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Author: Edwina Barvosa
Publisher: Texas A&M University Press
ISBN: 1603444025
Category : Philosophy
Languages : en
Pages : 306
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Book Description
Many of us have multiple identities, says Edwina Barvosa. We may view ourselves according to ethnicity, marital or family roles, political affiliation, sexuality, or any of several other "identities" we may use to organize our behavior and self-understanding at any given time. Various domains have offered nuggets of insight regarding the characteristics and political implications of seeing the self as made up of multiple identities, but many questions remain. In Wealth of Selves, Edwina Barvosa constructs an ambitious interdisciplinary blend of these insights and crafts them into an overarching theoretical framework for understanding multiple identities in terms of intersectionality, identity contradiction, and the political potential that lies within the practices of self-integration. Grounded in Gloria Anzaldua's concept of mestiza consciousness as well as in Western political thought, this reconsideration of the self promises to reshape our thinking on issues such as immigrant incorporation, national identity, political participation, the socially constructed sources of will and political critique, and the longevity of racial and gender conflicts. With its accessible style and rich cross-pollination among disciplines, Wealth of Selves will reward readers in political science, philosophy, race, ethnic, and American studies, as well as in borderlands, sexuality, and gender studies.
Author: Edwina Barvosa
Publisher: Texas A&M University Press
ISBN: 1603444025
Category : Philosophy
Languages : en
Pages : 306
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Book Description
Many of us have multiple identities, says Edwina Barvosa. We may view ourselves according to ethnicity, marital or family roles, political affiliation, sexuality, or any of several other "identities" we may use to organize our behavior and self-understanding at any given time. Various domains have offered nuggets of insight regarding the characteristics and political implications of seeing the self as made up of multiple identities, but many questions remain. In Wealth of Selves, Edwina Barvosa constructs an ambitious interdisciplinary blend of these insights and crafts them into an overarching theoretical framework for understanding multiple identities in terms of intersectionality, identity contradiction, and the political potential that lies within the practices of self-integration. Grounded in Gloria Anzaldua's concept of mestiza consciousness as well as in Western political thought, this reconsideration of the self promises to reshape our thinking on issues such as immigrant incorporation, national identity, political participation, the socially constructed sources of will and political critique, and the longevity of racial and gender conflicts. With its accessible style and rich cross-pollination among disciplines, Wealth of Selves will reward readers in political science, philosophy, race, ethnic, and American studies, as well as in borderlands, sexuality, and gender studies.
Author: Norma E. Cantú
Publisher: Texas A&M University Press
ISBN: 1603443134
Category : Art
Languages : en
Pages : 202
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Book Description
Author: Elena Zamora O'Shea
Publisher: Texas A&M University Press
ISBN: 9781585441082
Category : Fiction
Languages : en
Pages : 164
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Book Description
The open country of Texas between the Nueces River and the Rio Grande was sparsely settled through the nineteenth century, and most of the settlers who did live there had Hispanic names that until recently were rarely admitted into the pages of Texas history. In 1935, however, a descendant of one of the old Spanish land-grant families in the region-a woman, no less-found an ingenious way to publish the history of her region at a time when neither Tejanos nor women had much voice. She told the story from the perspective of an ancient mesquite tree, under whose branches much South Texas history had passed. Her tale became an invaluable source of folk history but has long been out of print. Now, with important new introductions by Leticia M. Garza-Falcón and Andrés Tijerina, the history witnessed by El Mesquite can again inform readers of the way of life that first shaped Texas. Through the voice of the gnarled old tree, Elena Zamora O'Shea tells South Texas political and ethnographic history, filled with details of daily life such as songs, local plants and folk medicines, foods and recipes, peone/patron relations, and the Tejano ranch vocabulary. The work is an important example of the historical-folkloristic literary genre used by Mexican American writers of the period. Using the literary device of the tree's narration, O'Shea raises issues of culture, discrimination, and prejudice she could not have addressed in her own voice in that day and explicitly states the Mexican American ideology of 1930s Texas. The result is a literary and historic work of lasting value, which clearly articulates the Tejano claim to legitimacy in Texas history. ELENA ZAMORA O'SHEA (1880-1951) was born at Rancho La Noria Cardenena near Peñitas, Hidalgo County, Texas. A long-time schoolteacher, whose posts included one on the famous King Ranch, she wrote this book to help Tejano children know and claim their proud heritage.
