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Author: Marshall Crenshaw
Publisher: Harper Perennial
ISBN:
Category : Music
Languages : en
Pages : 358
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Book Description
Offers reviews, comments, and production credits for films about rock music, musicals with rock scores, movies featuring rock stars as actors, rock documentaries, and films with influential rock soundtracks.
Author: Marshall Crenshaw
Publisher: Harper Perennial
ISBN:
Category : Music
Languages : en
Pages : 358
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Book Description
Offers reviews, comments, and production credits for films about rock music, musicals with rock scores, movies featuring rock stars as actors, rock documentaries, and films with influential rock soundtracks.
Author: David E. James
Publisher: Oxford University Press
ISBN: 0190842016
Category : Art
Languages : en
Pages : 489
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Book Description
Rock 'N' Film presents a cultural history of films about US and British rock music during the period when biracial popular music was fundamental to progressive social movements on both sides of the Atlantic.
Author: Landon Palmer
Publisher:
ISBN: 0190888407
Category : Music
Languages : en
Pages : 289
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Book Description
During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Rock stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. From Elvis Presley to Madonna, this book examines the casting rock stars in films. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book proposes an integrated methodology for writing media history that combines the actions of individuals and the practices of industries. It demonstrates how stars have operated as both the gravitational center of media production as well as social actors who have taken on a decisive role in the purposes to which their images are used.
Author: Steve Almond
Publisher: Random House
ISBN: 0679603654
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Drooling fanatic, n. 1. One who drools in the presence of beloved rock stars. 2. Any of a genus of rock-and-roll wannabes/geeks who walk around with songs constantly ringing in their ears, own more than 3,000 albums, and fall in love with at least one record per week. With a life that’s spanned the phonographic era and the digital age, Steve Almond lives to Rawk. Like you, he’s secretly longed to live the life of a rock star, complete with insane talent, famous friends, and hotel rooms to be trashed. Also like you, he’s content (sort of) to live the life of a rabid fan, one who has converted his unrequited desires into a (sort of) noble obsession. Rock and Roll Will Save Your Life traces Almond’s passion from his earliest (and most wretched) rock criticism to his eventual discovery of a music-crazed soul mate and their subsequent production of two little superfans. Along the way, Almond reflects on the delusional power of songs, the awkward mating habits of drooling fanatics, and why Depression Songs actually make us feel so much better. The book also includes: • sometimes drunken interviews with America’s finest songwriters • a recap of the author’s terrifying visit to Graceland while stoned • a vigorous and credibility-shattering endorsement of Styx’s Paradise Theater • recommendations you will often choose to ignore • a reluctant exegesis of the Toto song “Africa” • obnoxious lists sure to piss off rock critics But wait, there’s more. Readers will also be able to listen to a special free mix designed by the author, available online at www.stevenalmond.com, for the express purpose of eliciting your drool. For those about to rock—we salute you!
Author: Stephen Glynn
Publisher: Routledge
ISBN: 1000224783
Category : Social Science
Languages : en
Pages : 127
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Book Description
This concise yet comprehensive study explores the emblematic journey by four young men from Liverpool from the epicentre of teen-led youth culture to the experimentation of the counterculture and beyond. Beginning with the celebration of Britain’s own ‘youthquake’ in the joyous and genre-shifting A Hard Day’s Night (1964), the author delves into how the Beatles’ film work allows us to chart their subsequent musical maturation and retreat from the tribulations of stardom in Help!, their tentative attempts at improvised filming in the televised Magical Mystery Tour (1967), their acceptance of cartoon representations as leaders of the hippie counterculture in Yellow Submarine (1968), and the final implosion of their musical dynamic in the recording studios of Let It Be (1970). The book analyses how, as they grew with their fanbase, the Beatles’ films alternate stylistically between mimetic representation and allegorical interpretation, and switch narratively between fan-filled and welcoming worlds, to films relaying introspection and isolation. Offering an in-depth case study of the successes and failures of British youth culture in a volatile decade, The Beatles and Film is an engaging text for both scholars and general readers alike.
