tumultuous present. In works from Moby-Dick and The Scarlet Letter to Elizabeth Stoddard’s The Morgesons and Charles W. Chesnutt’s The Marrow of Tradition, the will’s grandeur and its perversity emerge as it alternately aligns itself with and pits itself against a bigger Will—whether of God, the state, society, history, or life itself. Today, when invocations of autonomy appear beside the medicalization of many behaviors, and democracy’s tenet of popular will has come into doubt, Maladies of the Will provides a map to how we got here, and how we might think these vital dilemmas anew.
Author: Yogita Goyal
Publisher: Cambridge University Press
ISBN: 1316982629
Category : Literary Criticism
Languages : en
Pages : 339
Get Book Here
Book Description
For two decades, the 'transnational turn' in literary studies has generated enormous comment and controversy. This Companion provides a comprehensive account of the scope, impact, and critical possibilities of the transnational turn in American literary studies. It situates the study of American literature in relation to ethnic, postcolonial, and hemispheric studies. Leading scholars open up wide-ranging examinations of transnationalism in American literature - through form and aesthetics, theories of nation, gender, sexuality, religion, and race, as well as through conventional forms of historical periodization. Offering a new map of American literature in the global era, this volume provides a history of the field, key debates, and instances of literary readings that convey the way in which transnationalism may be seen as a method, not just a description of literary work that engages more than one nation. Contributors identify the key modes by which writers have responded to major historical, political, and ethical issues prompted by the globalization of literary studies.
Author: Elizabeth R. Baer
Publisher: Wayne State University Press
ISBN: 0814343864
Category : Literary Criticism
Languages : en
Pages : 196
Get Book Here
Book Description
Examines literature and art to reveal the German genocidal gaze in Africa and the Holocaust. The first genocide of the twentieth century, though not well known, was committed by Germans between 1904–1907 in the country we know today as Namibia, where they exterminated thousands of Herero and Nama people and subjected the surviving indigenous men, women, and children to forced labor. The perception of Africans as subhuman—lacking any kind of civilization, history, or meaningful religion—and the resulting justification for the violence against them is what author Elizabeth R. Baer refers to as the "genocidal gaze," an attitude that was later perpetuated by the Nazis. In The Genocidal Gaze: From German Southwest Africa to the Third Reich,Baer uses the trope of the gaze to trace linkages between the genocide of the Herero and Nama and that of the victims of the Holocaust. Baer also considers the African gaze of resistance returned by the indigenous people and their leaders upon the German imperialists. Baer explores the threads of shared ideology in the Herero and Nama genocide and the Holocaust—concepts such as racial hierarchies, lebensraum(living space), rassenschande (racial shame), and endlösung(final solution) that were deployed by German authorities in 1904 and again in the 1930s and 1940s to justify genocide. She also notes the use of shared methodology—concentration camps, death camps, intentional starvation, rape, indiscriminate killing of women and children—in both instances. While previous scholars have made these links between the Herero and Nama genocide and that of the Holocaust, Baer's book is the first to examine literary texts that demonstrate this connection. Texts under consideration include the archive of Nama revolutionary Hendrik Witbooi; a colonial novel by German Gustav Frenssen (1906), in which the genocidal gaze conveyed an acceptance of racial annihilation; and three post-Holocaust texts—by German Uwe Timm, Ghanaian Ama Ata Aidoo, and installation artist William Kentridge of South Africa—that critique the genocidal gaze. Baer posits that writing and reading about the gaze is an act of mediation, a power dynamic that calls those who commit genocide to account for their crimes and discloses their malignant convictions. Careful reading of texts and attention to the narrative deployment of the genocidal gaze—or the resistance to it—establishes discursive similarities in books written both during colonialism and in the post-Holocaust era. The Genocidal Gazeis an original and challenging discussion of such contemporary issues as colonial practices, the Nazi concentration camp state, European and African race relations, definitions of genocide, and postcolonial theory. Moreover, Baer demonstrates the power of literary and artistic works to condone, or even promote, genocide or to soundly condemn it. Her transnational analysis provides the groundwork for future studies of links between imperialism and genocide, links among genocides, and the devastating impact of the genocidal gaze.
