Author: Roger Rawlings
Publisher: State University of New York Press
ISBN: 1438467354
Category : Performing Arts
Languages : en
Pages : 288
Book Description
Examines an all too often neglected period of postwar British cinema and popular culture. Ripping England! investigates a fertile moment for British satire—the period between 1947 and 1953, which produced the films Passport to Pimlico, Kind Hearts and Coronets, and The Lavender Hill Mob, as well as the seminal radio program The Goon Show. Against the postwar background of fading empire, universal rationing, and the implementation of a welfare state, these satires laid the foundation for a new British cultural identity later fleshed out by the Angry Young Men, the Movement poets, the Social Realists, and those involved in the satire boom of the 1960s, which lives on even to this day. The peculiarity of these satires and the British identity they shaped is better understood when seen in relief against postwar cinematic cultures of Italy, France, and the United States. Roger Rawlings places postwar British film in the context of contemporaneous European national film movements and contrasts it with Hollywood’s comedies and satires of the same period. British satires of the late forties and early fifties held up a mirror to a nation that was in the throes of change, moving from a colonial empire to an inward-turning island culture. Ripping England! looks at the all too often neglected miracle of postwar British cinema and popular culture. Roger Rawlings teaches film studies at Palm Beach State College and is Director of Programming at YipTV.com. He cowrote and directed the feature film Neurotica (2004), was executive producer and cowrote the story for Losers Take All (2013), and has produced award-winning films in Ireland and New York.
Ripping England!
Author: Roger Rawlings
Publisher: State University of New York Press
ISBN: 1438467354
Category : Performing Arts
Languages : en
Pages : 288
Book Description
Examines an all too often neglected period of postwar British cinema and popular culture. Ripping England! investigates a fertile moment for British satire—the period between 1947 and 1953, which produced the films Passport to Pimlico, Kind Hearts and Coronets, and The Lavender Hill Mob, as well as the seminal radio program The Goon Show. Against the postwar background of fading empire, universal rationing, and the implementation of a welfare state, these satires laid the foundation for a new British cultural identity later fleshed out by the Angry Young Men, the Movement poets, the Social Realists, and those involved in the satire boom of the 1960s, which lives on even to this day. The peculiarity of these satires and the British identity they shaped is better understood when seen in relief against postwar cinematic cultures of Italy, France, and the United States. Roger Rawlings places postwar British film in the context of contemporaneous European national film movements and contrasts it with Hollywood’s comedies and satires of the same period. British satires of the late forties and early fifties held up a mirror to a nation that was in the throes of change, moving from a colonial empire to an inward-turning island culture. Ripping England! looks at the all too often neglected miracle of postwar British cinema and popular culture. Roger Rawlings teaches film studies at Palm Beach State College and is Director of Programming at YipTV.com. He cowrote and directed the feature film Neurotica (2004), was executive producer and cowrote the story for Losers Take All (2013), and has produced award-winning films in Ireland and New York.
Publisher: State University of New York Press
ISBN: 1438467354
Category : Performing Arts
Languages : en
Pages : 288
Book Description
Examines an all too often neglected period of postwar British cinema and popular culture. Ripping England! investigates a fertile moment for British satire—the period between 1947 and 1953, which produced the films Passport to Pimlico, Kind Hearts and Coronets, and The Lavender Hill Mob, as well as the seminal radio program The Goon Show. Against the postwar background of fading empire, universal rationing, and the implementation of a welfare state, these satires laid the foundation for a new British cultural identity later fleshed out by the Angry Young Men, the Movement poets, the Social Realists, and those involved in the satire boom of the 1960s, which lives on even to this day. The peculiarity of these satires and the British identity they shaped is better understood when seen in relief against postwar cinematic cultures of Italy, France, and the United States. Roger Rawlings places postwar British film in the context of contemporaneous European national film movements and contrasts it with Hollywood’s comedies and satires of the same period. British satires of the late forties and early fifties held up a mirror to a nation that was in the throes of change, moving from a colonial empire to an inward-turning island culture. Ripping England! looks at the all too often neglected miracle of postwar British cinema and popular culture. Roger Rawlings teaches film studies at Palm Beach State College and is Director of Programming at YipTV.com. He cowrote and directed the feature film Neurotica (2004), was executive producer and cowrote the story for Losers Take All (2013), and has produced award-winning films in Ireland and New York.
