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Author: Richard Joseph Neutra
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 290
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Book Description
The correspondence between Richard and Dione Neutra recounts the difficult early years and the developing philosophy of a man who would change the look of architecture. But as Thomas S. Hines, Neutra’s biographer, makes clear, the book does far more than trace the development of two artistic young people: “What you have here is not only valuable material about the making of an architectural career and of a salutary and interesting marriage, but documents of European and American social and cultural history in the early twentieth century.” The letters and diary entries describe the period that followed World War I, with the unbelievable inflation in Germany and the Great Depression in America. The settings range from imperial Vienna to imperial Japan, and from the nightmare of Ellis Island to a dream-house in Los Angeles. Along the way are fascinating glimpses of and comments from such architects as Gropius, Mendelsohn, Schindler, and Wright that further document Richard Neutra’s concepts, approaches, and attitudes, his frustrations and achievements. Running as a charming counterpoint to these intellectual themes is the story of a romance that was to endure for half a century, for many of the letters are first and foremost love letters that chronicle the Neutra’s meeting, courtship, and first ten years of marriage. The book is generously illustrated by both personal photographs and photographs of Neutra’s work.
Author: Richard Joseph Neutra
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 290
Get Book Here
Book Description
The correspondence between Richard and Dione Neutra recounts the difficult early years and the developing philosophy of a man who would change the look of architecture. But as Thomas S. Hines, Neutra’s biographer, makes clear, the book does far more than trace the development of two artistic young people: “What you have here is not only valuable material about the making of an architectural career and of a salutary and interesting marriage, but documents of European and American social and cultural history in the early twentieth century.” The letters and diary entries describe the period that followed World War I, with the unbelievable inflation in Germany and the Great Depression in America. The settings range from imperial Vienna to imperial Japan, and from the nightmare of Ellis Island to a dream-house in Los Angeles. Along the way are fascinating glimpses of and comments from such architects as Gropius, Mendelsohn, Schindler, and Wright that further document Richard Neutra’s concepts, approaches, and attitudes, his frustrations and achievements. Running as a charming counterpoint to these intellectual themes is the story of a romance that was to endure for half a century, for many of the letters are first and foremost love letters that chronicle the Neutra’s meeting, courtship, and first ten years of marriage. The book is generously illustrated by both personal photographs and photographs of Neutra’s work.
Author: Stephen Leet
Publisher: Princeton Architectural Press
ISBN: 9781568982748
Category : Architecture
Languages : en
Pages : 210
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Book Description
In 1937, the architect and his sophisticated client produced a masterwork of forward-thinking and artful architecture."
Author: John Stanislav Sadar
Publisher: Routledge
ISBN: 1317562607
Category : Architecture
Languages : en
Pages : 309
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Book Description
In the mid-1920s a physiologist, a glass chemist, and a zoo embarked on a project which promised to turn buildings into medical instruments. The advanced chemistry of "Vita" Glass mobilised theories of light and medicine, health practices and glassmaking technology to compress an entire epoch’s hopes for a healthy life into a glass sheet – yet it did so invisibly. To communicate its advantage, Pilkington Bros. spared no expense as they launched the most costly and sophisticated marketing campaign in their history. Engineering need for "Vita" Glass employed leading-edge market research, evocative photography and vanguard techniques of advertising psychology, accompanied by the claim: "Let in the Health Rays of Daylight Permanently through "Vita" Glass Windows." This is the story of how, despite the best efforts of two glass companies, the leading marketing firm of the day, and the opinions of leading medical minds, "Vita" Glass failed. However, it epitomised an age of lightness and airiness, sleeping porches, flat roofs and ribbon windows. Moreover, through its remarkable print advertising, it strove to shape the ideal relationship between our buildings and our bodies.
Author: Kenneth Frampton
Publisher: Yale University Press
ISBN: 0300238894
Category : Architecture
Languages : en
Pages : 345
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Book Description
A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton's account offers new insights into iconic buildings like Eileen Gray's E-1027 House in France and Richard Neutra's Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond's Tokyo Golf Club and Alejandro de la Sota's Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
Author: Wendy Kaplan
Publisher: MIT Press
ISBN: 0262299860
Category : Art
Languages : en
Pages : 368
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Book Description
The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
Author: Gail Feigenbaum
Publisher: Getty Publications
ISBN: 1606066080
Category : Art
Languages : en
Pages : 240
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Book Description
The Getty Research Journal features the work of art historians, museum curators, and conservators from around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world’s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. This issue features essays on the culture of display in eighteenth-century Venetian palaces, the influence of prehistoric cave paintings on American abstract artists, the life and writings of Pauline Gibling Schindler, an unrealized project by Sam Francis and Walter Hopps for a contemporary art venue in 1960s Los Angeles, Harald Szeemann’s early plans for the documenta 5 exhibition, and the notebooks and manuscripts that led to Aldo Rossi’s Scientific Autobiography. Shorter texts include notices on Felipe Guaman Poma de Ayala’s illustrations accompanying a tale in Martín de Murúa’s Historia general del Piru, copperplate prints depicting the Qing army’s invasion of Nepal in 1792, the Nazi-era business records of the Gustav Cramer gallery in The Hague, Netherlands, and a proposal for the integration of provenance research into all aspects of museum activities, including a call for cross-institutional databases and international collaborations.
