Author: Katherine Charlton
Publisher:
ISBN: 9781264296071
Category : Rock music
Languages : en
Pages : 0
Book Description
"In this edition, A History is intended to be used as the text for a college-level course on the history of rock music. As a teacher and a writer, author's primary concern has been to help students develop an understanding of both the musical and cultural roots of rock music and the ability to hear a direct relationship between those roots and currently popular music"--
Rock Music Styles
Author: Katherine Charlton
Publisher:
ISBN: 9781264296071
Category : Rock music
Languages : en
Pages : 0
Book Description
"In this edition, A History is intended to be used as the text for a college-level course on the history of rock music. As a teacher and a writer, author's primary concern has been to help students develop an understanding of both the musical and cultural roots of rock music and the ability to hear a direct relationship between those roots and currently popular music"--
Publisher:
ISBN: 9781264296071
Category : Rock music
Languages : en
Pages : 0
Book Description
"In this edition, A History is intended to be used as the text for a college-level course on the history of rock music. As a teacher and a writer, author's primary concern has been to help students develop an understanding of both the musical and cultural roots of rock music and the ability to hear a direct relationship between those roots and currently popular music"--
Rock Style
Author: Tommy Hilfiger
Publisher: Universe Pub
ISBN: 9780789303837
Category : Design
Languages : en
Pages : 157
Book Description
Rock & roll is about sensual transcendence--about uproarious sounds and incredible visual drama. As the lights come up and the band hits the stage, the first impression is of what the musicians are playing--and what they're wearing. Now, from Tommy Hilfiger, the fashion designer most embraced by popular musicians in the 1990s comes this compelling revue of rock style--the clothes musicians have worn for the stage and camera and for sheer, outrageous fun--from the 1950s to right now. From the patched jeans and fringe leather of Neil Young to the chameleonlike transformations of David Bowie, the looks musicians have defined for themselves is as integral a part of their message and artistic identity as their music. Drawing on an assembly of brilliant, many rarely seen images from rock's best photographers, Hilfiger (working with renowned music journalist Anthony DeCurtis) guides readers through the wild visual world of artists whose sartorial coolness has defined what's hip. Focusing on the icons of rock, hip-hop, pop and R&B who have daringly pushed the edges of fashion and set trends--icons like Jimi Hendrix, Mick Jagger, David Bowie, Madonna and Prince--Hilfiger offers unique insights and sharp anecdotes to tell the ongoing, ever-evolving story of rock style.
Publisher: Universe Pub
ISBN: 9780789303837
Category : Design
Languages : en
Pages : 157
Book Description
Rock & roll is about sensual transcendence--about uproarious sounds and incredible visual drama. As the lights come up and the band hits the stage, the first impression is of what the musicians are playing--and what they're wearing. Now, from Tommy Hilfiger, the fashion designer most embraced by popular musicians in the 1990s comes this compelling revue of rock style--the clothes musicians have worn for the stage and camera and for sheer, outrageous fun--from the 1950s to right now. From the patched jeans and fringe leather of Neil Young to the chameleonlike transformations of David Bowie, the looks musicians have defined for themselves is as integral a part of their message and artistic identity as their music. Drawing on an assembly of brilliant, many rarely seen images from rock's best photographers, Hilfiger (working with renowned music journalist Anthony DeCurtis) guides readers through the wild visual world of artists whose sartorial coolness has defined what's hip. Focusing on the icons of rock, hip-hop, pop and R&B who have daringly pushed the edges of fashion and set trends--icons like Jimi Hendrix, Mick Jagger, David Bowie, Madonna and Prince--Hilfiger offers unique insights and sharp anecdotes to tell the ongoing, ever-evolving story of rock style.
What to Listen for in Rock
Author: Ken Stephenson
Publisher: Yale University Press
ISBN: 0300128231
Category : Music
Languages : en
Pages : 271
Book Description
In this concise and engaging analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and, for the first time, systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The book addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides richly detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the past half-century and within most substyles. For music students at the college level and for practicing rock musicians who desire a deeper understanding of their music, this book is an essential resource.
Publisher: Yale University Press
ISBN: 0300128231
Category : Music
Languages : en
Pages : 271
Book Description
In this concise and engaging analysis of rock music, music theorist Ken Stephenson explores the features that make this internationally popular music distinct from earlier music styles. The author offers a guided tour of rock music from the 1950s to the present, emphasizing the theoretical underpinnings of the style and, for the first time, systematically focusing not on rock music's history or sociology, but on the structural aspects of the music itself. What structures normally happen in rock music? What theoretical systems or models might best explain them? The book addresses these questions and more in chapters devoted to phrase rhythm, scales, key determination, cadences, harmonic palette and succession, and form. Each chapter provides richly detailed analyses of individual rock pieces from groups including Chicago; the Beatles; Emerson, Lake, and Palmer; Kansas; and others. Stephenson shows how rock music is stylistically unique, and he demonstrates how the features that make it distinct have tended to remain constant throughout the past half-century and within most substyles. For music students at the college level and for practicing rock musicians who desire a deeper understanding of their music, this book is an essential resource.
All Music Guide to Rock
Author: Vladimir Bogdanov
Publisher: Hal Leonard Corporation
ISBN: 9780879306533
Category : Music
Languages : en
Pages : 1430
Book Description
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
Publisher: Hal Leonard Corporation
ISBN: 9780879306533
Category : Music
Languages : en
Pages : 1430
Book Description
This fun-to-read, easy-to-use reference has been completely updated, expanded, and revised with reviews of over 12,000 great albums by over 2,000 artists and groups in all rock genres. 50 charts.