Ripping England!
Author: Roger Rawlings
Publisher: SUNY Press
ISBN: 1438467338
Category : Performing Arts
Languages : en
Pages : 288
Book Description
Examines an all too often neglected period of postwar British cinema and popular culture. Ripping England! investigates a fertile moment for British satirethe period between 1947 and 1953, which produced the films Passport to Pimlico, Kind Hearts and Coronets, and The Lavender Hill Mob, as well as the seminal radio program The Goon Show. Against the postwar background of fading empire, universal rationing, and the implementation of a welfare state, these satires laid the foundation for a new British cultural identity later fleshed out by the Angry Young Men, the Movement poets, the Social Realists, and those involved in the satire boom of the 1960s, which lives on even to this day. The peculiarity of these satires and the British identity they shaped is better understood when seen in relief against postwar cinematic cultures of Italy, France, and the United States. Roger Rawlings places postwar British film in the context of contemporaneous European national film movements and contrasts it with Hollywoods comedies and satires of the same period. British satires of the late forties and early fifties held up a mirror to a nation that was in the throes of change, moving from a colonial empire to an inward-turning island culture. Ripping England! looks at the all too often neglected miracle of postwar British cinema and popular culture.
Publisher: SUNY Press
ISBN: 1438467338
Category : Performing Arts
Languages : en
Pages : 288
Book Description
Examines an all too often neglected period of postwar British cinema and popular culture. Ripping England! investigates a fertile moment for British satirethe period between 1947 and 1953, which produced the films Passport to Pimlico, Kind Hearts and Coronets, and The Lavender Hill Mob, as well as the seminal radio program The Goon Show. Against the postwar background of fading empire, universal rationing, and the implementation of a welfare state, these satires laid the foundation for a new British cultural identity later fleshed out by the Angry Young Men, the Movement poets, the Social Realists, and those involved in the satire boom of the 1960s, which lives on even to this day. The peculiarity of these satires and the British identity they shaped is better understood when seen in relief against postwar cinematic cultures of Italy, France, and the United States. Roger Rawlings places postwar British film in the context of contemporaneous European national film movements and contrasts it with Hollywoods comedies and satires of the same period. British satires of the late forties and early fifties held up a mirror to a nation that was in the throes of change, moving from a colonial empire to an inward-turning island culture. Ripping England! looks at the all too often neglected miracle of postwar British cinema and popular culture.
The British Academy Records of the Social and Economic History of England and Wales
Author: British Academy
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Book Description
Records of the Social and Economic History of England and Wales
Author: British Academy
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 594
Book Description
The Universal Pronouncing Dictionary, and General Expositor of the English Language
Author: Thomas Wright
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1042
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1042
Book Description
A New English Dictionary on Historical Principles
Author: James Augustus Henry Murray
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 876
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 876
Book Description
“Don’t Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties
Author: Tony Lidington
Publisher: Taylor & Francis
ISBN: 1000686191
Category : Performing Arts
Languages : en
Pages : 380
Book Description
• The book demonstrates how a vernacular British performance form emerged as a hybrid of forms from Afro-American and minstrel, as well as French mime and Italian commedia dell’arte roots. • Theatre history is an essential part of theatre and drama courses across the UK and would be recommended reading. • There is no comparable book which makes critical analysis of British pierrot troupes and concert parties in existence – the only ones that do exist on the specific topic are written as reminiscence and anecdote.
Publisher: Taylor & Francis
ISBN: 1000686191
Category : Performing Arts
Languages : en
Pages : 380
Book Description
• The book demonstrates how a vernacular British performance form emerged as a hybrid of forms from Afro-American and minstrel, as well as French mime and Italian commedia dell’arte roots. • Theatre history is an essential part of theatre and drama courses across the UK and would be recommended reading. • There is no comparable book which makes critical analysis of British pierrot troupes and concert parties in existence – the only ones that do exist on the specific topic are written as reminiscence and anecdote.
A Standard Dictionary of the English Language
Author: Isaac Kaufman Funk
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1304
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1304
Book Description
The Memories of Dean Hole
Author: Samuel Reynolds Hole
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 356
Book Description
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 356
Book Description
A DICTIONARY OF THE ENGLISH LANGUAGE
Author: Samuel Johnson
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1062
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1062
Book Description