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Author: Roman Ingarden
Publisher: Universidad Iberoamericana
ISBN: 9789681903992
Category : Literature
Languages : es
Pages : 468
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Book Description
Author: Roman Ingarden
Publisher: Universidad Iberoamericana
ISBN: 9789681903992
Category : Literature
Languages : es
Pages : 468
Get Book Here
Book Description
Author: Roman Ingarden
Publisher: Northwestern University Press
ISBN: 9780810105379
Category : Literary Criticism
Languages : en
Pages : 504
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Book Description
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Word of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all lliterary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
Author: Wojciech Chojna
Publisher: BRILL
ISBN: 9004357181
Category : Philosophy
Languages : en
Pages : 193
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Book Description
In Roman Ingarden’s Philosophy of Literature Wojciech Chojna discusses Ingarden’s theory of literary works and develops a phenomenological account of identity which accommodates differences in interpretations and value judgments without succumbing to relativism. The latter is overcome not through falling back on essentialism but from within relativism. Literature offers us diverse experiences changing our perceptions of ourselves and the worlds we live in. Absolutism proclaiming unmitigated access to the meaning of literary texts is intolerant of differences and leads to violence in life. Conversely, relativism, in the illusory spirit of radical tolerance, turns meanings and values into historically contingent, incompatible interpretations, where communication and reconciliation is impossible, thus justifying ideological conflicts and violence.
Author: Roman Ingarden
Publisher: Northwestern University Press
ISBN: 0810105993
Category : Literary Criticism
Languages : en
Pages : 467
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Book Description
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
Author: Wojciech Chojna
Publisher: Value Inquiry Book
ISBN: 9789004357129
Category : Philosophy
Languages : en
Pages : 181
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Book Description
Ingarden's relevance today -- Introduction to the concept of identity -- Some traditional approaches -- Ingarden's general ontology -- Nature and identity of a literary work in American aesthetics -- Nelson Goodman's syntactical identity -- Richard Wolheim's amendment -- Psychologism -- Semantic accounts -- Joseph Margolis's culturally emergent objects -- Phenomenological concept of identity -- Identity of a perceptual object -- The concept of intentionality -- The Concept of constitution -- Ideality and identity of the objectivities of understanding -- Husserl's theory of meaning -- Ingarden's objections to Husserl's transcendental idealism -- Hermeneutic challenges against the possibility of transcendental phenomenology -- Literary work as a schematic structure -- The notion of a 'purely intentional object' -- Schematism -- Structure of a literary work of art -- The stratum of linguistic sound formations -- The stratum of meanings -- Meanings of sentences -- The stratum of presented objects -- The stratum of schematized aspects.
Author: Roman Ingarden
Publisher: Polish Contemporary Philosophy and Philosophical Humanities
ISBN: 9783631624104
Category : First philosophy
Languages : en
Pages : 0
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Book Description
This is the complete and critical translation into English of Controversy over the Existence of the World by the Polish phenomenologist Roman Ingarden (1893-1970), student and critic of Husserl. Volume I of his three-volume opus magnum offers a fundamental ontological analysis of the modes of being of various types of objects.
Author: Jeff Mitscherling
Publisher: University of Ottawa Press
ISBN: 0776604252
Category : Aesthetics, Modern
Languages : en
Pages : 263
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Book Description
A leading Polish philosopher of the 20th century, Roman Ingarden is principally renowned in Western culture for his work in aesthetics and the theory of literature. Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics. Unparalleled in existing literature, Mitscherling's comprehensive survey of Ingarden's philosophy will give the reader an informed introduction to this major work of phenomenological analysis.
Author: Stein Haugom Olsen
Publisher: Cambridge University Press
ISBN: 0521333261
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
The essays in this collection are concerned with the philosophical problems that arise in connection with the understanding and evaluation of literature - such problems as the relationship between the work and the author (authorial intention), between the work and the world (reference and truth), the definition of a literary work, and the nature of literary theory itself. Professor Olsen attacks many of the orthodoxies of modern literary theory, in particular the enterprise to build a comprehensive systematic literary theory. His own work is informed by a consistent perspective: the assumption that literature is a social institution governed by conventions, and that answers to problems of interpretation and appreciation can be found only through an analysis of these conventions. This is an important book for scholars and students of literary theory and philosophy, especially for those who see an ever-increasing cross-fertilization between the two disciplines.
Author: B. Dziemidok
Publisher: Springer Science & Business Media
ISBN: 9400922574
Category : Philosophy
Languages : en
Pages : 309
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Book Description
Roman Ingarden's very extensive philosophical work in metaphysics, ontology, epistemology, and aesthetics con tinues to attract increasing attention both in Poland and in North America. Further work left uncompleted at his death is appearing. Major bibliographies of his work as well as of studies about his work are now in print. Ingar den's scattered articles on various questions in philosophy are being collected. And conferences devoted to his work are now held regularly. These diverse activities might suggest a similar diver sity in Ingarden's philosophical legacy. But such a sugges tion would be misleading. For interest in Ingarden's work has continued to centre on the one area which is arguably at the core of his achievement, namely the complex prob lems of aesthetics. In this field Ingarden seemed to pull together his various interests in ontology and epistemology especially. Here he brought those interests to focus on a set of issues that would occupy him creatively throughout the vicissitudes of his long and difficult scholarly life. More over, aesthetics is also the field where Ingarden perhaps most succeeded in orchestrating the many themes he owed to his phenomenological training while finally transposing the central issues into something original, something dis tinctively his own that philosophers can no longer identify as merely phenomenological. Ingarden's aesthetics not surprisingly has captured the interest today of many scholars in different fields.
Author: Philippe P. Haensler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110652471
Category : Philosophy
Languages : en
Pages : 7
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Book Description
Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl’s work through a thorough re-examination of his writing in the context of literary theory, classical rhetoric, and modern art. At issue is an approach to phenomenology and literature that does not merely coordinate the two discourses but explores their mutual implication. Contributions to the volume attend to the interplay between phenomenology and literature (both fiction and poetry), experience and language, as well as images and embodiment. The volume is the first of its kind to chart a phenomenological approach to literature and literary approach to phenomenology. As such it stands poised to make a novel contribution to literary studies and philosophy.
