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Author: Ruth Butler
Publisher: Yale University Press
ISBN: 9780300064988
Category : Art
Languages : en
Pages : 612
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Book Description
Biografi om den franske billedhugger, der levede 1840-1917
Author: Ruth Butler
Publisher: Yale University Press
ISBN: 9780300064988
Category : Art
Languages : en
Pages : 612
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Book Description
Biografi om den franske billedhugger, der levede 1840-1917
Author: Joan Vita Miller
Publisher: Metropolitan Museum of Art
ISBN: 0870994433
Category : Sculpture
Languages : en
Pages : 194
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Book Description
Author: Bernard Barryte
Publisher: Stanford University Museum of Art
ISBN: 9780937031360
Category : Art, American
Languages : en
Pages : 381
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Book Description
"This catalogue is published on the occasion of the exhibition Rodin and America: Influence and Adaptation 1876-1936 organized by the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University and presented October 4, 2011-January 1, 2012 at the Cantor Center."
Author: Noemie Etienne
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110743434
Category : Art
Languages : en
Pages : 228
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Book Description
Dioramen bewegen sich im Grenzbereich verschiedener Disziplinen. Sie wurden im 19. Jahrhundert im Zuge von Reformen eingeführt, die die pädagogische Dimension der Museen weiterentwickelten. Dioramen mit menschlichen Figuren sind heute scharfer Kritik ausgesetzt. Dieses Buch untersucht die anthropologischen Dioramen zweier nordamerikanischer Museen des frühen 20. Jahrhunderts: des American Museum of Natural History, New York, und des New York State Museum, Albany. Noémie Etienne analysiert die Arbeit der Künstler und Wissenschaftler, die die Dioramen anfertigten, und zeigt, dass Dioramen als Mittel der Wissenserzeugung und -vermittlung eine Geschichte erzählen, die immer politisch ist. Innerhalb des Museums können sie Visionen des Andersseins und der Abstammung erschaffen, die es kritisch zu betrachten gilt.
Author: Gabriel P. Weisberg
Publisher: Syracuse University Press
ISBN: 9780815624103
Category : Art
Languages : en
Pages : 416
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Book Description
Author: Vivian Endicott Barnett
Publisher: University of Pennsylvania Press
ISBN: 1606181173
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
"This book describes the life of Chicago lawyer and art collector Arthur Jerome Eddy and details his extensive art collection"--
Author: Peter Gardella
Publisher: Oxford University Press, USA
ISBN: 0195300181
Category : History
Languages : en
Pages : 385
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Book Description
Peter Gardella explores the monuments, texts, and images that embody the spirit of the United States.
Author: Susan Rather
Publisher: University of Texas Press
ISBN: 0292785968
Category : Art
Languages : en
Pages : 285
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Book Description
Archaism, an international artistic phenomenon from early in the twentieth century through the 1930s, receives its first sustained analysis in this book. The distinctive formal and technical conventions of archaic art, especially Greek art, particularly affected sculptors—some frankly modernist, others staunchly conservative, and a few who, like American Paul Manship, negotiated the distance between tradition and modernity. Susan Rather considers the theory, practice, and criticism of early twentieth-century sculpture in order to reveal the changing meaning and significance of the archaic in the modern world. To this end—and against the background of Manship’s career—she explores such topics as the archaeological resources for archaism, the classification of the non-Western art of India as archaic, the interest of sculptors in modem dance (Isadora Duncan and Ruth St. Denis), and the changing critical perception of archaism. Rather rejects the prevailing conception of archaism as a sterile and superficial academic style to argue its initial importance as a modernist mode of expression. The early practitioners of archaism—including Aristide Maillol, André Derain, and Constantin Brancusi—renounced the rhetorical excess, overrefined naturalism, and indirect techniques of late nineteenth-century sculpture in favor of nonnarrative, stylized and directly carved works, for which archaic Greek art offered an important example. Their position found implicit support in the contemporaneous theoretical writings of Emmanuel Löwy, Wilhelm Worringer, and Adolf von Hildebrand. The perceived relationship between archaic art and tradition ultimately compromised the modernist authority of archaism and made possible its absorption by academic and reactionary forces during the 1910s. By the 1920s, Paul Manship was identified with archaism, which had become an important element in the aesthetic of public sculpture of both democratic and totalitarian societies. Sculptors often employed archaizing stylizations as ends in themselves and with the intent of evoking the foundations of a classical art diminished in potency by its ubiquity and obsolescence. Such stylistic archaism was not an empty formal exercise but an urgent affirmation of traditional values under siege. Concurrently, archaism entered the mainstream of fashionable modernity as an ingredient in the popular and commercial style known as Art Deco. Both developments fueled the condemnation of archaism—and of Manship, its most visible exemplar—by the avant-garde. Rather’s exploration of the critical debate over archaism, finally, illuminates the uncertain relationship to modernism on the part of many critics and highlights the problematic positions of sculpture in the modernist discourse.
Author: Robert J. Gatchel
Publisher: Routledge
ISBN: 1000379574
Category : Psychology
Languages : en
Pages : 383
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Book Description
Originally published in 1982, this volume deals with behavioral medicine and clinical psychology. Much of what psychologists had been able to contribute to the study and treatment of health and illness had, to this point, been derived from clinical research and behavioral treatment. This volume presents some of this work, providing a fairly comprehensive view of the overlap between behavioral medicine and clinical psychology. Its purpose was to present some of the traditional areas of research and practice in clinical psychology that had directly and indirectly contributed to the development of behavioral medicine. Before the ‘birth’ of behavioral medicine, which subsequently attracted psychologists from many different areas ranging from social psychology to operant conditioning, the chief link between psychology and medicine consisted of the relationship, albeit sometimes fragile and tumultuous, between clinical psychology and psychiatry. Many of the behavioral assessment and treatment methods now being employed in the field of behavioral medicine were originally developed in the discipline of clinical psychology.
Author: Sharyn R. Udall
Publisher: University of Wisconsin Pres
ISBN: 029928803X
Category : Performing Arts
Languages : en
Pages : 379
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Book Description
From ballet to burlesque, from the frontier jig to the jitterbug, Americans have always loved watching dance, whether in grand ballrooms, on Mississippi riverboats, or in the streets. Dance and American Art is an innovative look at the elusive, evocative nature of dance and the American visual artists who captured it through their paintings, sculpture, photography, and prints from the early nineteenth century through the mid-twentieth century. The scores of artists discussed include many icons of American art: Winslow Homer, George Caleb Bingham, Mary Cassatt, James McNeill Whistler, Alexander Calder, Joseph Cornell, Edward Steichen, David Smith, and others. As a subject for visual artists, dance has given new meaning to America’s perennial myths, cherished identities, and most powerful dreams. Their portrayals of dance and dancers, from the anonymous to the famous—Anna Pavlova, Isadora Duncan, Loïe Fuller, Josephine Baker, Martha Graham—have testified to the enduring importance of spatial organization, physical pattern, and rhythmic motion in creating aesthetic form. Through extensive research, sparkling prose, and beautiful color reproductions, art historian Sharyn R. Udall draws attention to the ways that artists’ portrayals of dance have defined the visual character of the modern world and have embodied culturally specific ideas about order and meaning, about the human body, and about the diverse fusions that comprise American culture.
