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Author: Gail Holst
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 184
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Book Description
Author: Gail Holst
Publisher:
ISBN:
Category : Folk music
Languages : en
Pages : 184
Get Book Here
Book Description
Author: Gail Holst
Publisher: Denise Harvey (Publisher)
ISBN: 9789607120076
Category : Popular music
Languages : en
Pages : 0
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Book Description
The rembetika, songs that were sung in the poor quarters of Smyrna, Istanbul and the ports of Greece in the late nineteenth century, and became the popular bouzouki music of the 1930s to 1950s, have many parallels with American blues. Like the blues, the rembetika were the music of outsiders, who developed their own slang and their own forms of expression. Road to Rembetika was the first book in English to attempt a general survey of the world of the 'rembetes' who smoked hashish and danced the passionate introspective zebekiko to release their emotions. The author Gail Holst, an Australian musician and writer who first came to Greece in 1965 and who has continued to perform and write about Greek music ever since, describes her own initiation into the rembetika, outlines its historical and sociological background, its musical characteristics and instrumentation. The second part of the book is a collection of rembetika songs in Greek with the English translation en face. The text is illustrated with photographs of the period, musical examples and original manuscripts of the songs. Although Road to Rembetika was first published many years ago, this revised edition of this now classic book still remains the most vibrant portrayal of this musical genre.
Author: Gail Holst
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 350
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Book Description
Mikis Theodorakis became a symbol of resistance to the dictatorship in Greece, from 1967-1974. To the Greeks he was already a legendary figure. He had been imprisoned and tortured for his political beliefs, his music had been banned, his concerts broken up by right-wing gangs. He was a member of parliament, the leader of a powerful youth movement and the most popular composer in the country. Gail Holst, who played in Theodorakis's orchestra in 1975, first became associated with the composer through her work with Greek-Australian anti-Junta organisations. Since then she has followed Theodorakis's career and musical development closely. The result is a detailed study of the music of Theodorakis and of the complex interrelationship between his music and Greek society and politics.
Author: Christopher C. King
Publisher: W. W. Norton & Company
ISBN: 039324900X
Category : Music
Languages : en
Pages : 322
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Book Description
A Wall Street Journal Best Book of 2018 In the tradition of Patrick Leigh Fermor and Geoff Dyer, a Grammy-winning producer discovers a powerful and ancient folk music tradition. In a gramophone shop in Istanbul, renowned record collector Christopher C. King uncovered some of the strangest—and most hypnotic—sounds he had ever heard. The 78s were immensely moving, seeming to tap into a primal well of emotion inaccessible through contemporary music. The songs, King learned, were from Epirus, an area straddling southern Albania and northwestern Greece and boasting a folk tradition extending back to the pre-Homeric era. To hear this music is to hear the past. Lament from Epirus is an unforgettable journey into a musical obsession, which traces a unique genre back to the roots of song itself. As King hunts for two long-lost virtuosos—one of whom may have committed a murder—he also tells the story of the Roma people who pioneered Epirotic folk music and their descendants who continue the tradition today. King discovers clues to his most profound questions about the function of music in the history of humanity: What is the relationship between music and language? Why do we organize sound as music? Is music superfluous, a mere form of entertainment, or could it be a tool for survival? King’s journey becomes an investigation into song and dance’s role as a means of spiritual healing—and what that may reveal about music’s evolutionary origins.
Author: Gail Holst-Warhaft
Publisher: Routledge
ISBN: 1134908083
Category : History
Languages : en
Pages : 197
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Book Description
In Dangerous Voices Holst-Warhaft investigates the power and meaning of the ancient lament, especially women's mourning of the dead, and sets out to discover why legislation was introduced to curb these laments in antiquity. An investigation of laments ranging from New Guinea to Greece suggests that this essentially female art form gave women considerable power over the rituals of death. The threat they posed to the Greek state caused them to be appropriated by male writers including the tragedians. Holst-Warhaft argues that the loss of the traditional lament in Greece and other countries not only deprives women of their traditional control over the rituals of death but leaves all mourners impoverished.
Author: Ēlias Petropoulos
Publisher: Saqi Books
ISBN:
Category : Music
Languages : en
Pages : 172
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Book Description
Songs of the Greek Underworld is not only a learned & erudite text, accompanied by breakdowns of the rhythms & metric patterns of the different musics & their associated dances, but a reminder of the shared cultural roots of Turkey & Greece.
