Roman Sketchbook of Girolamo Da Carpi PDF Download
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Author: Canedy
Publisher: BRILL
ISBN: 9004620702
Category : History
Languages : en
Pages : 232
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Book Description
Author: Canedy
Publisher: BRILL
ISBN: 9004620702
Category : History
Languages : en
Pages : 232
Get Book Here
Book Description
Author: Norman W. Canedy
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 240
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Book Description
Girolamo da Carpi's sketchbook, here assembled and catalogued by Professor Canedy, comprises the largest single graphic repertory extant of the antiquities known to a fifteenth-or sixteenth-century artist. More than a thousand sketches survive in the album belonging to the Philip H. and A. S. Rosenbach Foundation in Philadelphia and the portfolio in the Biblioteca Reale, Turin. A few more sheets are preserved in the Department of Prints and Drawings of the British Museum. All the drawings are reproduced, with some comparative material. Professor Canedy deals with the problems raised by the Sketchbook in a long Introduction. The corpus of Mannerist drawings after the antique and after other artists' renderings of the antique stands alone in its extent and in its nature. There is no other collection by an Italian artist of stature where figure compositions - as distinct from architectural or ornamental designs - are so abundant. These drawings often supply our earliest evidence of the sixteenth century's knowledge of individual works of classical art. Where there are invenzioni rather than ricardi, they are not original to Girolamo da Carpi, but copies of other artists' compositions. Even where Cirolamo's drawings are apparently made directly from the antique, there seems usually to have been an intermediate composition by another hand. Most frequently, the intermediary is a drawing of much wider importance for the study of the relation between antique and Mannerist art than at first appears. The publication of such a corpus also offers for the first time a secure basis for judging the attribution to Girolamo da Carpi of the seemingly endless succession of Cinquecento drawings of antique sculpture and grotteschi , which continue to appear in collections and on the art market.
Author: Nancy Thomson de Grummond
Publisher: Routledge
ISBN: 1134268548
Category : History
Languages : en
Pages : 1357
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Book Description
With 1,125 entries and 170 contributors, this is the first encyclopedia on the history of classical archaeology. It focuses on Greek and Roman material, but also covers the prehistoric and semi-historical cultures of the Bronze Age Aegean, the Etruscans, and manifestations of Greek and Roman culture in Europe and Asia Minor. The Encyclopedia of the History of Classical Archaeology includes entries on individuals whose activities influenced the knowledge of sites and monuments in their own time; articles on famous monuments and sites as seen, changed, and interpreted through time; and entries on major works of art excavated from the Renaissance to the present day as well as works known in the Middle Ages. As the definitive source on a comparatively new discipline - the history of archaeology - these finely illustrated volumes will be useful to students and scholars in archaeology, the classics, history, topography, and art and architectural history.
Author: Clare Lapraik Guest
Publisher: BRILL
ISBN: 9004302085
Category : History
Languages : en
Pages : 708
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Book Description
In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.
Author: Leonard Barkan
Publisher: Yale University Press
ISBN: 9780300089110
Category : Art
Languages : en
Pages : 468
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Book Description
The rediscovery of some of the most famous artworks of all time--statues lying underground beneath Rome--launched a thrilling archaeological adventure in the 15th century. In this remarkable book, Barkan probes the impact of these magnificent finds on Renaissance consciousness. 206 illustrations.
Author:
Publisher: Penn State Press
ISBN: 9780271048154
Category : Architecture
Languages : en
Pages : 252
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Book Description
The first comprehensive account of this Italian architect and antiquarian's life and multifaceted career.
Author: Andrew Hopkins
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111477908
Category : Architecture
Languages : en
Pages : 402
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Book Description
Citare in Italian means both to cite and to quote. Citazione means both citation and quotation. This volume, with many discussions of annotations or marginal notes (postils), aims to tease out one of the principal threads of the over-arching theme of what might be termed 'Lost and Found in Translation' with regard to Early Modern Architecture. Citation of texts in relation to Early Modern architectural design, treatise writing and theory, has long been studied, but mostly in ways which have never clearly distinguished between three important but different terms: mindset, citation and quotation. This volume charts citation from Filarete and ancient descriptions of Near Eastern Architecture, to difficulties in understanding Vitruvius, and Lost and found in Fra Giocondo's Vitruvius. The investigation then broadens to Tracing Renaissance Italian Architectural Books in colonial Mexico and an examination of reverse ekphrasis and Early Modern Architecture. It then turns to twisted words and borrowed wisdom: misleading citation in Scamozzi's Idea dell'architettura universale (1615), before heading East to discuss formats and functions of large-scale calligraphy in late-Ming and Qing-period China and the reconstruction of architectural spaces. Turning to Quotation, the investigation begins with Pirro Ligorio, the 'Megala' ship and the Cortile del Belvedere, and invention, imitation and reiteration: the case of Bramante's Palazzo Caprini and its progeny. Then follows Quoting from memory: centralized models and basilica systems in early counter-reformation Venice, followed by 'Borrominismo' in eighteenth century Lisbon, and old form with new function: Villa Emo-Amtshaus Wörlitz, and concludes with found and reshaped in translation: architectural models between centre and periphery. An important reading for anybody interested in Early Modern Architecture.
Author: British Museum. Dept. of Prints and Drawings
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 264
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Book Description
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892360186
Category : Art
Languages : en
Pages : 217
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Book Description
The J. Paul Getty Museum Journal 6/7 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, paintings, sculpture, and works of art. This volume includes an editorial statement by the journal’s editors: Burton B. Fredericksen, curator of Paintings, Jiří Frel, curator of Antiquities, and Gillian Wilson, curator of Decorative Arts. Conservation problems are discussed along with articles written by K. Christiansen, B. B. Fredericksen, S. Holo, G. Wilson, B. L. Shifman, M. Shapiro, J. Frel, D. M. Brinkerhoff, C. C. Vermeule, G. Koch, S. Downey, l. Kilian-Dirlmeier, C. Cardon, F. Brommer, M. A. Del Chiaro, P. Visonà, J. Cody, R. Mellor, D. L. Thompson, E. Langlotz, P. Zazoff, S. Knudsen Morgan, M. Jentoft-Nilsen, and A. Manzoni.
Author: David Franklin
Publisher: Yale University Press
ISBN: 0300223897
Category : Art
Languages : en
Pages : 176
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Book Description
Polidoro da Caravaggio (c. 1500–1543), one of Raphael’s most influential and distinctive followers, has not been well treated by time. His significant early frescoes, which graced exterior palace facades in Rome, have perished almost without exception. A rare few are preserved but most are known only in copies. Consequently, the originality of Polidoro’s public work has been little explored, despite his once famous reputation and the association of his name with Raphael and Michelangelo. His move to Sicily later in life, a region with few surviving primary sources, further complicates the study of his work. Extant pieces by the artist from this period are unusually severe in content and technique, and their attribution has often been controversial. In this first account in English, Polidoro’s radical Sicilian paintings are considered through the lens of the religious life of the era and in relation to his early secular work. This much-needed investigation establishes Polidoro’s proper place in the canon of art history.