Author: Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781544894515
Category : Large type books
Languages : en
Pages : 0
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Book Description
*Includes pictures *Includes Berry's quotes about his life and career *Includes footnotes and a bibliography for further reading "I grew up thinking art was pictures until I got into music and found I was an artist and didn't paint." - Chuck Berry "If you tried to give rock and roll another name, you might call it 'Chuck Berry.'" - John Lennon The origins of rock music claim several founding fathers, with each perspective holding merit and directly contributing to the golden age to follow in rock music. While Elvis Presley remains perhaps the most high profile figure of early rock, he was not truly a member of the first generation, and if anything, he was a product of a slightly older wave of ground-breaking artists. Appearing immediately before Presley's rise was Texan Buddy Holly, whose borrowings from driving black rhythms blended with white lyrics to make him one of the first successful cross-over artists. However, perhaps the first and ultimately the most successful of this category - those artistic explorers who most effectively blurred racial and political lines through their music - was Chuck Berry, an African-American blues, country singer/guitarist songwriter who perfectly blended the prevailing forms of his generation to attract both black and white audiences with a virtuosity and originality that set the bar for the next half century. Unlike Presley, and more in the manner of Holly, Chuck Berry wrote his own classics, and he thrived as both a composer and lyricist based on his early love of poetry and hard blues, jump blues jazzy ballads, boogie-woogie, and hillbilly music. As a double-threat musician and imaginative literary figure, Berry trained his musical focus on American "teen life...consumerism and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music." Indeed, Chuck Berry was the first artist to reach the charts who was both a virtuoso guitarist and songwriter. As with the gyrations of Elvis and the moonwalk of Michael Jackson, Berry had his trademark stage gesture, the "duck walk," a maneuver in which the right foot is kicked across the stage and leaves the left dragging along behind. It is suggested by some that this signature gesture was not actually planned for anything other than to camouflage a wrinkled rayon suit in a mid-'50s performance in New York, but either way, only a small part of Berry's success came from the visual. Berry also "crafted many of rock 'n' roll's greatest riffs" for guitar, and he became the standard for brilliance on the instrument. In addition to pioneering the sound of rock, Berry's performances set the bar for rock bands across the world. In particular, his specific brand of showmanship served as a template for front men, and all the while, the complete package included iconic guitar riffs that showed blinding tactile skill, energetic boogie-based hits, and depictions of village life and love for both blacks and whites. Put together, Berry's work made the careers of subsequent stars and superstars of the genre possible. As the Rock and Roll Hall of Fame put it, "While no individual can be said to have invented rock and roll, Chuck Berry comes the closest of any single figure to being the one who put all the essential pieces together. It was his particular genius to graft country & western guitar licks onto a rhythm & blues chassis in his very first single, 'Maybellene.'" American Legends: The Life of Chuck Berry looks at the life and career of one of America's most influential rock stars. Along with pictures of important people, places, and events, you will learn about Chuck Berry like never before, in no time at all.
Author: Thomas S. Hischak
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 365
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Book Description
This wide-ranging guide introduces (or reintroduces) readers to movie musicals past and present, enabling them to experience the development of this uniquely American art form—and discover films they'll love. This comprehensive guide covers movie musicals from their introduction with the 1927 film The Jazz Singer through 2015 releases. In all, it describes 125 movies, opening up the world of this popular form of entertainment to preteens, teens, and adults alike. An introduction explains the advent of movie musicals; then, in keeping with the book's historical approach, films are presented by decade and year with overviews of advances during particular periods. In this way, the reader not only learns about individual films but can see the big picture of how movie musicals developed and changed over time. For each film covered, the guide offers basic facts—studio, director, songwriters, actors, etc.—as well as a brief plot synopsis. Each entry also offers an explanation of why the movie is noteworthy, how popular it was or wasn't, and the influence the film might have had on later musicals. Sidebars offering brief biographies of important artists appear throughout the book.
Author: Peter Biskind
Publisher: Simon and Schuster
ISBN: 1439126615
Category : Performing Arts
Languages : en
Pages : 516
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Book Description
In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock 'n' roll (onscreen and off), Easy Rider heralded a heady decade in which a rebellious wave of talented young filmmakers invigorated the movie industry. In Easy Riders, Raging Bulls, Peter Biskind takes us on the wild ride that was Hollywood in the '70s, an era that produced such modern classics as The Godfather, Chinatown, Shampoo, Nashville, Taxi Driver, and Jaws. Easy Riders, Raging Bulls vividly chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars, how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an "anything goes" experimentation prevailed both on the screen and off. After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars -- Nicholson, De Niro, Hoffman, Pacino, and Dunaway -- seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, hugely successful films that would create a blockbuster mentality and crush innovation. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play.
Author: Ian Inglis
Publisher: Wallflower Press
ISBN: 9781903364710
Category : Music
Languages : en
Pages : 224
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Book Description
The growing presence of popular music in film is one of the most exciting areas of contemporary Film Studies. Written by a range of international specialists, this collection includes case studies on Sliding Doors, Topless Women Talk About Their Lives, The Big Chill and Moulin Rouge, considering the work of populist musicians such as the Beatles, Jimi Hendrix and Sting. Contributors to the volume include Robb Wright, Lesley Vize, Phil Powrie, Anno Mungen, Anaheid Kassabian, Lauren Anderson, Antti-Ville Karja, K. J. Donnelly, Lee Barron, Melissa Carey Michael Hannan and Jaap Kooijman.
Author: Greil Marcus
Publisher: Yale University Press
ISBN: 0300190301
Category : Music
Languages : en
Pages : 278
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Book Description
The legendary critic and author of Mystery Train “ingeniously retells the tale of rock and roll” (Publishers Weekly, starred review). Unlike previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs and dramatizes how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out—a new language, something new under the sun. “Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism—and its most gifted and incisive practitioner—is destined to become an enduring classic. “One of the epic figures in rock writing.”—The New York Times Book Review “Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—The Washington Post Winner of the Deems Taylor Virgil Thomson Award in Music Criticism, given by the American Society of Composers, Authors & Publishers