The Cambridge Companion to Pop and Rock
Author: Simon Frith
Publisher: Cambridge University Press
ISBN: 9780521556606
Category : Music
Languages : en
Pages : 336
Book Description
This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.
Publisher: Cambridge University Press
ISBN: 9780521556606
Category : Music
Languages : en
Pages : 336
Book Description
This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.
Pop-Rock Music
Author: Motti Regev
Publisher: John Wiley & Sons
ISBN: 0745670903
Category : Music
Languages : en
Pages : 298
Book Description
Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.
Publisher: John Wiley & Sons
ISBN: 0745670903
Category : Music
Languages : en
Pages : 298
Book Description
Pop music and rock music are often treated as separate genres but the distinction has always been blurred. Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more. This book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways. Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices. Drawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.
Performing Glam Rock
Author: Philip Auslander
Publisher: University of Michigan Press
ISBN: 9780472068685
Category : Music
Languages : en
Pages : 296
Book Description
Explores the many ways glam rock paved the way for new explorations of identity in terms of gender, sexuality, and performance
Publisher: University of Michigan Press
ISBN: 9780472068685
Category : Music
Languages : en
Pages : 296
Book Description
Explores the many ways glam rock paved the way for new explorations of identity in terms of gender, sexuality, and performance
A History of Rock Music
Author: Stephen K. Valdez
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 498
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 498
Book Description
British Rock Modernism, 1967-1977
Author: Barry J. Faulk
Publisher: Routledge
ISBN: 1317171527
Category : Music
Languages : en
Pages : 192
Book Description
British Rock Modernism, 1967-1977 explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. They did so by ironically appropriating the traditional forms of Victorian music hall. Faulk focuses on the mid to late 1960s, when British rock bands who had already achieved commercial prominence began to aspire to aesthetic distinction. The book discusses recordings such as the Beatles' Magical Mystery Tour album, the Kinks' The Village Green Preservation Society, and the Sex Pistols' Never Mind the Bollocks, Here's the Sex Pistols, and television films such as the Beatles' Magical Mystery Tour and the Rolling Stones' Rock and Roll Circus that defined rock's early high art moment. Faulk argues that these 'texts' disclose the primary strategies by which British rock groups, mostly comprised of young working and lower middle-class men, made their bid for aesthetic merit by sampling music hall sounds. The result was a symbolically charged form whose main purpose was to unsettle the hierarchy that set traditional popular culture above the new medium. Rock groups engaged with the music of the past in order both to demonstrate the comparative vitality of the new form and signify rock's new art status, compared to earlier British pop music. The book historicizes punk rock as a later development of earlier British rock, rather than a rupture. Unlike earlier groups, the Sex Pistols did not appropriate music hall form in an ironic way, but the band and their manager Malcolm McLaren were obsessed with the meaning of the past for the present in a distinctly modernist fashion.
Publisher: Routledge
ISBN: 1317171527
Category : Music
Languages : en
Pages : 192
Book Description
British Rock Modernism, 1967-1977 explains how the definitive British rock performers of this epoch aimed, not at the youthful rebellion for which they are legendary, but at a highly self-conscious project of commenting on the business in which they were engaged. They did so by ironically appropriating the traditional forms of Victorian music hall. Faulk focuses on the mid to late 1960s, when British rock bands who had already achieved commercial prominence began to aspire to aesthetic distinction. The book discusses recordings such as the Beatles' Magical Mystery Tour album, the Kinks' The Village Green Preservation Society, and the Sex Pistols' Never Mind the Bollocks, Here's the Sex Pistols, and television films such as the Beatles' Magical Mystery Tour and the Rolling Stones' Rock and Roll Circus that defined rock's early high art moment. Faulk argues that these 'texts' disclose the primary strategies by which British rock groups, mostly comprised of young working and lower middle-class men, made their bid for aesthetic merit by sampling music hall sounds. The result was a symbolically charged form whose main purpose was to unsettle the hierarchy that set traditional popular culture above the new medium. Rock groups engaged with the music of the past in order both to demonstrate the comparative vitality of the new form and signify rock's new art status, compared to earlier British pop music. The book historicizes punk rock as a later development of earlier British rock, rather than a rupture. Unlike earlier groups, the Sex Pistols did not appropriate music hall form in an ironic way, but the band and their manager Malcolm McLaren were obsessed with the meaning of the past for the present in a distinctly modernist fashion.
Modern Rock
Author: Scott Bacon
Publisher:
ISBN: 9781516576845
Category : Social Science
Languages : en
Pages : 258
Book Description
Modern Rock: From the 1960s On provides readers with a succinct history of rock and roll that demonstrates the linear quality of the music genre. The text is designed to inspire a greater appreciation for rock music as a whole, expose readers to styles and artists they may not have previously known, and, hopefully, motivate readers to expand their personal playlists. The book is organized chronologically by chapter, demonstrating how rock has developed as a style ov
Publisher:
ISBN: 9781516576845
Category : Social Science
Languages : en
Pages : 258
Book Description
Modern Rock: From the 1960s On provides readers with a succinct history of rock and roll that demonstrates the linear quality of the music genre. The text is designed to inspire a greater appreciation for rock music as a whole, expose readers to styles and artists they may not have previously known, and, hopefully, motivate readers to expand their personal playlists. The book is organized chronologically by chapter, demonstrating how rock has developed as a style ov