Author: Patsy Pittman Light
Publisher: Texas A&M University Press
ISBN: 1623499135
Category : Art
Languages : en
Pages : 404
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Book Description
As documented in Patsy Pittman Light’s award-winning book, Capturing Nature, Mexican artisan Dionicio Rodríguez arrived in San Antonio in the 1920s and created concrete bus stop shelters, park benches, footbridges, and other structures in the style known as faux bois, or trabajo rústico. Following on the success of that previous work, Light, with photographer and artist Kent Rush, presents a comprehensive look at the legacy of Rodríguez as reflected in the works of those whom he trained, mentored, or influenced. Rodríguez captured nature in his work, but he also continues to capture our imagination. Drawing these artistic creations out of the urban landscape, Artisans of Trabajo Rústico makes the nearly invisible fully visible to the critic, the historian, and especially to the casual viewer. Light asserts that San Antonio has the largest concentration of this art form in the country and includes copious full-color photography of the work of Rodríguez and other artisans. This handsomely illustrated and painstakingly documented work offers the broadest possible panorama for the craft and endearing familiarity of this form. Inspired by nature, built by hand, and placed in the service of the public, these “rustic works” continue to provide enjoyment, convenience, and a touch of artistic elegance to public and private landscapes in San Antonio and beyond. Light and Rush’s work affords a fresh and wide-ranging look at this important artisanal tradition.
Author: Meredith E. Abarca
Publisher: Texas A&M University Press
ISBN: 9781585445318
Category : Social Science
Languages : en
Pages : 268
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Book Description
“Literally, chilaquiles are a breakfast I grew up eating: fried corn tortillas with tomato-chile sauce. Symbolically, they are the culinary metaphor for how working-class women speak with the seasoning of their food.”—from the Introduction Through the ages and across cultures, women have carved out a domain in which their cooking allowed them to express themselves, strengthen family relationships, and create a world of shared meanings with other women. In Voices in the Kitchen, Meredith E. Abarca features the voices of her mother and several other family members and friends, seated at their kitchen tables, to share the grassroots world view of these working-class Mexican and Mexican American women. In the kitchen, Abarca demonstrates, women assert their own sazón (seasoning), not only in their cooking but also in their lives. Through a series of oral histories, or charlas culinarias (culinary chats), the women interviewed address issues of space, sensual knowledge, artistic and narrative expression, and cultural and social change. From her mother’s breakfast chilaquiles to the most elaborate traditional dinner, these women share their lives as they share their savory, symbolic, and theoretical meanings of food. The charlas culinarias represent spoken personal narratives, testimonial autobiography, and a form of culinary memoir, one created by the cooks-as-writers who speak from their kitchen space. Abarca then looks at writers-as-cooks to add an additional dimension to the understanding of women’s power to define themselves. Voices in the Kitchen joins the extensive culinary research of the last decade in exploring the importance of the knowledge found in the practical, concrete, and temporal aspects of the ordinary practice of everyday cooking.
Author: María Herrera-Sobek
Publisher: Texas A&M University Press
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Santa Barraza paints bold representations of Nepantla, the Land Between. Her work depicts the historical, emotional, and spiritual land between Mexico and Texas, between the familiar and the sacred, between present reality and the mythic world of the ancient Aztecs and Mayas. More than thirty of her most powerful and characteristic works are offered in full color and considered in this ground-breaking study of a nationally important Tejana artist. Over the last twenty-five years of her career as a visual artist, Barraza has explored what it is to be a Chicana and a mestiza in this country. Utilizing a variety of media, she has embarked on an artistic journey full of family portraits, watercolor dream scenes, mixed media artist books, and murals that harken back to a pre-Columbian past. By tapping into pre-conquest symbols, personal memories, and traditional sacred art forms such as the retablo and the Codices, she incorporates the value of Mexican artistic traditions and their power to nurture and sustain cultural identity on this side of the border. Barraza's art, which includes public art in the form of murals and children's workshops, has increasingly drawn on the colors and forms of Mesoamerica. Most recently, the Aztec Codices offer her a symbolic form to claim her roots and to invoke much of the cosmology of her ancestors. Within the form, however, she adapts by drawing on contemporary figures such as her own mother, or labor leader Ema Tenayucca, or Barraza's sister with a physical heart (representing a heart transplant she had received) in place of the Virgen de Guadalupe and the Immaculate Heart. Scholars María Herrera-Sobek, Antonia Castañeda, Shifra M. Goldman, Tomás Ybarra-Frausto, and Dori Grace Udeagbor Lemeh contribute distinctive insights to the analysis of the forces that have shaped Barraza as a Chicana artist and the images and aesthetics that characterize the corpus of her work. Their perspectives also contribute to an understanding of the Chicano/a artists (including Barraza) who began their rise to prominence during the Chicano Movement of the 1960s and 1970s. Moreover, the text invites readers to view the Chicano/a as the "New American artist," suggesting that the elements of Barraza's painting are important not only to Chicanos/as, but to all Americans in our increasingly bicultural and even mestizo society.
