Right is Wrong. Four Decades of Chinese Art from the M+ Sigg Collection PDF Download
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Author: Lars Nittve
Publisher:
ISBN: 9789176010624
Category : Art, Chinese
Languages : en
Pages : 157
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Book Description
Right is Wrong is an extremely concentrated contemporary art history narrated through a number of key works. It gives us the opportunity to look at the connections between art and society from the specificity of recent Chinese history by showing the development of the art scene in relation to the socio-political development in China. Right is Wrong raises questions about the relationship between art and contemporary life and contemporary history. It inquires about how art reflects or mirrors a society and simultaneously influences it, about how art not only reacts to and comments on events and incidents, but also is an agent shaping our future. This exhibition raises the question: what can art do? The relationship between art and society, art and ideology, art and politics, is the underlying theme which runs through Right is Wrong.0Exhibition: Bildmuseet, Umeå, Sweden (08.06-12.10.2014).
Author: Lars Nittve
Publisher:
ISBN: 9789176010624
Category : Art, Chinese
Languages : en
Pages : 157
Get Book Here
Book Description
Right is Wrong is an extremely concentrated contemporary art history narrated through a number of key works. It gives us the opportunity to look at the connections between art and society from the specificity of recent Chinese history by showing the development of the art scene in relation to the socio-political development in China. Right is Wrong raises questions about the relationship between art and contemporary life and contemporary history. It inquires about how art reflects or mirrors a society and simultaneously influences it, about how art not only reacts to and comments on events and incidents, but also is an agent shaping our future. This exhibition raises the question: what can art do? The relationship between art and society, art and ideology, art and politics, is the underlying theme which runs through Right is Wrong.0Exhibition: Bildmuseet, Umeå, Sweden (08.06-12.10.2014).
Author:
Publisher:
ISBN: 9789881624055
Category :
Languages : en
Pages :
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Book Description
Author: Arnisa Zeqo
Publisher: Hatje Cantz Verlag
ISBN: 3775750517
Category : Art
Languages : en
Pages : 193
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Book Description
Bouchra Khalili arbeitet medienübergreifend mit einem sehr charakteristischen Erzählstil. Diese Monografie erscheint anlässlich ihrer Ausstellung im Bildmuseet in Umeå, Schweden. Mit dem Wissen um die Avantgarden der Zeit nach der Unabhängigkeit sowie um die volkstümlichen Traditionen ihres Heimatlandes Marokko kombiniert Khalili in ihren Arbeiten verschiedene performative Strategien des Geschichtenerzählens. Diese narrativen Formen sind dabei sowohl von »ziviler Poesie«, wie sie vom italienischen Filmemacher Pier Paolo Pasolini definiert wurde, als auch von der Tradition der marokkanischen Al-Halqa inspiriert. Begleitende Essays ordnen die mit diesen Erzählweisen verbundenen Konzepte ein.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588395049
Category : Art
Languages : en
Pages : 210
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Book Description
"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." --
Author: Patricia Eichenbaum Karetzky
Publisher: Cambridge Scholars Publishing
ISBN: 9781527541023
Category :
Languages : en
Pages : 320
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Book Description
This book presents in eight chapters the work of over 75 Chinese female artists, both pictorial and poetic. Their art is viewed within a framework of eight themes. The broad topics explored include the body; life; the representation of the experience of being a woman; home and the world; a view of children and other women; clothes; social conscience; fantasy; and abstractionâ "nonfigurative work and its viability as a medium to express the spiritual. These themes provide several lenses through which to enjoy and compare these artistsâ (TM) approaches and outputs. The volume is unique in its inclusion of poetry by contemporary women whose voices articulate so many of the same concerns as the visual artists. In China, poetry has always been the prime form of artistic expression, and it remains so today. Looking at this poetry affords us a different means of appreciating the art of women in contemporary society.