Author: Dafni Tragaki
Publisher: Cambridge Scholars Publishing
ISBN: 1443804029
Category : Music
Languages : en
Pages : 355
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Book Description
Rebetiko Worlds invites the reader to share the experience of rebetiko music-making in the city of Thessaloniki today. It aims at representing an ethnographic world made of diverse realities united by the melancholic sounds of rebetiko songs. Rather than a musicological account on rebetiko music, this ethnography is about the human encounters happening in certain rebetiko venues of the Ano Poli area in Thessaloniki. How do people perceive, practice, feel and imagine rebetiko song—a music tradition coming from the beginning of the 20th century—today? What are the worldviews embodied and inspired in the context of the ongoing rebetiko performances? And, how may the exploration of rebetiko revivalist culture convey understandings of broader music-cultural orientations defining contemporary Greek society? This ethnography is primarily interested in knowing contemporary rebetiko culture as a ‘lived experience’. It captures instances of the life-worlds of the people involved in the rebetiko revival, which unravel the ways local traditions are re-defined in the context of the nostalgic re-invention of ‘ethnic’ music in postcolonial times. On this level, the representation of the discourses and aesthetics associated with rebetiko performances today instigate further interpretations of local cultural trends, the visions of ‘our’ future triggered by the mythicized representations of ‘our’ past. Beyond a window to the rebetiko worlds of today, this book recounts the story of an ethnographer engaged in fieldwork ‘at home’. It aims at communicating the dynamics of reflexivity shaping the ethnographic self by proposing an understanding of the fieldwork experience as a ‘special ontology’. In this way, it reveals the various dilemmas, moments of enthusiasm and moments of despair lived in the process of research in an attempt to illuminate the poetics of the subjective cultural knowledge. Rebetiko Worlds incites the reader to share the poetics of ethnographic ‘fiction’ and interpretation and, through this, the gradual ‘making’ of the ethnomusicologist in the field.
Author: Tina Bucuvalas
Publisher: Univ. Press of Mississippi
ISBN: 1496819721
Category : Music
Languages : en
Pages : 531
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Book Description
Winner of the 2019 Vasiliki Karagiannaki Prize for the Best Edited Volume in Modern Greek Studies Contributions by Tina Bucuvalas, Anna Caraveli, Aydin Chaloupka, Sotirios (Sam) Chianis, Frank Desby, Stavros K. Frangos, Stathis Gauntlett, Joseph G. Graziosi, Gail Holst-Warhaft, Michael G. Kaloyanides, Panayotis League, Roderick Conway Morris, National Endowment for the Arts/National Heritage Fellows, Nick Pappas, Meletios Pouliopoulos, Anthony Shay, David Soffa, Dick Spottswood, Jim Stoynoff, and Anna Lomax Wood Despite a substantial artistic legacy, there has never been a book devoted to Greek music in America until now. Those seeking to learn about this vibrant and exciting music were forced to seek out individual essays, often published in obscure or ephemeral sources. This volume provides a singular platform for understanding the scope, practice, and development of Greek music in America through essays and profiles written by principal scholars in the field. Greece developed a rich variety of traditional, popular, and art music that diasporic Greeks brought with them to America. In Greek American communities, music was and continues to be an essential component of most social activities. Music links the past to the present, the distant to the near, and bonds the community with an embrace of memories and narrative. From 1896 to 1942, more than a thousand Greek recordings in many genres were made in the United States, and thousands more have appeared since then. These encompass not only Greek traditional music from all regions, but also emerging urban genres, stylistic changes, and new songs of social commentary. Greek Music in America includes essays on all of these topics as well as history and genre, places and venues, the recording business, and profiles of individual musicians. This book is required reading for anyone who cares about Greek music in America, whether scholar, fan, or performer.
Author:
Publisher: Greeklines.com
ISBN: 9780993263309
Category : Music
Languages : en
Pages : 320
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Book Description
Markos Vamvakaris, born in 1905 in Syros was a pioneer of rebetiko, the urban folk music of Greece. The bouzouki was a disreputable instrument but he paved its path to glory. He spent many years, first as a stevedore in the port of Piraeus and then as a butcher in the slaughterhouse. During this time he fell in love with a tigress, his first wife, he learnt to smoke hashish and to play the 'sacred' instrument: 'I had a great passion. My life was all bouzouki. It took me over - but it also took me up in the world, way up ...' This is the first ever translation into English of the autobiography compiled by Angeliki Vellou Keil in 1972. It opens a window onto a time of extraordinary creativity in the history of Greek music, an explosion of songwriting in the interwar period. Its composers wrote about themselves and each other, the rituals of hashish smoking and the landmarks of a now vanished city. Markos the repentant sinner and living legend, looks back at childhood idylls in Syros, the arrival of the Asia Minor refugees, the terrible years of the Nazi Occupation, the ceaseless love affairs and disappointments, and the triumphs of the bouzouki. He offers a rare insight into the lives of toiling workers and the lowlife of one of the world's most ancient ports, where East meets West. Out of this melting pot he produced the classic songs that Greeks of all ages still love and know by heart.
Author: Dafni Tragaki
Publisher: Routledge
ISBN: 1317607996
Category : Music
Languages : en
Pages : 353
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Book Description
Made in Greece: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Greek popular music. Each essay covers the major figures, styles, and social contexts of pop music in Greece, first presenting a general description of the history and background of popular music in Greece, followed by essays, written by leading scholars of Greek music, that are organized into thematic sections: Hugely Popular, Art-song Trajectories, Greekness beyond Greekness, Counter Stories, and Present Musical Pasts.