Author: Harriett D. Romo
Publisher: Texas A&M University Press
ISBN: 1623499763
Category : Social Science
Languages : en
Pages : 439
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Book Description
Borderlands: they stretch across national boundaries, and they create a unique space that extends beyond the international boundary. They extend north and south of what we think of as the actual “border,” encompassing even the urban areas of San Antonio, Texas, and Monterrey, Nueva León, Mexico, affirming shared identities and a sense of belonging far away from the geographical boundary. In Bridging Cultures: Reflections on the Heritage Identity of the Texas-Mexico Borderlands, editors Harriett Romo and William Dupont focus specifically on the lower reaches of the Rio Grande/Río Bravo as it exits the mountains and meanders across a coastal plain. Bringing together perspectives of architects, historians, anthropologists, sociologists, educators, political scientists, geographers, and creative writers who span and encompass the border, its four sections explore the historical and cultural background of the region; the built environment of the transnational border region and how border towns came to look as they do; shared systems of ideas, beliefs, values, knowledge, norms of behavior, and customs—the way of life we think of as Borderlands culture; and how border security, trade and militarization, and media depictions impact the inhabitants of the Borderlands. Romo and Dupont present the complexity of the Texas-Mexico Borderlands culture and historical heritage, exploring the tangible and intangible aspects of border culture, the meaning and legacy of the Borderlands, its influence on relationships and connections, and how to manage change in a region evolving dramatically over the past five centuries and into the future.
Author: Emilio Zamora
Publisher: Texas A&M University Press
ISBN: 9781603440660
Category : Business & Economics
Languages : en
Pages : 340
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Book Description
For Mexican workers on the American home front during World War II, unprecedented new employment opportunities contrasted sharply with continuing discrimination, inequality, and hardship.
Author: Casey Walsh
Publisher: Texas A&M University Press
ISBN: 9781603440134
Category : Social Science
Languages : en
Pages : 258
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Book Description
Cotton, crucial to the economy of the American South, has also played a vital role in the making of the Mexican north. The Lower Río Bravo (Rio Grande) Valley irrigation zone on the border with Texas in northern Tamaulipas, Mexico, was the centerpiece of the Cárdenas government’s effort to make cotton the basis of the national economy. This irrigation district, built and settled by Mexican Americans repatriated from Texas, was a central feature of Mexico’s effort to control and use the waters of the international river for irrigated agriculture. Drawing on previously unexplored archival sources, Casey Walsh discusses the relations among various groups comprising the “social field” of cotton production in the borderlands. By describing the complex relationships among these groups, Walsh contributes to a clearer understanding of capitalism and the state, of transnational economic forces, of agricultural and water issues in the U.S.-Mexican borderlands, and of the environmental impacts of economic development. Building the Borderlands crosses a number of disciplinary, thematic, and regional frontiers, integrating perspectives and literature from the United States and Mexico, from anthropology and history, and from political, economic, and cultural studies. Walsh’s important transnational study will enjoy a wide audience among scholars of Latin American and Western U.S. history, the borderlands, and environmental and agricultural history, as well as anthropologists and others interested in the environment and water rights.
Author: Elizabeth de la Portilla
Publisher: Texas A&M University Press
ISBN: 9781603440998
Category : Health & Fitness
Languages : en
Pages : 168
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Book Description
Elizabeth de la Portilla writes of the world and practices of San Antonio curanderas. As a scholar, an ethnographer, and a curandera in training, her parallel perspectives uniquely aid readers in understanding this subordinated culture. Retelling the stories various healers have shared, interpreting their answers to her probing questions, and describing the herbs and recipes they use in their arts, the author vividly illuminates the borderland context of San Antonio.
