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Author:
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 628
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Book Description
Author:
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 628
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388
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Book Description
Author: Victoria and Albert Museum. Department of Engraving, Illustration, and Design
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 644
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Book Description
Author: Ian Lowe
Publisher: Routledge
ISBN: 0429790619
Category : Art
Languages : en
Pages : 276
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Book Description
First published 1990, this volume consists of an introductory essay by Ian Lowe and a comprehensive catalogue of all Wilfred Fairclough’s prints, some 140, from 1932 to the present (1990). Al the prints are illustrated in the body of the catalogue for ease of identification and 48 are also reproduced as large format duotone illustrations. From the Royal College of Art, Wilfred Fairclough won the Rome Scholarship in Engraving in 1934 and was elected an Associate of the Royal Society of Painter-Etchers and Engravers in the same week. His engravings, inspired by his travels in Italy, Spain and Germany in the 1930s, were succeeded by etchings of British subjects and topography, notably of Oxford, until, with a Leverhulme grant, he returned to Italy in 1961. Increasingly, thereafter he has found his subjects and his inspiration in Venice, in concerts, restaurant interiors, and the Carnival, and in Lucerne, in markets and the human figure. Wilfred Fairclough has exhibited consistently at the Royal Society of Painter-Etchers and Engravers and at the Royal Academy (where his most recent Venetian subject, Venice Carnival. Clowns, sold out in three days). Now aged 83 he is still working. There has been no slackening off in his productivity nor in the quality of his work since he retired from teaching at the Kingston College of Art in 1972. The Catalogue is based on his own meticulous records. It will be an essential source of information for all who are interested in his work as a printmaker. Elected an Honorary Member of the Royal Society of Painter-Etchers and Engravers in 1975, Ian Lowe worked in the Ashmolean Museum in Oxford from 1962 until 1987. There he was responsible for the collection of nineteenth- and twentieth-century British prints. He arranged and catalogued numerous exhibitions including those devoted to ~F.L. Griggs, R.S. Austin, Robin Tanner, Alan Gwynne-Jones and Richard Shirley Smith. His association with Wilfred Fairclough dates from 1974. His introductory essay is both biographical and an appreciation of Fairclough’s achievement as a printmaker. It is based on their correspondence, lectures, and meetings as well as on the study of the archives and records of the last sixty years.
Author:
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Category : Architecture
Languages : en
Pages : 1352
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Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 1458
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Book Description
Author: Giselle Walker
Publisher: Cambridge University Press
ISBN: 0521897262
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Aspects of identity explored by eight distinguished authors from different academic disciplines.
Author: Old Water-Colour Society (London, England). Club
Publisher:
ISBN:
Category : Watercolor painting, British
Languages : en
Pages : 68
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Book Description
Author: Indiana. Adjutant General's Office
Publisher:
ISBN:
Category : Indiana
Languages : en
Pages : 724
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Book Description
Author: Jonathan Black
Publisher: Bloomsbury Publishing
ISBN: 1472592409
Category : History
Languages : en
Pages : 321
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Book Description
Churchill is today remembered as a great leader, a war hero, a literary heavyweight and a renowned wit. This incarnation of Churchill is the latest in a long-evolving identity, which at various times has sustained his power, enhanced his popularity and enabled him to personify aspects of British national identity. Indeed Churchill was more aware than most of the performative power of his public life. He lived in an age of the illustrated mass-produced newspaper, with its cartoons and 'Kodak-snappers'. He was well-known for his readiness to appear in uniform for photo opportunities during the Second World War and he not only wrote about the art of political caricature, but collected cartoons of himself, his allies and opponents. In this heavily-illustrated book, Jonathan Black considers the changing image of Churchill in visual art, from cartoons and paintings to photographs and sculptures. He asks how and why his image developed right up to the present day and examines the extent to which Churchill was complicit in its production.