Author: Marcella Beccaria
Publisher:
ISBN: 9788894481709
Category :
Languages : en
Pages : 67
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Book Description
Author: Doryun Chong
Publisher: National Geographic Books
ISBN: 0500024367
Category : Art
Languages : en
Pages : 0
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Book Description
A richly illustrated companion to selected works from the collections at M+, Hong Kong’s new museum of 20th-and 21st-century visual culture. M+, Hong Kong’s new museum of contemporary visual culture, opens in 2021. Its varied collections include more than 6,000 works and objects from the worlds of visual art, moving image, and design and architecture; more than 1,500 works of contemporary Chinese art from the M+ Sigg Collection; the M+ Collection Archives, comprising some 45,000 items; and the M+ Library Special Collection. M+ Collections: Highlights presents the work of more than 300 artists, designers, film-makers, photographers, and architects, specially selected to represent the collections as a whole, from Zhang Peili and Charlotte Perriand, to Nam June Paik, Zaha Hadid, and Shigeru Ban. Each chapter encompasses a different decade of the collections’ span, from the 1950s to the present. The book consists of individual entries on featured makers, each paired with an insightful analysis by an M+ curator. Interspersed among these entries are twenty-four thematic essays that illuminate some of the ideas around which the collections have grown, including modernism in Asian art and the future of painting in a digital world. Full of unexpected connections and new perspectives, M+ Collections: Highlights serves as an invaluable—and beautiful—introduction to this innovative new museum’s world-class collections of modern and contemporary visual culture.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362286
Category : Art
Languages : en
Pages : 214
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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.
Author: E.L. Abel
Publisher: Springer Science & Business Media
ISBN: 1489921893
Category : Social Science
Languages : en
Pages : 292
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Book Description
Of all the plants men have ever grown, none has been praised and denounced as often as marihuana (Cannabis sativa). Throughout the ages, marihuana has been extolled as one of man's greatest benefactors and cursed as one of his greatest scourges. Marihuana is undoubtedly a herb that has been many things to many people. Armies and navies have used it to make war, men and women to make love. Hunters and fishermen have snared the most ferocious creatures, from the tiger to the shark, in its herculean weave. Fashion designers have dressed the most elegant women in its supple knit. Hangmen have snapped the necks of thieves and murderers with its fiber. Obstetricians have eased the pain of childbirth with its leaves. Farmers have crushed its seeds and used the oil within to light their lamps. Mourners have thrown its seeds into blazing fires and have had their sorrow transformed into blissful ecstasy by the fumes that filled the air. Marihuana has been known by many names: hemp, hashish, dagga, bhang, loco weed, grass-the list is endless. Formally christened Cannabis sativa in 1753 by Carl Linnaeus, marihuana is one of nature's hardiest specimens. It needs little care to thrive. One need not talk to it, sing to it, or play soothing tranquil Brahms lullabies to coax it to grow. It is as vigorous as a weed. It is ubiquitous. It fluorishes under nearly every possible climatic condition.
Author: Hanru Hou
Publisher: Hatje Cantz
ISBN:
Category : Architecture
Languages : en
Pages : 476
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Book Description
In today's world, the Asian megapolis is a reality that is reconfiguring both East and West, old world and new, and is as much a cultural phenomena as a demographic or architectural one. It is currently predicted that in the year 2000 there will be 15 cities in Asia with more than 15 million people each, and that more than 50 million will be living in the Tokyo-Osaka corridor. Cities on the Move is the first publication to confront this rapidly changing social, urban, and suburban landscape primarily from the point of view of those Asian artists, architects, and intellectuals who are currently already part of this emerging world. The result is a massive, kaleidoscopic volume which presents a multitude and variety of projects, plans, ideas, artworks, and observations which are not easily summarized. Like a documenta of the East, this book attempts nothing less than an expansive, inclusive forum and interchange -- an avant-garde symposium -- for those figures whose work by its very nature requires the contemplation of urban Asia.
