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Author: Anders Kreuger
Publisher:
ISBN: 9788867492619
Category : Art
Languages : en
Pages : 320
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Book Description
This is the first substantial English-language overview on the legendary '60s Fluxus artist and poet Robert Filliou (1926-87). With illustrations of nearly 192 works, it also features the transcript of an extensive conversation between Filliou and the Brussels-based art critic Irmeline Lebeer, recorded on seven cassette tapes in August 1976 in Flayosc in southern France. This conversation is structured as an abécédaire and touches on a variety of topics pertaining to Filliou's art and thinking, from amitié (friendship) to zen. This conversation was intended to form the backbone of an extensive monograph but was never published--until now. Robert Filliou: The Secret of Permanent Creationilluminates the mind and the practice of this massively underpublished artist, whose influence on subsequent generations has been both clandestine and colossal.
Author: Anders Kreuger
Publisher:
ISBN: 9788867492619
Category : Art
Languages : en
Pages : 320
Get Book Here
Book Description
This is the first substantial English-language overview on the legendary '60s Fluxus artist and poet Robert Filliou (1926-87). With illustrations of nearly 192 works, it also features the transcript of an extensive conversation between Filliou and the Brussels-based art critic Irmeline Lebeer, recorded on seven cassette tapes in August 1976 in Flayosc in southern France. This conversation is structured as an abécédaire and touches on a variety of topics pertaining to Filliou's art and thinking, from amitié (friendship) to zen. This conversation was intended to form the backbone of an extensive monograph but was never published--until now. Robert Filliou: The Secret of Permanent Creationilluminates the mind and the practice of this massively underpublished artist, whose influence on subsequent generations has been both clandestine and colossal.
Author: Daniel Spoerri
Publisher: Atlas Press LLC
ISBN:
Category : Art
Languages : en
Pages : 254
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Book Description
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
Author: Robert Filliou
Publisher: Ultramarine Publishing Company
ISBN:
Category : Artists' books
Languages : en
Pages : 104
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Book Description
Author: Sophie Cras
Publisher: Yale University Press
ISBN: 0300232705
Category : Art
Languages : en
Pages : 245
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Book Description
This groundbreaking examination of the intersection between artistic practice and capitalism in the 1960s explores art's capacity to reflect on and reimagine economic systems and our place within them.
Author: Yoko Ono
Publisher: Simon and Schuster
ISBN: 0743201108
Category : Art
Languages : en
Pages : 328
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Book Description
"With a new introduction by the author"--Jkt.
Author: Anthony Huberman
Publisher:
ISBN: 9783863357047
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Tiré du site de l'éditeur: Today we should be thinking about reflects on the first six seasons of The Artist's Institute, which took place between 2010 and 2013, and covered artists Robert Filliou, Jo Baer, Jimmie Durham, Rosemarie Trockel, Haim Steinbach and Thomas Bayrle. Narrated by Anthony Huberman, it documents the legacies and contemporary conversations that surround these artists today.
Author: George Brecht
Publisher:
ISBN:
Category : Artists' books
Languages : en
Pages : 162
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Book Description
"A compendium of notations, journal records, pen-games, and other jottings in the Fluxus spirit generated by Brecht and Filliou while minding their small shop ("La cedille qui sourit") in Villefranche-sur-mer, with accompanying documentation, augmented by random contributions from their friends."
Author: Dick Higgins
Publisher:
ISBN: 9780990689607
Category : Architecture
Languages : en
Pages : 194
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Book Description
Originally published by Something Else Press, 1971.
Author: Garry Neill Kennedy
Publisher: MIT Press
ISBN: 0262016907
Category : Art
Languages : en
Pages : 481
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Book Description
The long-awaited history of the art college that became an unlikely epicenter of the art world in the 1960s and 1970s. How did a small art college in Nova Scotia become the epicenter of art education—and to a large extent of the postmimimalist and conceptual art world itself—in the 1960s and 1970s? Like the unorthodox experiments and rich human resources that made Black Mountain College an improbable center of art a generation earlier, the activities and artists at Nova Scotia College of Art and Design (aka NSCAD) in the 1970s redefined the means and methods of art education and the shape of art far beyond Halifax. A partial list of visiting artists and faculty members at NSCAD would include Joseph Beuys, Sol LeWitt, Gerhard Richter, Dan Graham, Mel Bochner, Lucy Lippard, John Baldessari, Hans Haacke, Yvonne Rainer, Robert Frank, Jenny Holzer, Robert Morris, Eric Fischl, and Dara Birnbaum. Kasper Koenig and Benjamin Buchloh ran the NSCAD Press, publishing books by Hollis Frampton, Lawrence Weiner, Donald Judd, Daniel Buren, Michael Asher, Martha Rosler, and Michael Snow, among others. The Lithography Workshop produced early works by many of today's masters, including John Baldessari, Vito Acconci, and Claes Oldenburg. With The Last Art College, Garry Kennedy, the college's visionary president at the time, gives us the long-awaited documentary history of NSCAD during a formative era. From gallery openings to dance performances to visiting lectures to exhibitions to classroom projects, the book gives a rich historical and visual account of the school's activities, supplemented by details of specific events, reminiscences by faculty and students, accounts of artists' talks, and notes on memorable controversies.
Author: Dick Higgins
Publisher:
ISBN: 9781938221200
Category : Art
Languages : en
Pages : 336
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Book Description
Dick Higgins and his Something Else Press epitomized the riotous art of the '60s There are few art-world figures as influential--and as little known--as Dick Higgins (1938-98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many--as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others--but it was Something Else Press (1963-74) that redefined how "the book" could inhabit that energized, in-between space. Something Else Press was as much a critical statement and radical experiment as it was a collection of books by some of the most luminary artists and writers of the 20th century: Gertrude Stein, John Cage, Ray Johnson, Dieter Roth, Bern Porter, Ian Hamilton Finlay, Emmett Williams, Robert Filliou, and George Brecht, among many others. Along with his Great Bear Pamphlet series and the Something Else newsletter, Higgins exploited and subverted conventional book production and marketing strategies to get unconventional and avant-garde works into the hands of new and often unsuspecting readers. Edited by Granary Books publisher Steve Clay and Fluxus artist Ken Friedman, this judiciously curated and indispensable compendium of essays, theoretical writings and narrative prose dives deep into the ever-influential ideas that Higgins explored in theory and practice. Clay and Friedman have chosen works that illuminate Higgins' voracious intellectual appetite, encyclopedic body of knowledge and playful yet rigorous experimentation in a selection that includes many writings long out of print or difficult to find.