Author: Todd Cronan
Publisher: U of Minnesota Press
ISBN: 1452969388
Category : Architecture
Languages : en
Pages : 642
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Book Description
A critical look at the competing motivations behind one of modern architecture’s most widely known and misunderstood movements Although “mid-century modern” has evolved into a highly popular and ubiquitous architectural style, this term obscures the varied perspectives and approaches of its original practitioners. In Nothing Permanent, Todd Cronan displaces generalizations with a nuanced intellectual history of architectural innovation in California between 1920 and 1970, uncovering the conflicting intentions that would go on to reshape the future of American domestic life. Focusing on four primary figures—R. M. Schindler, Richard Neutra, and Charles and Ray Eames—Nothing Permanent demonstrates how this prolific era of modern architecture in California, rather than constituting a homogenous movement, was propelled by disparate approaches and aims. Exemplified by the twin pillars of Schindler and Neutra and their respective ideological factions, these two groups of architects represent opposing poles of architectural intentionality, embodying divergent views about the dynamic between interior and exterior, the idea of permanence, and the extent to which architects could exercise control over the inhabitants of their structures. Looking past California modernism’s surface-level idealization in present-day style guides, home decor publications, films, and television shows, Nothing Permanent details the intellectual, aesthetic, and practical debates that lie at the roots of this complex architectural moment. Extracting this period from its diffusion into visual culture, Cronan argues that mid-century architecture in California raised questions about the meaning of architecture and design that remain urgent today.
Author: Robert Sweeney
Publisher: Univ of California Press
ISBN: 0520271947
Category : Architecture
Languages : en
Pages : 128
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Book Description
"This book establishes R.M. Schindler’s Kings Road House amongst the icons of modernist housing—as crucial as Le Corbusier, Walter Gropius, Mies van der Rohe, or Frank Lloyd Wright to the story of twentieth-century residential design. Weaving together an impressive blend of primary sources, Sweeney and Sheine illuminate heretofore unknown or neglected stories regarding Schindler’s life, his relationship with his mentors—most notably, Wright himself—and the development of his unique theories about space. These essays will interest both scholars and practitioners of architecture as well as readers wishing to learn more about the development of architectural modernism in general.”—J. Philip Gruen, School of Design and Construction, Washington State University.
Author: Klaus Hentschel
Publisher: Stanford University Press
ISBN: 9780804728249
Category : Science
Languages : en
Pages : 260
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Book Description
Focusing on the "Einstein Tower," an architecturally historic observatory built in Potsdam in 1920, this book investigates German scientific life by blending biography, architectural history, scientific theory and research, and scientific politics.
Author: David Pascoe
Publisher: Reaktion Books
ISBN: 1861895321
Category : Architecture
Languages : en
Pages : 318
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Book Description
As mass air transport shrinks the world and requires airport complexes large enough to be regarded as self-contained cities, this book argues that airspace – that transitional area stretching from terminal to terminal, across time zones or between the check-in desk and the baggage carousel – must be regarded as a discrete destination on any map of our age. At the hub of this exclusive enclave, which rises from the runway to an altitude of several thousand feet and which calmly accommodates the dangers of take-off and landing procedures, lies the airport – the concrete manifestation of airspace. The airport is a locale of anxiety and chance where, in order to expedite air traffic, authority is absolute, time is relative and liberties are always taken. David Pascoe's wide-ranging book blends personal observation with detailed discussions of social history, air accidents, landscape, architecture, politics, aesthetics, literature and film to provide a striking account of the airport as a unique space and singular form of modernity, a place fundamental to any accurate sense of what we are now, and where we are going. "eclectic and intelligent ... a thought-provoking analysis"—Financial Times "the scope of Mr Pascoe’s rumination is impressive"—The Economist
